Friday 16 August 2024

Frank Schoonover - part 3

Frank Earle Schoonover (1877-1972) was enamoured with Howard Pyle’s magazine work from the time he was a young boy in Trenton, New Jersey. After youthful endeavours copying Pyle’s illustrations, Schoonover joined his class at Drexel Institute in 1896. The young artist’s promising talent was duly noted by his teacher and he was offered scholarships to Pyle’s summer school in Chadds Ford, Pennsylvania. Schoonover was well known for his illustrations of outdoor adventure stories, especially of the Canadian and American West. He maintained a studio in Wilmington throughout his career and, with Stanley Arthurs, was a founder in 1912 of the Wilmington Society of the Fine Arts, the predecessor of the Delaware Art Museum. The Frank E. Schoonover Manuscript Collection contains photographs, correspondence, clippings, organisational records, diaries, and day books that document the work he executed. Delaware Art Museum

For a more in-depth biography see part 1, and for earlier works by Schoonover, see parts 1 & 2 also. 

This is part 3 of 7-part series on the works of Frank Schoonover.

1907 "The two of them looked at each other with much interest"
halftone photomechanical print 23 x 15 cm 
The New York Public Library Digital Collections

1908 "As he looked apathetically about him, his eyes chanced on the dog"
wood engraving
The Century illustrated monthly magazine

1908 "Keep a Good Two Yards Ahead & Don't Turn Your Beezer"
 oil 61 x 94 cm

1911 "Vidette in Pirogue"
Harper's Monthly Magazine
oil on canvas 55.8 x 83.8 cm

In January of 1911, Schoonover and his new bride travelled to Cuba and the bayou country of Louisiana for their honeymoon. In both locations, the artist visited the haunts of the pirates, sketched the environs, took photographs, and made notes with the plan of writing and illustrating an article on the infamous pirate, Jean Lafitte. Schoonover’s wife did research in the library while her husband continued to scour the bayous. In a letter to Alex H. Lappe, Esq. in 1912, Schoonover wrote: “I made a trip through the various bayous to the islands and and there discovered some of the descendents of the Pierre Lafitte band…I paddled about in just such a green pirogue as you see in the picture…took up my position back of a fringe of salt marsh grass and watched the Gulf.


1911 "Youth will be served"
oil on canvas 50.8 x 76.2 cm

1911 "Youth will be served"
detail

1911 "Youth will be served"
detail

1911 Moses, with his feet against the stove, studied the paper
oil on canvas 76.2 x 50.8 cm

1911 In the Haunts of Jean LaFitte
Harper’s Magazine, December, 1911
oil 83.8 x 55.8 cm

1912 "What Happened Here?"
 oil on canvas 76.2 x 86.3 cm
The Ladies Home Journal, March 1913
Norman Rockwell Museum, Stockbridge, MA

1912 The hoop, bright yellow, danced up into the air
McClure's Magazine

1913 Sportsman landing Trout
cover of Popular Magazine cover

1913 Sportsman landing Trout
original artwork
 oil 86.3 x 60.9 cm

1913 The little wet foot
oil on canvas 86.3 x 60.9 cm
Harper's Magazine April-May 1913

1913 The Orb of the Day
American Magazine, December, 1913
oil on board 20.3 x 22.8 cm

1914 “I Told You Not to Come Here”
oil on canvas (size not given)
Everybody’s Magazine, November 1914

1914 "Runaway Horses"
American Magazine
oil on canvas 86.3 x 121.9 cm

1914 "Take her!"
oil on canvas 63.5 x 86.3 cm

1914 Bushkill House
oil on board 14.6 x 20.3 cm

In 1914, Schoonover and his wife bought this house as a summer residence in Bushkill, Pike County, Pennsylvania. The Schoonover ancestors had lived for over two hundred years in Pike County and as a child, the artist spent his summers in and around Bushkill with his grandparents. Every summer after purchasing his own house, Schoonover and his family and often, friends as well, stayed at the ‘Bushkill house’. The artist worked throughout the summers on his illustration commissions in a studio in the loft of a nearby mill and then in the barn behind the house. After the early 1940’s, he continued to use the barn as his studio, concentrating on commissions, stained glass window designs, and landscapes. The family owned that summer residence until they were forced to sell it to the government in 1962 when the Tock’s Island Dam project for a local reservoir was underway. The dam was never built and the house was finally razed.


1914 Snow Blind (also known as “On came the strange pair, stricken voyageur and faithful dog.”)
 Scribner’s Magazine, May 1914
oil on canvas 101.6 x 81.2 cm

1914 The Trawler
oil on canvas (size not given)
Cape Ann Museum, Gloucester, MA


1914-19 WW1 artworks published in Ladies Home Journal under "Souvenir Pictures of the Great War":

1919 "Sgt. Alvin C. York 327th Inf. 82nd Div. Attack"
oil on canvas 50.8 x 127 cm

Here Schoonover portrays one of the most heroic individual actions of World War I. On October 8, 1918, Sgt. Alvin Cullum York, a member of the 328th Infantry Regiment of the 82nd Division, went out with a patrol near Hill 223 on the Meuse-Argonne battlefield. They met strong resistance from German forces. York assumed command of the patrol, and they silenced two of the dominating machine gun positions that had pinned down American forces in the valley. He and the patrol evacuated all of the wounded, German and American, and returned leading a column of 132 German prisoners. His heroism is legend in the annals of military history. He received the Medal of Honor. Marshall Ferdinand Foch, Commander-in-Chief, Allied Armies said about Sgt. York’s feat, “The Greatest Thing Accomplished by any Private Soldier of All the Armies of Europe.


Battle of Cantigny - Where the Americans won their first Laurels 
oil on canvas 76.2 x 127 cm

Doughboys First - Crossing the Moselle into Germany 
oil on canvas 76.2 x 127 cm

Kamerad - Capture of a cellar by American Marines 
oil on canvas 76.2 x 127 cm

Kamerad detail

Kamerad detail

Leading Them Back Home For Christmas - Coming home for Christmas, French Refugees 
oil on canvas 76.2 x 127 cm


Leading Them Back Home For Christmas detail

Leading Them Back Home For Christmas detail

Our famous "Lost Battalion" in Argonne Forest 
oil on canvas 76.2 x 127 cm

Smash the Hindenburg Line 
oil on canvas 76.2 x 127 cm

Smash the Hindenburg Line
detail

Smash the Hindenburg Line
detail

The "Victorious Retreat" back to the Rhine
published by Ladies Home Journal
artwork: oil on canvas 76.2 x 127 cm

How twenty Marines Marines took Bouresches
oil on canvas 60.9 x 10.6 cm

The Old and the Young of St. Mihiel greet their Liberators
oil on canvas 76.2 x 127 cm

Under the White Flag
oil on canvas 76.2 x 127 cm

When Peace Came
oil on canvas 76.2 x 127 cm

When Peace Came
detail

When Peace Came
detail
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1915 "Do you think you could find news?"
oil on canvas 66 x 35.5 cm

1915 “I am Francois Hertel”
Scribner’s Magazine "A little tragedy at Coocoocache"
oil on canvas 81.2 x 55.8 cm

1915 "There Was a Flash of Long White Fangs"
from  “Red Flag of Papoose Peak”
Collier’s Weekly, 8 January 1916
oil on canvas 76.2 x 101.6 cm

1915 "The bullet went smashing through the violin case and into the fiddler’s shoulder"
from “The Fiddler of Glory Hole.”
Collier’s Weekly, 4 December 1915
oil on canvas 60.9 x 93.9 cm

Wednesday 14 August 2024

Frank Schoonover - part 2


Frank Earle Schoonover (1877-1972) was enamoured with Howard Pyle’s magazine work from the time he was a young boy in Trenton, New Jersey. After youthful endeavours copying Pyle’s illustrations, Schoonover joined his class at Drexel Institute in 1896. The young artist’s promising talent was duly noted by his teacher and he was offered scholarships to Pyle’s summer school in Chadds Ford, Pennsylvania. Schoonover was well known for his illustrations of outdoor adventure stories, especially of the Canadian and American West. He maintained a studio in Wilmington throughout his career and, with Stanley Arthurs, was a founder in 1912 of the Wilmington Society of the Fine Arts, the predecessor of the Delaware Art Museum. The Frank E. Schoonover Manuscript Collection contains photographs, correspondence, clippings, organisational records, diaries, and day books that document the work he executed. Delaware Art Museum

For a more in-depth biography, and for earlier works by Schoonover, see part 1 also. 

This is part 2 of 7-part series on the works of Frank Schoonover.

1903 The Blood Lilies by W.A. Fraser, published by Charles Scribner’s Sons:

They struggled and panted...in the swirling storm
oil on canvas en grisaille 55.9 x 35.5 cm

To Descoigne, lying in his shack, came Felix Benoit
oil on canvas, en grisaille 55.9 x 35.5 cm

Her wail was like that of a she-wolf
oil on canvas 55.9 x 35.5 cm

The Indian and the Scot gave lead to the hounds.
oil in canvas, 
en grisaille
 55.9 x 36.1 cm

 (Caption not found)
oil on board, en grisaille 56.5 x 36 cm
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1904 Skin hanging from Rack
oil crayon on illustration board 26.6 x 17.7 cm
Norman Rockwell Museum, Stockbridge, MA


1904 The Deliverance
A Romance of the Virginia Tobacco Fields
published by Doubleday Page & Co., New York:

1904 ‘Read yourself – this once,’ he pleaded, ‘and let me listen.’
oil on illustration board 60.9 x 40.6 cm

In a massive Elizabethan chair of blackened oak a stately old lady was sitting straight and stiff
oil on canvas 55.9 x 35.5 cm

…waited for the oxen to reach the summit of the hill
oil on canvas 45.7 x 30.4 cm

…stood, bareheaded, gazing over the broad field.
oil on canvas (size not given)

The Inheritance
ink on illustration board 17.7 x 19 cm

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1905 "Hopalong Takes Command"
The Fight at Buckskin, by Clarence Edward Mulford
Outing Magazine, December 1905
50.8 x 76.2 cm

1905 “The Edge of the Wilderness.”
Scribner’s Magazine, April 1905
A bit of domestic life
oil crayon on paper 29.2 x 40.6 cm

1905 “The Edge of the Wilderness.”
Scribner’s Magazine. April 1905
oil crayon on paper 43.8 x 28.5 cm

1905 “The Woman and the Poet.”
Scribner’s Magazine, September 1905
The tragic hills looked down, watchful, impassive
oil on canvas en grisaille 71.1 x 43.1 cm

1905 Breakfast Cocoa, Walter Backer & Co.
oil on canvas 61 x 53.3 cm

1905 Only Jules Verbeaux
oil on canvas 72.3 x 48.2 cm

1905 Scribner’s Magazine. Poster for the July 1903 issue
" Came rushing with a huge noise through the wood."
oil on canvas en grisaille 60.9 x 45.7 cm

1905-12 Man exiting shelter, four men gathered around him
Half-tone plate engraved by H. Davidson
Century magazine

1906 "Skinny dragged him over to a crack and settled down for another try"
Bar-20 Yarns, The Outing Magazine
oil on canvas 76.2 x 50.8 cm

1906 After the Fight
oil on canvas 76.8 x 51.4 cm

1906 Got here on time
oil on canvas 91.4 x 61 cm

1906 The Bridge Across the Night by Katherine Holland
Scribner’s Magazine May 1906
oil 76.2 x 50.8 cm

1906 Two Trout
pastel on paper 20.3 x 27.9 cm

1906 Wa Gush
oil 91.4 x 121.9 cm

c1906 "Hasse Spears a Mullet"
gouache on board 20.3 x 13.3 cm
Brandywine River Museum of Art, Chadds Ford PA

1906 The Outing Magazine (April-September):

"After the break-up of the ice on the Porcupine he paddled down that stream to where if effected its junction with the Yukon."

"Hopalong blew another smoke ring. He was waiting for the gun to waver."

"In the full glare of the afternoon light, crouching in the entrance to the cave, the cubs saw the lynx mother."

"They can come and get me now."

One of Three by Lawrence Mott
"He got Lawsen on his powerful back with the cut leg stuck forward through the crook of his arm, and he started."

The Law of the Range
"Skinny dragged him over to a crack and settled down for another try."

1906 White Fang novel by Jack London:

1906 "White Fang's free nature flashed forth again, and he sank his teeth into the moccasined foot"
oil on canvas 89.9 x 49.8 cm
Norman Rockwell Museum, Stockbridge MA

Preparatory sketch for the above illustration
ink on paper  9.5 x 7 cm

1906 Frontispiece "Circle of Fire"
 "They can come and get me now'"
oil on canvas 91.4 x 60.9 cm
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1907 Scribner's for February
poster
The New York Public Library Digital Collections

1907 Don Ramon in Bed - from The Eve of St. John by Thomas A. Janvier
Harpers Magazine July 1907

1907 "She took the oars and rowed me slowly around the shore"
Illustration for "Some Remarks on Gulls by Henry van Dyke"
Scribner’s Magazine, August 1907
oil on canvas 88.9 x 60.9 cm


1908 The Courage of Captain Plum by James Oliver Curwood:

Front cover wrap-around 

2. Frontispiece
 " I am going to take you from the island!"

Frontispiece artwork
charcoal and watercolour wash on off-white illustration board
Indianapolis Museum of Art at Newfields

Neil forced the dugout through the water.

His fingers twined about the purplish throat.

Marion

1910 The Mystery of Rowing:

An Incident of the Atalanta-Yale Race of 1890

Near the Finish

A Model in Schoonover’s studio