Sunday, 15 April 2012

Washington Square Park, New York

When I was 22 years old I lived in New York for a short while – I arrived knowing nobody and with nowhere to stay. On the flight over I found myself sitting next to a lady that happened to be the Art Director of a New York magazine I knew and admired – we shared a cab to Greenwich Village where she dropped me off at the Washington Square Hotel, famed haunt of artists and writers. I spent my first evening, a very humid and hot Autumn evening, listening to the various musicians just hanging out in Washington Square Park. This was my introduction to New York, and Greenwich Village remains to this day my favourite part of the city.

In the course of researching this blog, I’ve noticed that a lot of American artists, particularly those associated with New York City, like the Ashcan School, have at one time or another undertaken paintings and drawings of Washington Square Park, so I thought I’d do a short post that subject.


A recent photograph © Poul Webb

Washington Square Park is one of the best-known of New York City’s 1,900 public parks. At 9.75 acres it is a landmark in the Manhattan neighbourhood of Greenwich Village, as well as a meeting place and centre for cultural activity. In 1826 the City bought the land, the square was laid out and levelled, and it was turned into the Washington Military Parade Ground. Military parade grounds were public spaces specified by the City where volunteer militia companies responsible for the nation's defence would train.

The streets surrounding the square became one of the city's most desirable residential areas in the 1830s. The protected row of Greek Revival style houses on the north side of the park remain from that time. In 1849 and 1850 the parade ground was reworked into the first park on the site. More paths were added and a new fence was built around it. In 1871, it came under the control of the newly-formed New York City Department of Parks, and it was re-designed again, with curving rather than straight secondary paths.

In 1889, to celebrate the centennial of George Washington’s inauguration as President of the United States, a large plaster and wood Memorial Arch was erected over Fifth Avenue just north of the park. The temporary plaster and wood arch was so popular that in 1892 a permanent marble arch, designed by the New York architect Stanford White, was erected, standing 23 metres high. The inscription on the arch reads: “Let us raise a standard to which the wise and the honest can repair. The event is in the hand of God.” Washington. White modelled the arch after the 1806 Arc de Triomphe in Paris. In 1918 two statues of George Washington were added to the north side. The first fountain was completed in 1852. The fountain was replaced in 1872. The monument to Giuseppe Garibaldi was unveiled in 1888.


William Glackens c1908 
Washington Square Park 
oil on canvas 35.6 x 47 cm

Carl Gustaf Nelson 
oil on board

Everett Shinn 1915 
conté crayon and watercolour

Everett Shinn 1952

Everett Shinn 
Washington Square, New York at Boston

Everett Shinn c1945 
oil on canvas

George Luks 
charcoal on paper

John Sloan 1923  
Washington Arch 
etching 25.7 x 17.3 cm

John Sloan 1925 
Sculpture in Washington Square 
etching

John Sloan 1926 
Buses in Washington Square 
etching

John Sloan 
Easter Eve, Washington Square 
etching 34.6 x 27.8 cm

Paul Cornoyer 
oil on canvas

Paul Cornoyer 
oil on canvas

Paul Cornoyer 
oil on canvas

Paul Cornoyer 
oil on canvas

Paul Cornoyer c1908 
Late Afternoon 
oil on canvas

Paul Cornoyer Winter 
oil on canvas

Paul Cornoyer 
oil on canvas

William Glackens 1910 
Descending from the Bus 
oil on canvas

William Glackens 1910 
Washington Square

William Glackens 1910 
Washington Square

William Glackens 1911-12 
The Arch 
oil on canvas

William Glackens c1912 
Italo-American Celebration 
oil on canvas

William Glackens 1910 
Washington Square
Bela de Tirefort 1938
Washington Square
oil on panel
Fernand Lungren 1897
Washington Square North

William Glackens1912 
March Day oil on canvas




Thursday, 5 April 2012

Morris Louis - part 2

This is part 2 of a 2-part post on the works of American painter Morris Louis (1912 – 1962). Louis was one of the earliest exponents of Colour Field painting. Living in Washington, D.C., Louis along with Kenneth Noland and other painters formed what is known today as The Washington Colour School. For biographical notes on Morris Louis and further works, see part 1.

All works © The Estate of Morris Louis


1960 Alpha-Pi 
magna acrylic on canvas 260.4 x 449.6 cm

1960 Beta Nu 
magna acrylic on canvas 259.1 x 701 cm

1960 Beta Upsilon 
magna acrylic on canvas 260.4 x 618.5 cm

1960 Delta Kappa 
magna acrylic on canvas 262.9 x 370.8 cm

1960 Delta Zeta 
magna acrylic on canvas 257.8 x 362.6 cm

1960 Gamma Omnicron 
magna acrylic on canvas 259.1 x 395 cm

1960 Gamma Tau 
magna acrylic on canvas 261 x 422.9 cm

1960 Pi 
magna acrylic on canvas 261.6 x 444.5 cm

1960 Untitled 
magna acrylic on canvas 264.2 x 307.3 cm

1960 Untitled 
magna acrylic on canvas 266.7 x 513.1 cm

1960 Vav 
magna acrylic on canvas 260.3 x 359.4 cm

1960 Where 
magna acrylic on canvas 252.3 x 361.9 cm

1960 While series II 
magna on canvas

1960-1 Phi 
magna acrylic on canvas 265 x 362 cm

1960-61 Alpha Tau 
magna acrylic on canvas

1961 Alpha-Phi 
magna acrylic on canvas 259.1 x 459.7 cm

1961 Claustral 
magna acrylic on canvas

1961 Color Line 
magna acrylic on canvas 215.2 x 124.8 cm

1961 Delta Theta 
magna acrylic on canvas 261 x 416.6 cm

1961 Number 28 
magna acrylic on canvas 91 x 78 in

1961 Pillar of Delay 
magna acrylic on canvas 220.3 x 100.3 cm

1961 Pungent Distances 
magna acrylic on canvas 231.8 x 150.5 cm

1961 Theta 
magna acrylic on canvas 259 x 426.7 cm

1962 Approach 
magna acrylic on canvas 83 ¼ x 28 in

1962 Horizontal VIII 
magna acrylic on canvas 65.5 x 243 cm

1962 Hot Half 
magna acrylic on canvas

In 1973 Pop Artist Roy Lichtenstein painted a tribute to Morris Louis' work:


1973 Roy Lichtenstein Untitled (Morris Louis Unfurled)