This is part 4 of a 4-part post on the works of Patrick Caulfield.
Part 4 features his
1973 silkscreen print series Some Poems of Jules Laforgue. Caulfield was introduced to the poetry of Laforgue by a fellow student at the Royal College of
Art who suspected that the 19th Century French poet would appeal to him. Caulfield kept
hold of the college library’s translation long past its return date. The qualities that he
particularly admired in Laforgue’s poems could also, perhaps, describe Caulfield’s art –
“wonderfully concise, managing to be both romantic and ironic”. When invited to produce a limited edition book, Jules Laforgue was Caulfield’s natural
subject choice.
Laforgue was a pioneer of what we now refer to as free verse. He experimented with
vocabulary, structure and rhythm, and his poetry had a considerable impact on 20th Century
Imagist poets such as Ezra Pound and T.S.Eliot. His books of verse include Les Complaintes
(1885) and Imitation de Notre Dame la lune (1887).
He spent much of his short career entertaining the Francophile Empress Augusta at the German court, touring Europe and writing verse which was often accompanied by music. This experience was possibly a factor in the development of his innovatory style of poetry.
He spent much of his short career entertaining the Francophile Empress Augusta at the German court, touring Europe and writing verse which was often accompanied by music. This experience was possibly a factor in the development of his innovatory style of poetry.
Laforgue was also interested in art criticism and was an early supporter of the
Impressionists. Although his verse probably had more in common with Symbolist art with
his extensive use of imagery and interest in the sub-conscious, he admired the anti-
academism of these young Parisians. He felt that he shared a common aim in his own
artistic endeavours as he too was pursuing new ways of expressing life in the modern age.
Laforgue was also an early supporter of women’s liberation. He died at the age of 27 from
tuberculosis.
Much of Laforgue’s poetry attempts to capture the banality of everyday life. In Complaint
about a certain Sunday, for example, there is an underlying tension between the need for
outward repose and the inner hysteria that the poet is experiencing through sheer boredom.
One of the line’s Caulfield chose to accompany is “Watch me eat, without appetite, à la
carte” (no. 2 below):
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| 1. 'Ah! This life is so everyday' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 2. 'Watch me eat, without appetite, à la carte' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 3. 'She fled along the avenue' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 4. 'Her handkerchief swept me along the Rhine' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 5. 'I'll take my life monotonous' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 6. 'You'll be sick if you spend all your time indoors' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 7. 'Crying to the walls, My God! My God! Will she relent?' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 8. 'All these confessions ...' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 9. 'Making circles on park lagoons' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 10. 'Oh! If one of them, some fine evening, would try' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 11. 'Thus, she would come, escaped, half-dead to my door' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 12. 'And with my eyes bolting toward the unconscious' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 13. 'We wanted to bleed the silence' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 14. 'Along a twilighted sky' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 15. 'Oh Helen, I roam my room' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 16. 'I've only the friendship of hotel rooms' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 17. 'She'll have forgotten her scarf' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 18. 'And I am alone in my house' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 19. 'All the benches are wet, the woods are so rusty' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 20. 'Ah! Storm clouds rushed from the Channel coasts' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 21. 'Curtains drawn back from balconies of shores' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
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| 22. 'My life inspires so many desires' screenprint on paper 41 x 35.9 cm © The estate of Patrick Caulfield. All Rights Reserved, DACS 2002 |
