Friday, 23 May 2025

Frank Brangwyn - part 4

 

Frank Brangwyn (b. Bruges, 13 May 1867: d. Ditchling, Sussex, 11 June 1956) was a British painter, printmaker, draughtsman, and designer, the son of a Welsh architect who specialised in church furnishings, and who was working in Belgium at the time of Frank’s birth. Between 1882–84 he served an apprenticeship with William Morris, and like his master he was active in a variety of fields. He was an Official War Artist during the First World War, and was considered one of the finest draughtsmen of the day; a skilful etcher and lithographer, who also made designs for a great range of objects (furniture, textiles, ceramics, glassware, and jewellery) however, he became best known for his murals. His most famous undertaking in this field was a series of large panels on the theme of the British empire, commissioned by the House of Lords.


All images © Estate of Sir Frank William Brangwyn.

This is part 4 of a 10-part series on the works of Frank Brangwyn:

1913 Sunset
woodcut print on paper 10.5 x 16 cm

1913 St. Peter's of the Exchange, Genoa
etching on handmade wove paper 56 x 65 cm (plate)

1913 Haunt of Tramps
woodcut on paper 17.8 x 17.8 cm

1913 Gates of St. Vincent, Avila
etching on paper 39.1 x 30.2 cm (sheet)

1914 Pont Marie, Paris
etching on paper 66 x 76 cm

1914 Pont Marie, Paris 
etching on paper 50.5 x 60 cm

1914 Notre Dame, Paris
etching on paper 55.8 c 74.4 cm (plate)
Art Gallery of New South Wales, Sydney, Australia

1914 Let the People Praise Thee'
black and white chalk on grey wove paper 57 x 99.3 cm
Royal Academy of Arts, London

1914 Interior of a church at Airvault
etching on paper 75.5 x 70 cm

1914 Britain's Call to Arms
lithograph on paper 105.5 x 152.5 cm

c1914-16 Refugees leave Antwerp
 lithograph on paper 54.3 x 75.2 cm
V&A Museum, London

c1914-16 British Gifts for Belgian Soldiers
lithograph on paper 101.5 x 72.8 cm
V&A Museum, London

issued 1914-16 British occupy Dixmude
 lithograph on paper 79.2 x 62.5 cm
V&A Museum, London

c1914-17 Men joining a ship
crayon and brown chalk, brush and ink, watercolour wash on thin wove paper 53.2 x 42.1 cm
Queensland Art Galley of Modern Art, Brisbane, Australia

1914-18 United States Appeal, Humanity Calls
lithograph on paper 98 x 148.5 cm

1914-18 From the Trenches
ink on paper 77.7 x 64.5 cm
Wolverhampton Art Gallery, UK

c1914 The Rialto 
oil on canvas 76.4 x 86.2 cm
Queensland Art Galley of Modern Art, Brisbane, Australia

c1914 Men with Adzes
lithograph on paper 38 x 29 cm

c1914 The Rubaiyat of Omar Khayyam:

The Rubaiyat of Omar Khayyam
Hard cover design

The Rubaiyat of Omar Khayyam
Title Page

The Rubaiyat of Omar Khayyam
another harback cover design

The Rubaiyat of Omar Khayyam
oil on panel 38.1 x 61 cm
Art Institute of Chicago, IL

before 1915 Education
pencil, black chalk with red, blue and yellow chalks on wove paper 57 x 94.2 cm
Royal Academy of Arts, London

before 1915 Commerce
pencil, black chalk with red, blue and yellow chalks on wove paper 40.5 x 94.6 cm
Royal Academy of Arts, London

1915 National Fund for The Welsh Troops
lithograph poster

1915 Mater Dolorosa Belgica
oil on canvas 159 x 234 cm
William Morris Gallery, London

1915 Gunners
pencil, red chalk, pen and ink, wash 40.8 x 51.7 cm
Art Gallery of New South Wales, Sydney, Australia

1915 Bricklayers, a study for Rebuilding Belgium
black and red chalk on buff paper 69 x 47 cm

c1915 Death of St Milburga
etching on paper 19.7 x 23.5 cm

1915c Poster "Stamps" reproduced from a full-sized poster:

Evening News Red Cross Fund
colour lithograph 5 x 5.7 cm
V&A Museum, London

The Vow of Vengeance
colour lithograph 2 7.6 x 5 cm
V&A Museum, London

Evening News Red Cross Fund
colour lithograph 5.7 x 5 cm
V&A Museum, London

Evening News Red Cross Fund
colour lithograph 5.7 x 5 cm
V&A Museum, London

Woman's Work in War
lithograph 7.6 x 5 cm
V&A Museum, London

Daily Mail Red Cross Fund
colour lithograph 7.6 x 5 cm
V&A Museum, London

German Atrocities
two-colour lithograph 7.6 x 5 cm
V&A Museum, London

Mars Appeals to Vulcan
two-colour lithograph 7.6 x 5 cm
V&A Museum, London

The Lonely Prisoner
two-colour lithograph 7.6 x 5 cm
V&A Museum, London

The Submarine Menace
colour lithograph 7.6 x 5 cm
V&A Museum, London

Daily Mail Red Cross Fund
colour lithograph7.6 x 5 cm
V&A Museum, London

British Occupy Dixmude
two-colour lithograph 6.8 x 5 cm
V&A Museun, London

Landing Men from a Naval Flight
two-colour lithograph 6.8 x 5 cm
V&A Museum, London

British Troops at Ypres
two-colour lithograph 6.8 x 5 cm
V&A Museun, London

Rebuilding of Belgium
two-colour lithograph 6.8 x 5 cm
V&A Museum, London

Refugees Leave Antwerp
two-colour lithograph 6.8 x 5 cm
V&A Museum, London

At Neuve Chapelle
two-colour lithograph 6.8 x 5 cm
V&A Museum, London

Daily Mail Red Cross Fund
colour lithograph 6 7.6 x 5 cm




Wednesday, 21 May 2025

Frank Brangwyn - part 3

Frank Brangwyn (b. Bruges, 13 May 1867: d. Ditchling, Sussex, 11 June 1956) was a British painter, printmaker, draughtsman, and designer, the son of a Welsh architect who specialised in church furnishings, and who was working in Belgium at the time of Frank’s birth. Between 1882–84 he served an apprenticeship with William Morris, and like his master he was active in a variety of fields. He was an Official War Artist during the First World War, and was considered one of the finest draughtsmen of the day; a skilful etcher and lithographer, who also made designs for a great range of objects (furniture, textiles, ceramics, glassware, and jewellery) however, he became best known for his murals. His most famous undertaking in this field was a series of large panels on the theme of the British empire, commissioned by the House of Lords.


All images © Estate of Sir Frank William Brangwyn.

This is part 3 of a 10-part series on the works of Frank Brangwyn:

1910 Via del Trombe, Messina
etching on paper 54 x 59.5 cm

1910 The card players
oil on canvas 140.5 × 177.6 cm
National Gallery of Victoria, Melbourne

1910 Shrine of the Immacolata
etching on paper 57.8 x 73 cm
William Morris Gallery, London

1910 Rubaiyat of Omar Khayyam
front cover, published by T.N. Foulis

1910 Old Houses, St. Cirq
etching in black on paper 36.8 x 28.6 cm (plate)

c1910 Bridge at Alcantara
etching, aquatint and drypoin on laid paper 33 x 43 cm

c1910-17 Gallino, Navarre
watercolour over conté crayon on paper 51.8 x 59.5 cm
Queenland Art Galley of Modern Art, Brisbane, Australia

c1910 Beer Porters, study for Lloyds Register of Shipping
charcoal and chalk on paper, squared 73 x 120 cm

c1910 Unloading oranges at London Bridge
lithograph on paper 58 x 84.7 cm
Art Gallery of New South Wales, Sydney, Australia

c1910 The Shipbuilders
oil on canvas 92.1 x 203.5 cm
Lady Lever Art Gallery, Wirral, UK

c1910 The building of the Frigate: an Old-Time Shipyard
oil on canvas 40,6 x 61 cm

1910c Old Houses, Taormina
oil on canvas 36.2 x 49 cm
William Morris Gallery, London

c1910s Shepherd and flock in a snow-swept landscape
(Used as a greeting card by the artist and his wife)
woodcut on paper 19 x 25.4 cm
V&A Museum, London

c1911  Blast Furnace
lithograph on paper 13.8 x 20.3 cm

c1911 Garden of the Mosque of Süleyman, Constantinople
colour woodcut 17.6 x 21.5 cm
The Cleveland Museum of Art, Ohio

1911 Valentre Bridge, Cahors
etching on paper 55.8 x 82.5 cm (plate)

1911 The Mountebank (Saltimbanque)
etching on paper 24 x 26.5 cm

1911 The Lot at Vers
etching on paper 13 x 16.5 cm

1911 Pont Neuf, Paris
etching on paper 75.5 x 55.5 cm

1911 Cannon Street Station, exterior
etching on paper 70 x 72.5 cm

1911 Cahors Cathedral
watercolour and gouache on paper  76 x 54 cm

1912 Santa Maria, Venice
etching on paper 44.5 x 15.2 cm

1912 Pont Vieux, Albi, France
watercolour and gouache over pencil 47 x 72.7 cm
Art Gallery of New South Wales, Sydney, Australia

1912 Notre Dame, Poitiers
etching and drypoint in black on wove paper
25 x 20.1 cm (plate)

1912 Mowers
wood engraving on paper 13 x 19 cm

1912 Breaking up of the Duncan
etching on paper 54.5 x 82 cm

1912 The Nativity
etching on paper 54.5 x 73 cm

1912 The Mowers
woodcut on paper 13.2 x 19.4 cm

1912 The Monument
etching and plate-tone printed in brown ink
70.6 x 45.3 cm (plate)
National Gallery of Victoria, Melbourne

1912 Shipbuilding
woodcut on paper 16.9 x 13.3 cm

1912-23 Man playing Harmonium
 lithograph on paper 47 x 36 cm

1912-1923 Murals for the Chapel of Christ's Hospital School, Horsham, Sussex

Following the move of Christ's Hospital School from London to Horsham in Sussex completed in 1902 Aston Webb, the architect of the Tudor-Gothic Revival buildings turned to the artist Frank Brangwyn (1867-1956), with whom he had worked previously on large-scale projects, to decorate the Chapel. A decorative scheme was devised by the school's headmaster, A.W. Upcott to inspire and educate pupils, and Brangwyn's paintings in tempera illustrate incidents in the history of the Christian Church. The resulting sixteen murals, all but two measuring 14 by 8 feet, were completed between 1912 and 1923.

Oil & tempera on canvas.


The Martyrdom of St Stephen

The Conversion of Saint Augustine at Milan, AD 387

The Arrival of St Paul at Rome

Peter Standing up with the Eleven

Let the people praise thee O God, let all the people praise thee

John Eliot Giving Bibles to the Mohicans, 1660 AD

And the Men led Saul by the hand and brought him to Damascus

St. Wilfred, First Bishop of Selsey Teaching the South Saxons, AD 681

St. Paul Shipwrecked

St. Columba Landing at Iona

St. Augustine at Ebbsfleet

St. Ambrose Training the Choir at His Church in Milan, AD 385

St. Alban Martyr 

St. Patrick in the Forest

St. Aidan, Bishop of North Cumbria, AD 635 Training Boys