Friday, 7 August 2026

William Roberts - part 18

Self-Portrait 1977
pencil  30.5 x 22 cm

Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an "English Cubist". In the First World War he served as a gunner on the Western Front, and in 1918 became an official war artist. Roberts's first one-man show was at the Chenil Gallery in London in 1923, and a number of his paintings from the twenties were purchased by the Contemporary Art Society for provincial galleries in the UK. In the 1930s it could be argued that Roberts was artistically at the top of his game; but, although his work was exhibited regularly in London and, increasingly, internationally, he always struggled financially. This situation became worse during the Second World War – although Roberts did carry out some commissions as a war artist.

Roberts is probably best remembered for the large, complex and colourful compositions that he exhibited annually at the Royal Academy summer exhibition from the 1950s until his death. He had a major retrospective at the Tate Gallery in 1965, and was elected a full member of the Royal Academy in 1966. There has recently been a revival of interest in the work of this artist who always worked outside the mainstream.


Note: All images © reserved (Bona Vacantia)


This is part 18 of a 20-part series on the works of William Roberts:

c1970 The Party study
pencil and watercolour, squared 15.9 x 19.7 cm

c1970 The Party
oil on canvas 61.5 x 76.5 cm

1971 Dog Lovers
oil on canvas 75 x 55 cm

1971 Not Guilty
watercolour (size not given)

1971 Rush Hour study
pencil and watercolour, squared 40 x 30.5 cm

1971 The Boatmen study
pencil, squared 18.7 x 12.8 cm

1971 The Boatmen
watercolour, bodycolour and pencil 50.8 x 33.0 cm

1971 The Doorstep study
pencil, squared 19 x 14 cm

1971 The Doorstep
pencil and watercolour 47 x 27.9 cm

1971 The Family
pencil (and watercolour?) on paper 47 x 27.9 cm
Tate Gallery, London

1971 The Party
oil on canvas 61 x 76.2 cm
The Ingram Collection, London

1971 The Winner study
pencil, squared 13.3 x 17.2 cm

1971 The Winner
pencil and watercolour 46.7 x 49 cm

1972 Ennui sudy
pencil and watercolour, squared 18.1 x 13 cm

1972 Ennui
oil on canvas 70.5 x 50.5 cm

1972 Life Class study
pencil, squared 12.5 x 16.5 cm

1972 Life Class study
pencil and watercolour, squared 36 x 46.5 cm

1972 On the Wire study
pencil on paper 19.1 x 14.6 cm
Tate Gallery, London

1972 On the Wire
pencil, charcoal and watercolour 46.9 x 36.8 cm

1972 The Swans study
pencil, crayon and watercolour, squared 19 x 1.5 cm

1972 The Swans
oil on canvas 76.2 x 61 cm

1972 Tiddler Fishing
oil on canvas 91.4 x 76.2 cm

1972 Tree Pruners study
pencil, squared 19 x 13.3 cm

1972 Tree Pruners
pencil and watercolour 40 x 30 cm

1973 Alarm
oil on canvas 61 x 57 cm

1973 Bath-Night
oil on canvas 61 x 76.2 cm

1973 Feeding the Seagulls study
pencil, watercolour and gouache, squared 17.5 x 14.9 cm

1973 Feeding the Seagulls
oil on canvas 77 x 66 cm

1973 The Divine Bottle study
pencil, squared 12.7 x 15.2 cm

1973 The Divine Bottle
 oil on canvas 62.5 x 75 cm

1973 The Art Gallery study
pencil and watercolour, squared 15.2 x 17.8 cm

1973 The Art Gallery
oil on canvas 48.9 x 59.1 cm
Tate Gallery, London

1973 Tiddlers study
pencil, crayon and watercolour, squared 18.5c x 14.0 cm

1974 Tiddlers
oil on canvas 76.5 x 64 cm

1974 Beauty Queens study
pencil & watercolour on paper, squared 12.7 x 15.9 cm
The Ingram Collection of Modern British and Contemporary Art, London

1974  Beauty Queens
oil on canvas 41 x 51 cm
The Ingram Collection of Modern British and Contemporary Art, London

1974 Feeding the Seagulls
oil on canvas 77 x 66 cm
Reading Museum, UK

1974 In the Park study
pencil and watercolour, squared 31.2 x 44 cm

1974 Siesta study
pencil and watercolour, squared 14 x 17.1 cm

1974 Siesta
oil on canvas 40 x 50.5 cm

1974 The Beggars study
pencil, squared 29.3 x 15.2 cm

1974 The Beggars
pencil and watercolour 47.0 x 27.9 cm

1974 The Model study
watercolour and pencil squared (size not given)

1974 The Pet
oil on canvas 50.8 x 40.8 cm


Wednesday, 5 August 2026

William Roberts - part 17

Self-portrait 1976 with arms folded
oil on canvas 50.8 x 40.6 cm

Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an "English Cubist". In the First World War he served as a gunner on the Western Front, and in 1918 became an official war artist. Roberts's first one-man show was at the Chenil Gallery in London in 1923, and a number of his paintings from the twenties were purchased by the Contemporary Art Society for provincial galleries in the UK. In the 1930s it could be argued that Roberts was artistically at the top of his game; but, although his work was exhibited regularly in London and, increasingly, internationally, he always struggled financially. This situation became worse during the Second World War – although Roberts did carry out some commissions as a war artist.

Roberts is probably best remembered for the large, complex and colourful compositions that he exhibited annually at the Royal Academy summer exhibition from the 1950s until his death. He had a major retrospective at the Tate Gallery in 1965, and was elected a full member of the Royal Academy in 1966. There has recently been a revival of interest in the work of this artist who always worked outside the mainstream.


Note: All images © reserved (Bona Vacantia)


This is part 17 of a 20-part series on the works of William Roberts: 

1967 The Fountain study
pencil and watercolour, squared 18.7 x 16.2 cm

1967 The Fountain
oil on canvas 75 x 60 cm

1967 The News
oil on canvas 75 x 60 cm

1967-68 The Swings study
pencil, watercolour and gouach, squared 15.2 x 19 cm

1967-68 The Swings
oil on canvas 61 x 76.2 cm

c1967-68 The Necklace
(aka The Locket) (portrait of Sarah Roberts)
oil on canvas 53 x 41 cm

c1967 Mahomet's Ride study
pencil, squared 17.1 x 13.3 cm

c1967 Mahomet's Ride
oil on canvas 91.5 x 76 cm

1968 The Goldfish Bowl study for an exhibition poster held at Anthony d'Offay 1969
pencil, squared 17.8 x 12.7 cm

1968 The Goldfish Bowl 
pen and ink 22.5 x 16.5 cm

1968 Fishermen
watercolour 45.7 x 34.3 cm

1968 Gossips
oil on canvas 76.2 x 61 cm

1968 Moving Day study
graphite and watercolour on paper, squared 19.1 x 17.2 cm
Tate Gallery, London

1968  Moving Day
oil on canvas 76.2 x 69 cm

1968 Snooker study
pencil, squared 18.5 x 13 cm

1968 Snooker study
pencil and watercolour, squared 38 x 26.5 cm

1968 Snooker
oil on canvas 137.2 x 96.5 cm

1968 The Card Trick
oil on canvas 50.8 x 40.6 cm

1968 The Diners study
pencil and watercolour, Squared 18.8 x 15 cm

1968 The Diners
oil on canvas 75 x 60 cm

c1968 Goal study
pencil and watercolour, squared 30 x 37.5 cm

c1968 Goal
oil on canvas 121 x 152.4 cm

c1968 Moving Day study
pencil and watercolour on paper, squared 19.1 x 17.2 cm
Tate Gallery, London

c1968 Moving Day
oil on canvas 76.2 x 60 cm

c1969 Tree Felling study
pencil and watercolour, squared 17.8 x 15.2 cm

c1969 Tree Felling
oil on canvas 75 x 60 cm

1970 Orange Picking
pencil and watercolour 55.8 x 37.9 cm

1970 Parallel Bars study
pencil, squared 19.1 x 13.3 cm

1970 Parallel Bars
pencil and watercolour 48.2 x 35.5 cm

1970 Researchers
pencil and watercolour 45 x 33.5 cm

1970 Saturday Night (At the Local)
oil on canvas 76.2 x 61 cm
The Ingram Collection of Modern British and Contemporary Art, London

1970 The Amateur and the Professional study
pencil, squared 12 x 15.5 cm

1970 The Amateur and the Professional
pencil and watercolour 35.7 x 46 cm

1970 The Isle of Lesbos study
pencil, squared 18.7 x 13.9 cm

1970 The Isle of Lesbos
pencil and watercolour on paper 50.2 x 34.9 cm
Tate Gallery, London

1970 The Underground study
pencil, squared 19 x 15.5 cm

1970 The Underground
pencil and watercolour 38. x 30.5 cm

1970 Which is the Way to Barcelona? study
pencil, squared 19 x 14 cm

 1970 Which is the Way to Barcelona
pencil and watercolour on paper 47 x 34 cm
Tate Gallery. London

c1970 At the Launderette study
pencil, squared 18.4 x 13.3 cm

c1970 At the Launderette 
pencil and watercolour 34 x 47 cm

c1970 Parallel Bars study
pencil on paper 19.1 x 13.3 cm
Tate Gallery, London

c1970 Parallel Bars study
pencil and watercolour, squared 48.2 x 35.5 cm

c1970 Saturday Night
oil on canvas 76.2 x 61 cm