Saturday 16 June 2012

Edward Bawden - part 3

This is part 3 of a 4-part post on the works of British Artist Edward Bawden, one of a group of artists associated with a community of artists that existed around Great Bardfield in Essex, England during the middle years of the 20th century.
For biographical notes on Bawden see part 1. 
For earlier works see parts 1 and 2.


1950 Trade paper inset for British Films

1951 The Bird's Nest 
watercolour

1952 Early Morning in Sicily 
watercolour

1952 Rose and Shaving Mirror 
watercolour

1952 The Belvedere, Genzano 
watercolour

1952 The City 
lithograph 102 x 63 cm

1952 Titfield Thunderbolt poster 
lithograph 77 x 104.4 cm

1954 Little Sampford Church 
watercolour 60 x 72.5 cm

1954 The Church Wall 
watercolour and drawing 45.1 x 57.1 cm 
© The estate of Edward Bawden

1956 Ives Farm, Great Bardfield 
linocut 41 x 61.2 cm

1956 The Original Cheap Jack 
linocut

c1956 Road to Thaxted 
linocut

1957 Design for a Mural 
collage

1958 Caradon 
watercolour 46.4 x 57.8 cm 
© The estate of Edward Bawden

1958 Easter Design Fortnum and Mason linocut 11 x 15 cm

1960 Braintree Station 
linocut 56 x 106.4 cm

In 1963 Editions Alecto commissioned two groups of prints by Bawden to commemorate three London exchanges that were about to be demolished. In the first group were the Stock Exchange, the Coal Exchange and Lloyds. The print of Lloyds shows the 'Room' in Lime Street, to which Lloyds had moved from Leadenhall Street in 1958. It has since been demolished. Here are two of the prints:

1963 The Stock Exchange 
lithograph 40.4 x 45 cm

1963 Lloyds 
lithograph 40.5 x 44.5 cm
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1963 The Hat Pin 
11.5 x 14.7 cm drawing

1963 The Pagoda 
linocut

The following prints are part of the Nine London Monuments series of linocuts commissioned by Editions Alecto in 1966. Alecto specialised in high quality reproductions, and the originals were made by Bawden using four or five blocks in his Brick House studio. He used a variety of techniques to introduce texture and shading of colour in the process. Here are six of them:


1966 St Pauls 
linocut

1966 The Guildhall 
linocut

All the buildings in the series had different skies, and this one has been inked in such a way as to allow the white of the paper to show through:


1966 The Horse Guards 
linocut

1966 The Palace of Westminster 
linocut

1966 The Tower of London 
linocut

1966 Albert Bridge 
linocut

Thursday 14 June 2012

Edward Bawden - part 2

This is part 2 of a 4-part post on the works of British Artist Edward Bawden, one of a group of artists associated with a community of artists that existed around Great Bardfield in Essex, England during the middle years of the 20th century.
For biographical notes and earlier works, see part 1.


1938 The Law and How You Break It drawing

1938-39  Grid and Cross - Blue, White, Yellow 
wallpaper for Cole and Son

1938-39 Rose and Lace wallpaper for Cole and Son

1939 Pamphlet for Fortnum and Mason

1939 The Bell Inn 
watercolour 45.7 x 54.6 cm 
© Tate, London

1940 Gallabat, Guns Firing on Metemma 
watercolour 39.4 x 51.4 cm 
© Tate, London

1941 Burnt Tukl at Gubba 
watercolour and drawing 39.4 x 52.1 cm 
© Tate, London

1941 The Catholic Church, Addis Ababa 
pen and ink, watercolour and crayon 45.7 x 57.8 cm 
© Tate, London

1941 View from the Enemy H.Q. at Gubba 
watercolour and drawing 39.4 x 51.4 cm 
© Tate, London

c1941 Cairo, the Citadel, Mohammed Ali Mosque 
pencil and watercolour 47 x 59.7 cm 
© Tate, London

1941c Cairo, the Citadel, On the Roof of the Officers' Mess 
watercolour 46.4 x 59.1 cm 
© Tate, London

1945 Ahmed Yusef, An Iraqi Messenger Boy 
watercolour and ink 38.7 x 56.9 cm

1946 East Wind endpapers for Contact magazine

1946 Letter from Calcutta for Contact magazine

1946 Letter from Cape Town for Contact magazine

1946 Letter from Geneva for Contact magazine

1946 Letter from Melbourne for Contact magazine

1946 Russian Travel Letter for Contact magazine

1947 Bracken, Gorse and Gower Peninsula 
watercolour

1947 Campions and Columbines 
linocut for Curwen Press

1947 Central Park for Contact magazine
1947 Cheltenham sketch
1947 Cheltenham sketch

c1947 The Dolls at Home 
collage

1948 Christchurch and Greyfriars 
24.2 x 29.7 cm drawing

1948 The Artist's Garden in Winter 
watercolour and gouache

1950 Autumn 
cardboard cut 38 x 50 cm

1950 The Canmore Mountain Range 
gouache and drawing on paper 56.5 x 71.8 cm 
© Tate, London