Monday, 2 June 2025

Frank Brangwyn - part 8

 Frank Brangwyn (b. Bruges, 13 May 1867: d. Ditchling, Sussex, 11 June 1956) was a British painter, printmaker, draughtsman, and designer, the son of a Welsh architect who specialised in church furnishings, and who was working in Belgium at the time of Frank’s birth. Between 1882–84 he served an apprenticeship with William Morris, and like his master he was active in a variety of fields. He was an Official War Artist during the First World War, and was considered one of the finest draughtsmen of the day; a skilful etcher and lithographer, who also made designs for a great range of objects (furniture, textiles, ceramics, glassware, and jewellery) however, he became best known for his murals. His most famous undertaking in this field was a series of large panels on the theme of the British empire, commissioned by the House of Lords.


All images © Estate of Sir Frank William Brangwyn.

This is part 8 of a 10-part series on the works of Frank Brangwyn.

Note: Dates were not found for the remainder of this series:

A woman in a landscape
lithograph on paper 35.4 x 28.1 cm
The State Hermitage Museum, St Petersburg, Russia

A Venetian Canal
oil on canvas 54.3 x 43 cm
Gracefield Arts Centre, Dunfries, UK

A Venetian Canal
oil on board 30.4 x 45.7 cm

A street market in Tangier
oil on canvas 74 x 109 cm

A Royal Barge on the Thames
watercolour on paper 10.7 x 12.5 cm

A Boxing Match
black ink with red and black chalk on three joined sheets
56 x 40 cm

A Barque outward bound
oil on board 43.2 x 76.2 cm

Arabian Nights
 ink & gouache on paper 33 x 27.2 cm (image)
Art Gallery of Greater Victoria, British Columbia

Antwerp. The Last Boat
colour lithograph poster 100 x 60.6 cm
V&A Museum, London

And he offered burnt offerings
etching on paper 11 x 10 cm

An old farm house
etching on paper 12 x 16.5 cm (plate)

An Indian river landscape
pencil & gouache on paper 35 x 51 cm

An Eastern Barber
oil on hardboard 64 x 46.7 cm
Christchurch Art Gallery, New Zealand

Abram Colliery
chalk on paper 57.5 x 32 cm
Danum Gallery, Library and Museum, Doncaster, UK

Battersea Bridge
oil on canvas 28 x 48 cm
Chelsea Library, London

Barnard Castle
etching and drypoint with plate-tone printed in brown ink
37.9 x 30.5 cm
National Gallery of Victoria, Melbourne

Backstreet of Naples
etching on paper 21.5 x 26 cm

Buttress, Pont Neuf (Paris)
etching on paper 40.6 x 29.2 cm

Bruges at Night (Bridge of the Predikheren)
woodblock print in colours on wove paper 37.5 x 49.5 cm

British Townscape
etching on paper 29.8 x 26 cm (plate)

Bridge over the Tarn
etching, sandpaper ground on cream laid paper 28.2 x 27.5 cm
Queensland Art Galley of Modern Art, Brisbane, Australia

Book plate for Brangwyn’s Wife, Lucy
pen and ink and watercolour 24 x 15.2 cm

Blast Furnace
lithograph on paper 39 x 29.8 cm

Bear Leaders
etching on paper 27.3 x 36.2 cm

Castle Wall
etching on paper 36.5 x 31.5 cm

Carpenter with family
woodcut on paper 10.2 x 11.5 cm

Campiello Barbaro, Venice
oil on board 66.5 x 73.5 cm

Coal mine after an explosion
etching on paper 60.5 x 48 cm

Cloisters, Cahors Cathedral
watercolour & gouache on paper 89.5 x 105.1 cm
Museums Wales, UK

Church at Etaples
watercolour on paper 55 x 72 cm
Darlington Library, UK

Christ healing the Blind Man
 etching 89 x 73 cm (sheet) on paper

Dhows loading
oil on canvas 62 x 75 cm
The Dick Institute, Kilmarnock, UK

Death
woodcut on paper 13.3 x 13.5 cm

Dalmatian Traders
oil on canvas 61.5 x 74.6 cm
The Dick Institute, Kilnarnok, East Ayrshire, UK

Edward Kenneth Center
 (Frank Brangwyn's studio assistant in Ditchling for
many years)
oil on canvas (size not given)
Glynn Vivian Art Gallery, Swansea, UK
 

Eastern Bridal Procession
oil on canvas 100 x 135.5 cm
The Dick Institute, Kilmarnock, East Ayrshire, UK

East Anglian canal scene at sunset
watercolour on paper 20 x 25 cm

Figures beside a Venetian bridge
(attributed to Brangwyn) gouache 22.8 x 27.9 cm

Figures around a fire
lithograph on paper 26.6 x 17.7 cm 

Figures and mining
lithograph on paper 30.3 x 22 cm
Art Gallery of Greater Victoria, British Columbia

Figures and fruit
lithograph printed in green on wove paper 40 x 55.5 cm

Figure study
sanguine print on paper 38.1 x 35.5 cm

Funeral Procession
woodcut on paper 11.5 x 13.6 cm

Fishermen - The Raconteur
lithograph on paper 45.5 x 55.5 cm

Fish Porters
etching on paper 30cm x 36 cm

Gateway, Genoa
drypoint, plate-tone and spit-biting 17.6 x 14.8 cm
National Gallery of Victoria, Melbourne

Galleons and boats at sea
pencil, watercolour & body-colour 36.5 x 53 cm



Friday, 30 May 2025

Frank Brangwyn - part 7

Frank Brangwyn (b. Bruges, 13 May 1867: d. Ditchling, Sussex, 11 June 1956) was a British painter, printmaker, draughtsman, and designer, the son of a Welsh architect who specialised in church furnishings, and who was working in Belgium at the time of Frank’s birth. Between 1882–84 he served an apprenticeship with William Morris, and like his master he was active in a variety of fields. He was an Official War Artist during the First World War, and was considered one of the finest draughtsmen of the day; a skilful etcher and lithographer, who also made designs for a great range of objects (furniture, textiles, ceramics, glassware, and jewellery) however, he became best known for his murals. His most famous undertaking in this field was a series of large panels on the theme of the British empire, commissioned by the House of Lords.

All images © Estate of Sir Frank William Brangwyn.

This is part 7 of a 10-part series on the works of Frank Brangwyn:

1928 North East Coast Industries
colour lithograph poster for L.N.E.R. Railway
 

c1927 Spanish Church
lithograph on paper 18.3 x 15 cm

1927 Men looking at a procession
lithograph on paper 31.5 x 41.5 cm

1930 The Forth-Bridge
colour lithograph poster for L.N.E.R Railway
101.6 x 127 cm

1930 London Docks at Wapping or Rotherhithe Stations
lithograph poster issued by the Underground Electric Railways Co. of London, Ltd 100.9 x 64.1 cm
V&A Museum, London

1930 Brangwyn Ware lead-glazed earthenware teapot
Doulton & Co., Lambeth Art Pottery, London

1930 Brangwyn Ware lead-glazed earthenware jug
Doulton & Co., Lambeth Art Pottery, London

1930 Brangwyn Ware lead-glazed earthenware dish
Doulton & Co., Lambeth Art Pottery, London


1930-35 The Book of Job
There came a messenger unto Job
etching on paper 5.5 x 10 cm

1930-35 The Book of Job
And so they sat down with him upon the ground
etching on paper 5 x 9.5 cm

1930-35 The Book of Job
The ruin of his house
etching on paper 7 x 10 cm

c1930 Pollards Storefitters
poster advertising the shop fitting firm E. Pollard & Co.
colour lithograph 75 x 50.5 cm
V&A Museum, London

c1930 Pollards Storefitters
poster advertising the shop fitting firm E. Pollard & Co.
colour lithograph 75 x 50.5 cm
V&A Museum, London

c1930 Factory Interior with figures
etching on paper 55 x 31.5 cm


before 1931 Gothic Bridge at Barnard Castle, Yorkshire 
oil on canvas 74 x 102 cm 
Blackburn Museum and Art Gallery, UK

1931 Jewish men in Belz, Paris
etching on paper

1931 L’Ombre de la Croix  (The Shadow of the Cross; Volumes 1&2) etchings in black on cream paper

Title Page























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1932 Bridge at Sospel
etching on paper 17.8 x 15.2 cm

c1932 Scotland By East Coast Route
 colour lithograph poster (size not given)

1933 Children at an Ice Cream Stall
lithograph on paper 16.5 x 15.8 cm
William Morris Gallery, London

c1934 Jesus Carries His Cross
lithograph on paper 76.2 x 81.3 cm

c1934 A Study for 'Modern Commerce of the Port of Hull'
oil on board 41.9 x 52.1 cm
Dundee Art Galleries and Museums Collection

1934 Durham By LNER
colour lithograph poster 50 x 70.1 cm

1934 9th Station of The Cross - Jesus falls for the third time
woodcut on paper 42.5 x 46.5 cm

c1935 Industrial scene (Chainmakers)
pen and brown ink with pencil, charcoal and red chalk on thin wove paper 54.5 x 71 cm
Royal Academy of Arts, London

c1935 Agriculture
blue and brown inks with red, blue and white chalks (or crayon?) over charcoal on wove paper 54.6 x 70.9 cm
Royal Academy of Arts, London

c1935 Study of the head of Christ on the Cross
red and white chalk on blue wove paper 34 x 53.8 cm 
Royal Academy of Arts, London

1936 or before Two Bridges, Perugia (The Viaduct)
oil on board 50 x 58.8 cm
National Trust for Scotland, Brodie Castle, UK

1939 Two brothers killing one another
watercolour & black ink on paper 25 x 18.5 cm

1939 or before The Slums of Venice
oil on board 53.3 x 66.7 cm
Dundee Art Galleries and Museums Collection
(Dundee City Council) UK

1939 or before The Market Place, Hesdin
oil on board 44.5 x 54.6 cm
Dundee Art Galleries and Museums Collection
(Dundee City Council) UK

1939 or before The Market Place, Algiers
oil on canvas 63.5 x 76.2 cm
Dundee Art Galleries and Museums Collection
 (Dundee City Council) UK

1939 Christ nailed to the Cross
blue ink, watercolour, and charcoal (possibly also some chalks) on thin wove paper 49.7 x 66.1 cm
Royal Academy of Arts, London

1945 Portrait of A. H. Mackmurdo
 red chalk on cream laid paper 50.3 x 65 cm
Royal Academy of Arts, London

1946 A Procession, Genoa
etching on paper 23 x 26 cm

1947 Design for 'The Wine Press' tapestry 
pencil and charcoal with coloured pastels on brown wrapping paper circa 56.6 x 67.6 cm
Royal Academy of Arts, London

1947 The Wine Press
oil on canvas 116 x 154 cm
Dudley Museums Service, UK

1948 The Book of Job "And he offered burnt offerings"
etching on paper 11 x 10 cm