Monday, 27 November 2023

Edward McKnight Kauffer - part 5


Hailed in his lifetime as “the poster king,” E. McKnight Kauffer (American, 1890–1954) believed that the street was an art gallery for the people. While living in England between 1914 and 1940, Kauffer produced radical posters for advertising that introduced modernism to the public. He experimented in provocative ways with line, form, space, and colour to promote services and products. He did not limit himself to posters, and designed a remarkable range of book covers, rugs, theatrical productions, and more, continuing his work in New York from 1940 until his death.

For more biographical notes see part 1, and for earlier works, see parts 1 - 4 also.

This is part 5 of a 6-part series on the works of E. McKnight Kauffer:

1929 Cover for the BBC Handbook
colour process engraving 28 x 24.8 cm

1932 Great Western To Cornwall
colour lithograph poster 101.4 x 61.3 cm

1932 Great Western To Devon's Moors
colour lithograph poster 101.4 x 63 cm

1932 Piccadilly Extension
colour lithograph poster 101.6 x 63.5 cm
London Transport Museum

1932 Publicity Pays on the Underground
two-colour lithograph poster

1932 Set Design
poster paint on paper 22.9 x 27.8 cm
© Victoria & Albert Museum, London

1932 Wherever You Go You Can be Sure of Shell
The River Yeo Near Barnstabel
colour lithograph poster 76.2 x 114.9 cm

1933 Art Now
book jacket for Faber & Faber publishers
half-tone and line-block 21.9 x 19.3 cm

1933 Ask For BP Not Just Ethyl
colour lithograph poster 75.6 x 114.3 cm
MoMA, New York

1933 BP Ethyl Controls Horse-Power
colour lithograph poster 76 x 115 cm

1933 Design for the oil company Shell-Mex "BP"
pencil, pastel, pen and ink, gouache and collage on paper 27.9 x 17.2 cm
 ©Victoria & Albert Museum, London

1933 Design for the oil company Shell-Mex
 pencil, pen and ink and gouache on paper 27.9 x 17.2 cm
©Victoria & Albert Museum, London

1933 Design for the oil company Shell-Mex
pencil, pen and ink on paper  27.7 x 17.2 cm
©Victoria & Albert Museum, London

Designed 1933 issued 1935 Actors Prefer Shell
You Can be Sure of Shell
colour lithograph poster 76.2 x 114 cm

1933 Gilbey's Castle Port
colour lithograph poster 24.4 x 50.8 cm
MoMA, New York

1933 Gilbey's Invalid Port
colour lithograph poster 50.5 x 38 cm

1933 Merchants - Prefer Shell
colour lithograph poster

1933 Recommended for Winter
Double Shell Lubricating Oil
colour lithograph poster 75.6 x 113.3 cm
MoMA, New York

1933 Whitsuntide Holiday
Off To The Country By Bus Coach Train Tram
colour lithograph poster 102 x 63.5 cm

c1933 Textile Design
"I am the dreamer, they the dream"
gouache original design for a textile
©Victoria & Albert Museum, London

c1933 Textile Design
gouache on paper
©Victoria & Albert Museum, London

c1933 Textile Design
gouache on paper
©Victoria & Albert Museum, London

c1933 Textile Design
gouache on paper
©Victoria & Albert Museum, London

c1933 Textile Design
gouache on paper
©Victoria & Albert Museum, London

c1933 Textile Design
gouache on paper
©Victoria & Albert Museum, London

1934 BP Ethyl for Snappy Engines
pen and ink and collage 42 x 16.5 cm

1934 Buckingham Palace From St. James's Park
London Transport poster

1934 Come on the Telephone
colour lithograph poster 53.3 x 62.9 cm

1934 Contact With The World
Use The Telephone
two-colour lithograph 76.2 x 50.4 cm

1934 Design for the oil company Shell-Mex
pencil, pen and ink and gouache on paper 30.5 x 22.8 cm
©Victoria & Albert Museum, London

1934 Design for the oil company Shell-Mex
pencil, pen and ink and sprayed body-colour on card
 28.5 x 18.3 cm
© Victoria & Albert Museum, London

1934 Design for the oil company Shell-Mex
pencil, pen and ink and sprayed body-colour on card
 38.6 x 27.2 cm
©Victoria & Albert Museum, London

1934 Design for the oil company Shell-Mex
pencil, pen and ink, Gouache, and collage on paper
 28 x 16.8 cm
©Victoria & Albert Museum, London

1934 For Snappy Engines - The Lively Petrol
design for a poster 26.5 x 11 cm

1934 Magicians prefer Shell
colour lithograph poster for Shell Mex and B.P. Ltd
76.2 x 114.3 cm

1934 Orient Line Cruises
colour lithograph poster 100 x 63.2 cm
MoMA, New York

1934 Orient Line to Australia
colour lithograph poster 98 x 61 cm

1934 Publicity Pays - Tell The World
colour lithograph poster for London Transport
76.3 x 50.8 cm

1934 Russia Today
body-colour design for a book entitled 'Russia To-Day' by G.S. Eddy, published by George Allen & Unwin, London
V&A Museum, London

1934 Shell Mex
Design for a poster
pencil drawing with ruler and compass and painting in body-colour on card
 ©Victoria & Albert Museum, London

1934 The Tower of London
colour lithograph poster 101.6 x 63.5 cm
London Transport Museum

1935 Actors Prefer Shell
colour lithograph poster 112.4 x 75 cm


Friday, 24 November 2023

Edward McKnight Kauffer - part 4

Hailed in his lifetime as “the poster king,” E. McKnight Kauffer (American, 1890–1954) believed that the street was an art gallery for the people. While living in England between 1914 and 1940, Kauffer produced radical posters for advertising that introduced modernism to the public. He experimented in provocative ways with line, form, space, and colour to promote services and products. He did not limit himself to posters, and designed a remarkable range of book covers, rugs, theatrical productions, and more, continuing his work in New York from 1940 until his death.

For more biographical notes see part 1, and for earlier works, see parts 1 - 3 also.

This is part 4 of a 6-part series on the works of E. McKnight Kauffer:


1930 London's Underground
 colour lithograph poster 101.6 x 63.5 cm

1930 For Pull use Summer Shell
colour lithograph poster 75.6 x 114.3 cm
MoMA, New York

1930 Play Between 6 And 12, The Bright Hours.
Go By Underground
colour lithograph poster 101.6 x 63.5 cm

c1930-35 Untitled drawing
 pen and ink 19.6 x 16.5 cm

1930s Bexoid, Trade Literature
colour lithograph

c1930s Plato
preliminary collage for an unidentified design incorporating cut-out photographs of Michaelangelo's Moses, and an écorché male figure seen from behind
V&A Museum, London

late 1930s Still Life: A Rose in a Glass
oil on board 27 x 21.9 cm
V&A Museum, London

1931 Roman Britain, St. Albans by Motor Bus Route no. 84 or Green Line Coach Route H
lithograph poster 50.2 x 32.7 cm
MoMA, New York

1931 Shop Between 10 and 4 The Quiet Hours and by Underground
colour lithograph
London Transport poster

1931 Stonehenge: See Britain First on Shell
colour lithograph poster 76 x 113.6 cm

1931 The New Forest: See Britain First on Winter Shell
colour lithograph poster 76.2 x 114.3 cm
MoMA, New York

1931 You Can Be Sure of Shell
colour lithograph poster 80 x113 cm
MoMA, New York

1931 Nigger Heaven by Carl van Vechten

No other contemporary work of literature received the volume and intensity of criticism and curiosity that greeted Carl Van Vechten's 1926 novel. The bestseller generated a storm of controversy because of its scandalous title but also fed an insatiable hunger for material relating to the Black culture of Harlem's jazz clubs, cabarets, and social events.

Here is a Harlem where upper-class elites discuss art in well-appointed drawing rooms; rowdy and lascivious drunks spend long nights in jazz clubs and speakeasies; and politically conscious young intellectuals drink coffee and debate the race problem in walk-up apartments. At the center of the story, two young people--a quiet, serious librarian and a volatile aspiring writer - struggle to love each other as their dreams are slowly suffocated by racism.

Dust Jacket
pencil and gouache on paper 55.9 x 38.7 cm

Adora at a Party
 pencil and gouache on paper 55.9 x 38.7 cm

Adora's House in the Country. Mary at the Window
pencil and gouache on paper 55.9 x 38.7 cm

At the Winter Palace
pencil and gouache on paper 55.9 x 38.7 cm

Black Venus
pencil and gouache on paper 55.9 x 38.7 cm

Byron and Lasca Dance Together
pencil and gouache on paper 55.9 x 38.7 cm

Byron and Mary
pencil and gouache on paper 55.9 x 38.7 cm

Byron and Mary
pencil and gouache on paper 55.9 x 38.7 cm

Byron Leaves Lasca's Apartment
pencil and gouache on paper 55.9 x 38.7 cm

Byron Writes from Nigger Heaven
pencil and gouache on paper 55.9 x 38.7 cm

Lasca
pencil and gouache on paper 55.9 x 38.7 cm

Mary Waiting
pencil and gouache on paper 55.9 x 38.7 cm

The End
pencil and gouache on paper 55.9 x38.7 cm

The Murder
pencil and gouache on paper 55.9 x 38.7 cm

The Scarlet Creeper
pencil and gouache on paper 55.9 x 38.7 cm

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1932 Aero Shell Lubricating Oil
design for Shell-Mex and British Petroleum
pencil, pen and ink, gouache, and airbrush on paper
 41.8 x 27.8 cm
© Victoria & Albert Museum, London

1932 Aero Shell Lubricating Oil
design for Shell-Mex and British Petroleum
pencil, pen and in and Gouache on paper 38.2 x 27.5 cm
© Victoria & Albert Museum, London

1932 Aeroshell Lubricating Oil
colour lithograph poster

1932 Bodiam Castle - Wherever You Go You Can Be Sure of Shell
colour lithograph poster

1932 By the Rushy - Fringed Bank
colour lithograph on cream wove paper 101.4 x 63.5 cm
Art Institute of Chicago, IL

1932 Design for a Shell poster
pencil, pen and ink, watercolour and kaoliníte, with airbrush and collage, on paper 40.6 x 27.3 cm

1932 Economise in Time, Temper, Petrol by Using Winter Shell
colour lithograph poster 75.6 x 114.3 cm
MoMA, New York

1932 Fortnum & Mason  Ltd.
Trade literature

1932 Go Great Western to Cornwall
colour lithograph poster for Great Western Railway
101.6 x 63.5 cm

1932 Go Great Western to Devon
colour lithograph poster 99.8 x 61.5 cm

1932 Go Great Western to Devonshire
colour lithograph poster for Great Western Railway
100.5 x 61.3 cm

1932 Great Western to Cornwall
colour lithograph poster 98.7 x 60.9 cm