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| 1862 Sir John Everett Millais as Dante albumen print by David Wilkie Wynfield |
John Everett Millais was an English painter and book illustrator (1829 - 1896). A child prodigy who was hard-working as well as naturally gifted, he became the youngest ever student at the Royal Academy Schools when he was 11, and although he suffered some temporary setbacks in his twenties, his career was essentially one of the great Victorian success stories. In 1848, with Rossetti and Holman Hunt, he founded the Pre-Raphaelite Brotherhood and had his share of the abuse heaped against the members until Ruskin stepped in as their champion.
For full biographical notes see part1, and for earlier works, see parts 1 - 5 also.
This is part 6 of a 10-part post on the works of Millais:
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| 1862 Anna Receives Instruction ( Sister Anna's Probation ) wood engraving by Joseph Swain after Millais from Once a Week The Fitzwilliam Museum, Cambridge, UK |
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| 1862 ( attributed to ) Study of a Girl graphite and white gouache on moderately thick, slightly textured, brown wove paper 191 x 13.7 cm Yale Centre for British Art, New Haven, CT |
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| before 1862 Illustration to "The Border Witch" published 1862 engraving by Dalziel Brothers after Millais |
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| 1862 Maid Avoraine wood engraving by Joseph Swain after Millais for "Once a Week" July 1862 The Fitzwilliam Museum, Cambridge, UK |
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| 1862 Mistress and Maid wood engraving by Dalziel family after Millais from "Good Words" January 1862 frontispiece The Fitzwilliam Museum, Cambridge, UK |
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| 1862 Olaf the Sinner and Olaf the Saint from "Good Words" wood engraving by Dalziel family after Millais from Good Words The Fitzwilliam Museum, Cambridge, UK |
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| 1862 Polly in Reverie ( The Anglers of the Dove ) wood engraving by Joseph Swain after Millais from Once a Week The Fitzwilliam Museum, Cambridge, UK |
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| 1862 The Battle of the Thirty wood engraving by Joseph Swain after Millais for Once a Week February 1862 The Fitzwilliam Museum, Cambridge, UK |
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| 1862 The Drowning of Kaer-is - I'll win the Key from my Father's Side wood engraving on paper 11.9 x 13.3 cm © Birmingham Museums and Art Gallery, UK |
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| 1862 The Parting of Ulysses wood engraving by Joseph Swain after Millais for Once a Week December 1862 The Fitzwilliam Museum, Cambridge, UK |
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| 1862c Love pen and ink and watercolour wash 13.3 x 10.7 cm © Victoria and Albert Museum, London |
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| 1862c The Parting Ulysses 11.8 x 10.3 cm © The Samuel Courtauld Trust, The Courtauld Gallery, London |
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| 1863 Endymion on Latmos wood engraving by Joseph Swain after Millais for Once a Week January 1863 The Fitzwilliam Museum, Cambridge, UK |
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| 1863 Hacho, the Dane: or The Bishop's Ransom wood engraving by Joseph Swain after Millais for Once a Week October 1863 The Fitzwilliam Museum, Cambridge, UK |
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| 1863 My First Sermon oil on canvas 92 x 77 cm Guildhall Art Gallery, London |
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| 1863 The Baby House etching on cream chine, laid down on ivory wove paper 14.5 x 18.4 cm ( image ) Art Institute of Chicago, IL |
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| 1863 The Eve of St Agnes watercolour on paper 20.8 x 27.5 cm © Victoria and Albert Museum, London |
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| 1863 The Eve of St Agnes oil on canvas 117.8 x 154.3 cm |
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| 1863 Two Men Seated by the Fireside wood engraving by Joseph Swain after Millais for Once a Week October 1863 The Fitzwilliam Museum, Cambridge, UK |
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| 1864 Charlie is my Darling oil on panel 42.5 x 26 cm Private Collection |
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| 1864 Leisure Hours oil on canvas 88.9 x 118.1 cm Detroit Institute of Arts, MI |
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| 1864 Little Red Riding Hood oil on panel 35.5 x 25 cm Private Collection |
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| 1864 Macleid of Dare wood engraving by Joseph Swain after Millais from Good Words The Fitzwilliam Museum, Cambridge, Uk |
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| 1864 My Second Sermon oil on canvas 97 x 72 cm Guildhall Art Gallery, London |
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| 1864 My Second Sermon oil on wood 27.3 x 21 cm Birmingham Museums Trust, UK |
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| 1864 My Second Sermon watercolour 40 x 25 cm © Victoria and Albert Museum, London |
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| 1864 Polly wood engraving by Joseph Swain after Millais for Good Words The Fitzwilliam Museum, Cambridge, UK |
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| 1864 Prince Albert wood engraving by Joseph Swain after Millais for Good Words The Fitzwilliam Museum, Cambridge, UK |
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| 1864 Sepia photograph of Teresa Furtado as Robin in The Lion and the Unicorn at Her Majesty's Theatre sepia photograph by Millais 9.2 x 5.6 cm © Victoria and Albert Museum, London |
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| 1864 Sepia photograph of Teresa Furtado as Robin in The Lion and the Unicorn at Her Majesty's Theatre sepia photograph by Millais 9.3 x 5.6 cm © Victoria and Albert Museum, London |
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| 1864 Swallow, Swallow oil on canvas 102 x 76 cm Private Collection |
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| 1864 The Bride of Dandelot wood engraving by Joseph Swain after Millais from Good Words The Fitzwilliam Museum, Cambridge, UK |
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| 1864 The Proscribed Royalist watercolour and white gouache on off-white wove paper 15.3 x 10.4 cm Harvard Art Museums / Fogg Museum, MA © President and Fellows of Harvard College |
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| 1864 Waiting oil on panel 32.4 x 25 cm Birmingham Museums Trust, UK |
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| 1864c Girl's Head oil on canvas laid down on panel 15.2 x 12.1 cm Walker Art Gallery, Liverpool, UK |
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| 1865 Esther oil on canvas Private Collection |
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| 1865 Joan of Arc oil on canvas 82 x 62 cm Private Collection |
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| 1865-67 Waking oil on canvas 90.8 x 70.5 cm Perth and Kinross Council, UK |
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| 1866 Miss Davidson oil on canvas 95 x 71 cm Private Collection |
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