Jean-Auguste-Dominique Ingres – part 5

Jean-Auguste-Dominique Ingres (1780 – 1867) was a French Neoclassical artist. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognised as his greatest legacy.

For a full biography see part 1. For earlier works see parts 1 - 4 also.

This is part 5 of a 8 – part series on the works of Jean-Auguste-Dominique Ingres:

1823 Count Rodolphe Apponyi
graphite and white chalk on off-white wove paper 45.3 x 34.6 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1823 Countess Antoine Apponyi
graphite and white chalk on off-white wove paper 45 x 34.9 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1823 Jacques-Louis Leblanc ( 1774–1846 )
oil on canvas 121 x 95.6 cm
Metropolitan Museum of Art, New York City

1823 Jacques-Louis Leblanc

1823 Madame Jacques-Louis Leblanc ( Françoise Poncelle, 1788–1839 )
oil on canvas 119.4 x 92.7 cm
Metropolitan Museum of Art, New York

1823-26 Amédée-David, the Comte de Pastoret
oil on canvas 103 x 83.5 cm
Art Institute of Chicago, IL

1821 Drapery Study for the Madonna in "The Vow of Louis XIII"
graphite and black chalk over stylus lines on cream wove paper 39 x 19.4 cm
Fogg Art Museum, Harvard Art Museums, Cambridge, MA

1824 The Vow of Louis XIII
oil on canvas 421 x 262 cm
Cathédrale Notre-Dame de Montauban, France

1825 Adolphe-Marcellin Defresne
graphite on paper 42.8 x 29.2 cm
The Morgan Library and Museum, New York City

1825 Les Quatres magistrats de Besancon
lithograph 19.7 x 20 cm
de Young / Legion of Honor Fine Arts Museums of San Francisco, CA

1825 Odalisque
lithograph
National Gallery of Art, Washington, DC

1825-50 Venus Anadyomène
oil on canvas 31.5 x 20 cm
Musée du Louvre, Paris

1825c Pierre Alexandre Tardieu
graphite on cream wove paper 24.2 x 18.6 cm
Art Institute of Chicago, IL

1826 Dr. Louis Martinet
graphite on wove paper
National Gallery of Art, Washington, DC

1826 Madame Marie Marcotte ( Marcotte de Sainte-Marie )
oil on cardboard 93 x 74 cm
Musée du Louvre, Paris

1826 Mme Adolphe-Marcellin Defresne, née Sophie Leroy
graphite on paper 43.6 x 30.5 cm
The Morgan Library and Museum, New York City

1827 The Apotheosis of Homer
oil on canvas 386 x 515 cm
Musée du Louvre, Paris

1827 Head of Boileau. Study for The Apotheosis of Homer
21 x 26.5 cm
Musée Ingres, Montauban, France

1827c Study for the figure of Phidias in The Apotheosis of Homer
graphite and bodycolour on buff paper 39.8 x 21.3 cm
The Fitzwilliam Museum, Cambridge, UK

1827 Study for Phidias in The Apotheosis of Homer
oil on canvas laid down on panel 32.4 x 35.6 cm
The San Diego Museum of Art, CA

1827c Studies for The Apotheosis of Homer

1827c Studies of Drapery for the figure of Virgil in The Apotheosis of Homer
 graphite, black and white chalk on tan wove paper 39.3 x 27.3 cm
Fogg Museums, Harvard Art Museums, Cambridge, MA

1827c Study for the Apotheosis of Homer

1827c Study for the Apotheosis of Homer

1827c Study for the Apotheosis of Homer

1827c Study for the Figure of the Iliad in The Apotheosis of Homer
 graphite and black chalk heightened with white chalk on brown paper 
31.4 x 27 cm
Metropolitan Museum of Art, New York

1827c Study for the Drapery of Molière in The Apotheosis of Homer
 black chalk with stumping 30.3 x 24.9 cm
Metropolitan Museum of Art, New York City

1827 Charles X Distributing Awards at the Salon of 1824
oil on cardboard 173 x 256 cm
Musée du Louvre, Paris

1827 The Martyrdom of St Symphorian ( study )
oil on canvas 35 x 30 cm
Private Collection

1827 The Virgin of the Blue Veil
oil on canvas 77 x 65 cm
São Paulo, Brazil

1827 Ulysess
oil on canvas mounted on wood  25.1 x 19.2 cm
National Gallery of Art, Washington, DC

1828 Mme. Balze
graphite on tracing paper 28 x 21.2 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1828c Charles X in his Coronation Robes
watercolour over graphite on ivory laid paper 26.1 x 19.9 cm
Art Institute of Chicago, IL

1828c The Forestier Family
graphite and white chalk on tracing paper 30 x 37.2 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1829 Luigi Calamatta

1829 Madame Louis-Francois Godinot
graphite 21.9 x 16.5 cm
Private Collection

1829 Pierre Marie François De Sales Baillot

1829-30 Charles X inn his Coronation Robes
oil on canvas 129 x 90 cm
Musée Bonnat, Bayonne, France

1830-62 Hope and Charity ( after Raphael )
graphite and grey wash on paper 35.2 x 3.2 cm
The Wallace Collection, London

1830-67c Pindar and Ictinus
oil on canvas mounted on panel 34.9 x 27.9 cm
The National Gallery, London

1832 Louis-François Bertin
oil on canvas 116 x 96 cm
Musée du Louvre, Paris

1832c Study for the Portrait of Louis-François Bertin
graphite and black chalk 34.9 x 34.5 cm
Metropolitan Museum of Art, New York

Jean-Auguste-Dominique Ingres – part 4

1822 Self-Portrait
graphite on wove paper 20.2 x 16.1 cm
National Gallery of Art, Washington, DC

Jean-Auguste-Dominique Ingres (1780 – 1867) was a French Neoclassical artist. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognised as his greatest legacy.

For a full biography see part 1. For earlier works see parts 1 - 3 also.

This is part 4 of a 8 – part series on the works of Jean-Auguste-Dominique Ingres:

1816 Thomas Church
graphite on paper 20.2 x 15.9 cm
Los Angeles County Museum of Art, CA

1816-17c Mrs. Edward Dodwel
graphite on wove paper 20.9 x 15.8 cm
National Gallery of Art, Washington, DC

1817 Admiral Sir Fleetwood Broughton Reynolds Pellew
graphite on wove paper 30 x 22 cm
Metropolitan Museum of Art, New York City

1817 Augustin Jordan and his Daughter Adrienne
graphite on white wove paper 43 x 32.3 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1817 before Henry IV, the Dauphin and the Spanish Ambassador
oil on canvas
© Victoria & Albert Museum, London

1817 Charles Robert Cockerell ( English Architect 1788-1863 London )

1817 Charles-Désiré Norry ( 1796-1818 )
graphite on wove paper 19.8 x 14.8 cm
The Morgan Library and Museum, New York City

1817 French painter Charles Thévenin ( 1764-1838 )

1817 Henri IV Playing with His Children
oil on canvas 39 x 49 cm
Musée du Petit Palais, Paris

1817 Lady William Henry Cavendish Bentinck, born Lady Mary Acheson

1817 Mme. Augustin Jordan and Her Son Gabriel
graphite on white wove paper 44.3 32.6 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1817 Otto Magnus Von Stackelberg and ( Jackob Linckh? )

1817 Saint Helena Holding the Cross
graphite, brown ink and coloured washes on white wove paper
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1818 Charles Lethiere

1818 General Louis-Etienne Dulong De Rosnay
graphite on wove paper 45.1 x 34.3 cm
Metropolitan Museum of Art, New York City

1818 Jean Pierre Cortot

1818 Portrait of Madame Louis Nicolas Marie Destouches, born Armande Edmee Charton

1818 The Death of Leonardi da Vinci
oil on canvas 40 x 50.5 cm
Musée du Petit Palais, Paris

1818 The Kaunitz Sisters ( Leopoldine, Caroline, and Ferdinandine )
graphite on laid paper 30.2 x 22.2 cm
Metropolitan Museum of Art, New York City

1818-31 Nicolo Paganini ( 1784–1840 )
graphite and white chalk on tracing paper 24 x 18.5 cm
Metropolitan Museum of Art, New York City

1819 Andre Benoit Barreau, called Taurel
graphite on paper
Private Collection

1819 Paolo and Francesca
oil on canvas  50 x 41 cm
Musée des Beaux-Arts d'Angers, France

n.d. Paolo and Francesca
35 x 28 cm
Musée Condé, Chatilly, France

1819c Study for Paolo and Francesca
graphite on paper 12.8 x 17 cm
Private Collection

1818-19 Roger Delivering Angelique

Ingres received the commission for this painting in 1817 while living in Rome, finishing the work in 1819.  Shortly after its completion it was exhibited in Paris at the Salon of the same year, alongside his “Grande Odalisque” before being purchased by the Comte de Blacas, the French ambassador to the Vatican, on behalf of Louis XVIII.  It was installed above a doorway in the throne room of Versailles from 1820 until 1823 before being relocated to the Musée du Luxembourg, making history in the process by becoming Ingres' first painting to enter a public collection.  Now in the Musée du Louvre, the painting remains one of the most instantly recognisable images in the museum's entire collection.

1818 Roger Delivering Angelique
graphite on white wove paper 17.1 x 19.7 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1818 Study for Roger Delivering Angelique
oil on canvas 47 x 37.2 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1819 Roger Delivering Angelique
oil on canvas 147 x 190 cm
Musée du Louvre, Paris

1819-39 Roger Delivering Angelique
oil on canvas 47.6 x 39.4 cm
The National Gallery, London

1819c Study for Roger Delivering Angelique
oil on canvas 85 x 43 cm Musée du Louvre, Paris

1819c Study for Roger Delivering Angelique
graphite on tracing paper mounted on paper 39.3 x 26.2 cm

1857 James McNeill Whistler:

1857 Ingres, Roger Delivering Angelique by James McNeill Whistler
oil on canvas 53 x 81.8 cm
Hunterian Art Gallery, Glasgow University, UK

1819 The Violinist Niccolò Paganini
graphite 29.8 x 21.8 cm
Musée du Louvre, Paris

1820 Christ Delivering the Keys ( of Paradise ) to Saint Peter
oil on canvas 280 x 217 cm
Musée Ingres, Montauban, France

1820c Head of Saint John the Evangelist
oil on canvas laid on wood 39.4 x 27 cm
Metropolitan Museum of Art, New York City

1820 Don Pedro of Toledo Kissing the Sword of Henri IV
oil on wood panel 48.5 x 40.5 cm

n.d. Don Pedro of Toledo Kissing the Sword of Henri IV
Château de Pau, France

1820 Lorenzo Bartolini
oil on canvas 108 x 86 cm
Musée du Louvre, Paris

1820 Ursin-Jules Vatinelle ( 1798-1881 )
graphite on paper 18.3 x 14 cm
Metropolitan Museum of Art, New York City

1820-56 The Spring
oil on canvas 163 x 80 cm
Musée d'Orsay, Paris

1821 Count Nikolay Guryev
oil on canvas 107 x 86 cm
The State Hermitage Museum, St. Petersburg, Russia

1821 Mademoiselle Jeanne-Suzanne-Catherine Gonin
oil on canvas
Taft Museum of Art, Cincinnati, Ohio

1821 The Condottiere
oil on canvas 53.3 x 43 cm
Private Collection

1821 The Entry into Paris of the Dauphin, Future Charles V
oil on cardboard 47 x 55.9 cm
Wadsworth Athenaeum, Hartford, CT

1822 Cosimo Andrea Lazzerini Family

1822 Reclining Venus
oil on canvas 116 x 168 cm
The Walters Art Museum, Baltimore, MD