Monday 29 January 2024

Giotto - part 2


Giotto di Bondone  c1265-1337 was the first of the great Italian painters, active in Florence. He decorated chapels and churches in Assisi, Rome, Padua, Florence, and Naples with frescoes and panel paintings. Because little of his life and few of his works are documented, attributions and a stylistic chronology of his paintings remain problematic and often highly speculative. His works in Rome include the heavily restored mosaic of Christ Walking on the Water over the entrance to St. Peter’s Basilica, and an altarpiece from St. Peter’s, now in the Vatican Museum. In Padua, his fresco of the Last Judgment decorates the western wall of the Arena Chapel, and the rest of the chapel is covered with his narrative frescoes featuring scenes from the lives of the Virgin Mary and Christ. Later in his career he executed frescoes in four chapels in the church of Santa Croce in Florence, two of which survive. In 1334 he was appointed surveyor of Florence Cathedral; his design for the campanile was altered after his death. The most important extant panel painting attributed to him is The Madonna in Glory (c. 1305–10). He achieved great fame in his lifetime, and he is considered the father of European painting for breaking with the impersonal stylisations of Byzantine art and introducing new ideals of naturalism and humanity, three-dimensional space, and three-dimensional form. The course of Italian painting was dominated by his students and followers. His work points to the innovations of the Renaissance style that developed a century later.


For more earlier works and for more biographical information, see part 1 also.

This is part 2 of a 6-part series on the works of Giotto:


1300-05 Scenes from the Life of Joachim, Arena Chapel, Padua :

Rejection of Joachim's Sacrifice
fresco 200 x 185 cm

Rejection of Joachim's Sacrifice
detail

Joachim among the Shepherds
fresco 200 x 185 cm

Joachim among the Shepherds
detail

Annunciation to St. Anne
fresco 200 x 185 cm

Annunciation to St Anne
 detail

Joachim's Sacrificial Offering
fresco 200 x 185 cm

Joachim's Sacrificial Offering
detail

Joachim's Dream
fresco 200 x 185 cm

Joachim's Dream
detail 

Joachim's Dream
detail 

Joachim's Dream
detail 

Meeting at the Golden Gate
fresco 200 x 185 cm

Meeting at the Golden Gate
detail

Meeting at the Golden Gate
detail

1300-1400 The Crucifixion:

1300-1400 The Crucifixion by School of Giotto di Bondone
tempera on poplar wood panel 136 x 118 cm
Musée du Louvre, Paris

1300-1400 The Crucifixion 
detail

1300-1400 The Crucifixion 
detail

1300-1400 The Crucifixion 
detail



c1305 (completed) Arena Chapel aka Scrovegni Chapel in Padua:

The Scrovegni Chapel, Padua

Nave of the Scrovegni Chapel towards the entrance

Section of the wall, showing the setting of the narrative panels

The centre of the vault, with Madonna and Child as one of the two Suns, and Prophets as Planets

The Last Judgment

The Last Judgment


c1310-15 Peruzzi Altarpiece. North Carolina Museum Art, Raleigh, North Carolina by Giotto & assistants:

Peruzzi Altarpiece
polyptych 105.7 x 250 cm

Christ Blessing 
tempera and gold leaf on panel 105.7 x 250.2 cm

St. Francis
tempera and gold leaf on panel 62.3 x 42 cm
 

St. John the Baptist
tempera and gold leaf on panel 62.3 x 42 cm

St. John the Evangelist
tempera and gold leaf on panel 62.3 x 42 cm

The Virgin
tempera and gold leaf on panel 105.7 x 250.2 cm

1306-10 The Ognissanti Madonna
 tempera on panel 325 x 204 cm
Uffizi Gallery, Florence

1306-10 The Ognissanti Madonna
detail

1306-10 The Ognissanti Madonna
detail

c1310-15 Madonna and Child
tempera on poplar wood panel 85.4 x 61.8 cm
Samuel H. Kress Foundation
National Gallery of Art, Washington, DC


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