Friday 6 September 2024

Walter Crane individual works - part 5

Walter Crane (1845-1915) was born in Liverpool, England; the second son of Thomas Crane, a portrait painter and miniaturist. He was a fluent follower of the newer art movements and he came to study and appreciate the detailed senses of the Pre-Raphaelite Brotherhood, and was also a diligent student of the renowned artist and critic John Ruskin. A set of coloured page designs to illustrate Tennyson's “Lady of Shalott” gained the approval of wood-engraver William James Linton to whom Walter Crane was apprenticed for three years (1859–1862).

As a wood-engraver he had abundant opportunity for the minute study of the contemporary artists whose work passed through his hands, of Pre-Raphaelites Dante Gabriel Rossetti and John Everett Millais, as well as Alice in Wonderland illustrator Sir John Tenniel and Frederick Sandys. A further and important element in the development of his talent was the study of Japanese colour prints, the methods of which he imitated in a series of toy books, which started a new fashion.

For more information on Crane, and for a series on his illustrated books, see "Walter Crane books" in the side index.

This is part 5 of a 6-part series on individual works by Walter Crane:


1896 Daffodil and Bluebell
looped pile Brussels carpeting in wool and jute
James Templeton & Co.

1896 Lily, Pink and Columbine
sample of Brussels carpet 137.1 x 68.5 cm
V&A Museum, London

1896 Meadow Flowers wallpaper
colour woodblock print on paper 96.5 x 55.2

1896 Meadow Flowers wallpaper
colour woodblock print on paper 96.5 x 55.2

1896 The May Tree wallpaper frieze for Jeffrey & Co.
58.2 x 99.5 cm

c1896 Ecclesiastical Embroidery design attributed to Crane
linen and cotton plain weave with silk embroidery 149.9 x 160.7 cm
Philadephia Museum of Art, PA

1897 'National' wallpaper for Jeffrey & Co.
colour woodblock print on paper

1897 'National' wallpaper for Jeffrey & Co.
colour woodblock print on paper

1897 'National' wallpaper for Jeffrey & Co.
colour woodblock print on paper 142.3 x 105.4 cm

1897 Day Lily wallpaper
colour woodblock print on paper

1897 Day Lily wallpaper
colour woodblock print on paper

1897 Day Lily wallpaper
colour woodblock print on paper

1897 Harper's Round Table No.1 November issue
wood engraving

1897 Marcus Ward & Co. Calendar
The printing and greetings card company, UK

1897-98 The Day Lily
colour woodblock print on paper  74.5 x 50.8 cm

1898 Jugend
cover of the German magazine

c1898 Beauty's Awakening: A Masque for Winter and Spring
Art Worker's Guild Costume Design
tracings of costume design after Crane's originals

1899 Cockatoo and Pomegranate wallpaper
colour woodblock print on paper 88.9 x 51.5 cm

1899 Design for costume for 'The Snowman'
(Fairy Princess Ariella)
body-colour on brown paper 36.6 x 27.9 cm

1899 Design for Costume for 'The Snowman'
(Elves, Fairy-Architect & Builder)
body-colour on brown paper 36.8 x 28 cm

1899 The Cause of Labour is the Hope of the World
©The Trustees of the British Museum

1900 Advertisement for a Lecture by Walter Crane in Budapest
lithograph poster 30.1 x 22.8 cm
Los Angeles County Museum of Art, CA

before 1900 The Corona Vitae wallpaper and frieze design
process half-tone engraving on paper

1900 Britomart
watercolour on paper
Library of the Arts Décoratifs, Paris

1900 Lily wallpaper by Jeffrey & Co.
colour woodblock print on paper 73.6 x 52 cm

1900 Lion and Dove wallpaper frieze
colour woodblock print on paper 68.5 x 111.7 cm

1900 Rose Bush wallpaper
colour woodblock print on paper91.5 x 54.6 cm

1900-01 Flora's Train Earthenware tiles with relief decoration and coloured glazes for Pilkington's Tile and Pottery Co.

c1900 Correspondence Card
process engraving 8.8 x 11.4 cm

c1900s Programme for Grande Fête Française
colour lithograph 13.9 x 24.1 cm

1901 Masque of Days
 pen and black ink over graphite on card
© The Trustees of the British Museum

1902 Francesca wallpaper
colour woodblock print on paper produced by Jeffrey & Co., England
89.5 x 51.5 cm

1902 Golden Pheasant
furnishing fabric block-printed cotton 92.7 x 135.8 cm

1902 Golden Pheasant
detail

1902 Golden Pheasant
detail

1902 International Fraternity the True Basis of Universal Peace.
A Souvenir of Labour's May Day, 1902
process engraving 27.4 x 14.4 cm

1902 Invitation Card
process engraving 13.3 x 7.6 cm

1902 Laveno, Italy
watercolour drawing on brown paper 43.4 x 33.2 cm

1903 Fruit wallpaper frieze
colour woodblock print on paper by Jeffrey & Co.
53.3 x 105 cm

1903 Invitation Card
process engraving 18.8 x 10.1 cm

1903 Iris
watercolour design for a printed textile
90.2 x 43.2 cm

1904 Dulce Domum wallpaper
colour woodblock print on paper 85.1 x 54 cm

1904 Dulce Domum wallpaper
colour woodblock print on paper 85.1 x 54 cm

Dulce Domum wallpaper
colour woodblock print on paper 85.1 x 54 cm

1904 Myrtle Wreath wallpaper
colour woodblock print on paper 83.8 x 57.2 cm

1904 Oak wallpaper corner-piece
colour woodblock print on paper
One of thirty-eight portions in different colour ways

1904 Oak wallpaper corner-piece

1904 Oak wallpaper corner-piece


Wednesday 4 September 2024

Walter Crane individual works - part 4

 


Walter Crane (1845-1915) was born in Liverpool, England; the second son of Thomas Crane, a portrait painter and miniaturist. He was a fluent follower of the newer art movements and he came to study and appreciate the detailed senses of the Pre-Raphaelite Brotherhood, and was also a diligent student of the renowned artist and critic John Ruskin. A set of coloured page designs to illustrate Tennyson's “Lady of Shalott” gained the approval of wood-engraver William James Linton to whom Walter Crane was apprenticed for three years (1859–1862).

As a wood-engraver he had abundant opportunity for the minute study of the contemporary artists whose work passed through his hands, of Pre-Raphaelites Dante Gabriel Rossetti and John Everett Millais, as well as Alice in Wonderland illustrator Sir John Tenniel and Frederick Sandys. A further and important element in the development of his talent was the study of Japanese colour prints, the methods of which he imitated in a series of toy books, which started a new fashion.

For more information on Crane, and for a series on his illustrated books, see "Walter Crane books" in the side index.

This is part 4 of a 6-part series on individual works by Walter Crane:

c1890 St. Jude's, Whitechapel
wood engraving 23.1 x 17.2 cm
V&A Museum, London

c1890 The Ministering Children's League: The Young Knight
process engraving 20 x 14.2 cm

c1890 The Vampire
process engraving 37.5 x 28.5 cm

c1890 Where are you going to my pretty maid?
transfer-printed, polychromed, glazed earthenware
 15.2 x 15.2 x 0.8 cm
Brooklyn Museum, New York

1890s Spenser's Faerie Queene advertisement
process engraving 28.5 x 21.5 cm

1890s Jeffrey & Co.'s Artistic Wall Papers advertisement
process engraving 14.7 x 10.1 cm

c1890s Tile of lead-glazed earthenware, transfer-printed with a classical figure of Ignis
15.3 x 15.3 cm

c1890s  The Decorative Arts Guild Limited advertisemenet
process engraving 8.3 x 17.2 cm

c1890s The Cockatoo wallpaper design
process half-tone engraving print on paper

c1890s The Caxton Head Catalogue advertisement
process engraving 18.7 x 11.6 cm

c1890s Four Winds' ceiling paper
process half-tone engraving on paper

c1890s Echoes of Hellas advertisement
two colour lithograph

1891 "Cockatoo" wallpaper
colour woodblock print on paper 62.8 x 50.2 cm

1891 Design for a pilaster showing pomegranates, peacocks, squirrels, a serpent, lizards etc;
body-colour on paper 217.2 x 31.7 cm
V&A Museum, London

1891 In Memory of the Commune of Paris
process engraving 29.2 x 21.3 cm

1891 Iris and Pomegranate wallpaper frieze
colour woodblock print on paper 45.7 x 50.8 cm

1891 Iris and Pomegranate wallpaper frieze
colour woodblock print on paper 45.7 x 50.8 cm

1891 Proof of a design after a William Morris illustration to 'The Story of the Glittering Plain'
wood engraving 27.5 x 20.2 cm

1891 Queen Summer, or the Tourney of the Lily and the Rose
watercolour 19.3 x 16.5 cm

1891 Renascence - A Book of Verse by Walter Crane
front cover

1891 Singing Bird wallpaper by Jeffrey & Co.
colour woodblock print on paper 57.1 x 53.3 cm

1891 Singing Bird wallpaper by Jeffrey & Co.
colour woodblock print on paper 57.1 x 53.3 cm

1891 Singing Bird wallpaper by Jeffrey & Co.
colour woodblock print on paper 57.1 x 53.3 cm

1893c The New Coinage
Illustration for The Pall Mall Budget 9 February 1893
graphite and Indian ink on paper 12.8 x 13.6 cm

1894 Champagne Hau & Co. Reims
 colour lithograph poster 74.5 x 55 cm

1894 Danseuse aux cymbales
lithograph on laid paper 43.2 x 29.5 cm (image)
Brooklyn Museum, New York

1894 Lilies
process engraving 9.6 x 7.6 cm

1894 Lily and Rose wallpaper design
colour woodblock print on paper 59.6 x 53.3 cm

1894 Teasel wallpaper
colour woodblock print on paper 89.5 x 51.4 cm

1894 The Swan Maidens
oil and mixed media on paper 27.2 x 20 cm
Private Collection

1894 The Swan Maidens
process engraving 10.1 x 9.6 cm

c1894 Pegasus
process engraving 10.1 x 8.8 cm

c1894 The Worker's May Pole
Dallastype process engraving 31.2 x 18.5 cm

The Worker's May Pole detail

The Worker's May Pole detail

1895 A Book of Christmas Verse by H.C. Beeching
Methuen and Co., London

1895 A Book of Christmas Verse
Title Page

1895 A Rocking Hym
from A Book of Christmas Verse

1895 A Garland for May Day
©The Trustees of the British Museum

1895 Design for the Ancoats Brotherhood, Manchester

1895 Sleeping Bulldog
pencil on paper 20.3 x 25.4 cm
The Huntington Library, Art Museum, and Botanical Gardens
San Marion C
A

1895-1905 Economic Life Office Insurance Company advertisement
process engraving

1895-1915 Advertisement for the Scottish Widow's Fund
process engraving 19.6 x 13.8 cm

c1895 Design for a Brussels carpet
pencil and watercolour 91 x 67.5 cm

c1895 Fig and Peacock wallpaper design
colour woodblock print on paper 88.2 x 52.1 cm