Monday, 4 May 2026

André Masson - part 4


André Masson (1896-1987) french painter, sculptor, illustrator, designer and writer, was born at Balagny (Oise). He spent most of his youth in Brussels, where he worked as a pattern-drawer in an embroidery studio and studied part-time at the Académie des Beaux-Arts. Then moved to Paris and studied at the Ecole des Beaux-Arts 1912-14. He served in the French Army 1914-19, and was gravely wounded. He lived in the South of France (1919-22), then returned to Paris where he met Gris, Derain, and later Miró and Breton. His first one-man exhibition was at the Galerie Simon, Paris in 1923. Paintings of forests, card players and still lifes, followed by experiments with automatic drawing. From 1924-9 he participated in the Surrealist movement. He made further works exploring chance effects, including sand paintings, as well as paintings of metamorphoses of animal and human forms, themes of germination, combats and massacres, with emphasis on violence and eroticism. He lived in Spain 1934-36 where he made paintings of bullfights, Spanish myths, etc. He took refuge in the USA between 1941-45, where he lived at New Preston, Connecticut, and made works inspired by the elemental forces of nature. He returned to France in 1945 and settled in Aix-en-Provence in 1947. Here he painted landscape themes such as mountains and waterfalls for several years, followed by some almost completely abstract pieces. His works also include sets and costumes for the theatre, book illustrations and a number of small sculptures.

This is part 4 of 15-part series on the works of André Masson:

1945 Resurrection
lithograph 19 x.5 x 15.5 cm (composition)

1945 Portrait with a May-Fly
drypoint on paper 24.8 x 20.5 cm (plate)

1945 Portrait of Georges Duthuit
lithograph 35.6 x 27.9 cm

1945 Pasiphaë
pastel on black paper 69.8 x 96.8 cm
MoMA, New York

1945 Meditation
lithograph on paper 20 x 28 cm

1945 The Misanthrope (Self-Portrait)
etching with aquatint 22.2 x 17.8 cm
Published by Curt Valentin Buchholz Gallery, New York

1945 The Sword in the Sea
India ink on paper 30 x 27.5 cm

1945 Ruin
lithograph on paper 35.5 x 56 cm

c1945 Untitled
pastels and ink on canvas paper 44 x 56 cm

1945 Apparition
lithograph on thin wove paper 35.5 x 27.9 cm

1946 Portrait of Curt Valentin
lithograph 30.5 x 28.9 cm (composition)
Published by Galerie Louise Leiris, Paris

1946 Portrait of a Child in the Artist's Studio
pastel on paper mounted on canvas 23.5 x 21 cm

1946 La Rochelle, Yellow, Red, Orange
oil on canvas 82.6 x 95.9 cm

1946 Deucalion
oil on paper 19.7 x 14.7 cm

1946 Characters
china ink on paper 24 x 16 cm

1946 At the Theatre
etching and aquatint 24.8 x 32.2 cm (plate)
Published by Galerie Louise Leiris, Paris

1946 The Cedars of the Sablonnière
pastel on paper glued on canvas 46.9 x 50 cm

1946 Tangled Beings (medium not given)
66.5 x 50 cm

1946 Self-Portrait
drypoint and aquatint on paper 41.9 x 24.7 cm

published 1946 The Secret Weapon
lithograph on paper 27.9 x 20.9 cm

1946 Portrait of Georges Limbour
China ink and charcoal on paper 48 x 31.3 cm

1946 Portrait of Georges Limbour
(medium not given) 32 x 48.5 cm

1946 The Tower and the Boats
oil on canvas 101.3 x 83.6 cm

1946 The Secret Weapon
lithograph on paper 27.9 x 20.9 cm

1946 The Port of La Rochelle
oil on canvas 46 x 38 cm

1946c Satan the Fire
charcoal on paper 31.4 x 22.5 cm

c1946 Pursued Woman
drypoint 27.9 x 17.8 cm (plate)

c1946 Abduction
drypoint 30.2 x 40 cm (plate)
Published by Galerie Louise Leiris, Paris

1946-47 The Dinosaur
oil on canvas c15.4 x 20.6 cm

1947 Sainte Victoire Landscape (Rocks and Forest)
pastel on paper 62.7 x 48 cm

1947 Martiniquaise
oil on canvas 41 x 33.5 cm

1947 Leda
drypoint on wove paper 38.7 x 27.9 cm

1947 Le Couple
colour lithograph 46.9 x 39.4 cm

1947 Hespéride
lithograph 47.3 x 40.3 cm (composition)
Published by Galerie Louise Leiris, Paris

1947 Grenade
crayon on American tinted paper 48 x 63 cm

1947 The rocks at Belle Ile
India ink and pastel on paper, laid on canvas 69 x 47 cm

1947 The Nurse of Birds
pastel, brush and ink on paper 45.5 x 61 cm

1947 The Centaur Keychain
oil on canvas 91.4 x 72.4 cm

1947 The Carp
etching and aquatint on paper 19.6 x24.7 cm
 

1947 Sirens
ink on paper 49 x 63.5 cm
Tate Gallery, London
 

c1947 Duo
pastel paper 65 x 39.8 cm

1947 Turkeys
oil on canvas 54 x 73 cm

1947 Three Characters in a Tunnel
oil on canvas 39 x 51 cm

1947 The Schiarita
coloured crayons on paper 62.5 x 47 cm

1948 Le Tholonet
oil on canvas 92 x 73.5 cm

1948 Dawn
colour lithograph on Arches wove paper 56 x 76 cm (sheet)



Friday, 1 May 2026

André Masson - part 3

André Masson (1896-1987) french painter, sculptor, illustrator, designer and writer, was born at Balagny (Oise). He spent most of his youth in Brussels, where he worked as a pattern-drawer in an embroidery studio and studied part-time at the Académie des Beaux-Arts. Then moved to Paris and studied at the Ecole des Beaux-Arts 1912-14. He served in the French Army 1914-19, and was gravely wounded. He lived in the South of France (1919-22), then returned to Paris where he met Gris, Derain, and later Miró and Breton. His first one-man exhibition was at the Galerie Simon, Paris in 1923. Paintings of forests, card players and still lifes, followed by experiments with automatic drawing. From 1924-9 he participated in the Surrealist movement. He made further works exploring chance effects, including sand paintings, as well as paintings of metamorphoses of animal and human forms, themes of germination, combats and massacres, with emphasis on violence and eroticism. He lived in Spain 1934-36 where he made paintings of bullfights, Spanish myths, etc. He took refuge in the USA between 1941-45, where he lived at New Preston, Connecticut, and made works inspired by the elemental forces of nature. He returned to France in 1945 and settled in Aix-en-Provence in 1947. Here he painted landscape themes such as mountains and waterfalls for several years, followed by some almost completely abstract pieces. His works also include sets and costumes for the theatre, book illustrations and a number of small sculptures.

This is part 3 of 15-part series on the works of André Masson: 

c1940 Rotting Ram
ink on paper 36.5 x 26 cm

1941 Voracity
charcoal on paper 63.2 x 48.6 cm

1941 Street Singer
painted and printed paper with conté crayon, ink, pencil, gouache, leaf, insect wings, and sand on coloured paper
59.6 x 44.7 cm
MoMA, New York


1941 Matriarchal Landscape
oil on canvas 51.8 x 61 cm

1941 Martinique
ink and charcoal on paper 66 x 50.6 cm

1941 Magic
body colour, etching on paper 24.7 x 20.3 cm

1941 Caribbean Landscape
ink on paper 52.1 x 66.2 cm
MoMA, New York

1941 Bird Works
oil on canvas 35.8 x 45.4 cm

1942 Fawn
charcoal and brush and ink on paper mounted on canvas
61 x 45.7 cm

1942 Emblem
etching, drypoint and aquatint 24 x 22.4 cm (plate)
published by Wittenborn & Co.

1942 Coptic Mirror
oil and sand on canvas 51 x 63.5 cm

1942 Bird Fascinated by a Snake 
gouache on paper 56.5 x 75.5 cm
Peggy Guggenheim Collection, Venice
(Solomon R. Guggenheim Foundation, New York)

1942 Baudelaire
etching and drypoint 7.7 x 5.4 cm (plate)
Published by Curt Valentin Buchholz Gallery, New York

1942 Mule
ink on paper 65 x 45 cm

1942 Minotaur
bronze 46.3 x 56 x 39.6 cm

1942 Meditation on an Oak Leaf
tempera, pastel and sand on canvas 101.6 x 83.8 cm
MoMA, New York

1942 Little Marianne
ink on paper 31.5 x 19 cm

1942 Little Genius of Wheat
etching and drypoint 35.3 x 24.7 cm (plate)
Published by Curt Valentin Buchholz Gallery, New York

1942 Invention of the Labyrinth
ink on coloured paper 58.7 x 46.4 cm
MoMA, New York

1942 Woman serving Table
bronze 65.3 x 43.8 x 63.3 cm

1942 Two Children
bronze 15.4 x 12.3 x 7.9 cm
Peggy Guggenheim Collection, Venice
(Solomon R. Guggenheim Foundation, New York)

1942 The Sand Crab
etching, engraving, and drypoint 30 x 22.4 cm (plate)
Curt Valentin Buchholz Gallery, New York

1942 The genius of the species
drypoint and engraving printed in sanguine
36.8 x 27.4 cm (plate)

1942 The Fruits of the Abyss
etching 30.1 x 20.2 cm (plate)

1942 The Chrysalis
 bronze 62.6 x 42 x 31 cm

c1942 Praying Mantis

The praying mantis became a kind of totem for Surrealist artists, for whom the ritual in which the female insect devours the male after mating was a compelling example of the link between sex and death. Masson raised what he called the "admirable insects" in his home, and they began to recur in his work beginning in 1934—the same year the Surrealist journal Minotaure featured an influential article on the insect by the French sociologist Roger Caillois. The insect's markedly anthropomorphic form, apparent in these drawings, increased its appeal for these artists. A bronze sculpture by Alberto Giacometti imagines a woman, in the form of a praying mantis,in the throes of either death or pleasure.

MoMA, New York


c1942 Praying Mantis
ink on paper 34.9 x 58.4 cm
MoMA, New York

1943 Repulsion
bronze 66.3 x 124.8 x 47 cm

1943 Meditation of the Painter
oil on canvas 132.1 x 101.6 cm
MoMA, New York

1943 Hatching
bronze 68.2 x 45.5 x 44 cm

1943 For the legendary Battle
ink and pastel on paper 21 x 28 cm

1943 Condottiere Mask
oil and sand on canvasboard 50.8 x 40.3 cm

1943 Andromeda
tempera and sand on canvasboard 31.9 x 25.4 cm
MoMA, New York

1943 Woman attacked by Birds
oil on canvas 95.9 x 82 cm

1943 The Rooster and the Centauress
ink on paper 56 x 76.2 cm

1943 The Rendez-Vous
pastels on cardboard 62 x 47.5 cm

1943 The Idol
pastels on cardboard 48.5 x 63.5 cm

1943 The Garden of Arcadia
serigraph in colours on laid paper 53.3 x 75.2 cm (sheet)

c1943 The War
India ink, ink wash and charcoal on paper 62.5 x 48 cm

1944 The Kill
 oil on canvas 55.2 x 67.9 cm
MoMA, New York

1944 The Child with the Mask I
tempera and oil on canvas 51.2 x 50.8 cm

1944 Shadow and Light
ink and pencil on paper 55 x 69 cm

1944 Pain
Chinese ink on paper 35.5 x 26.7 cm

1944 Nocturne
etching on paper 20 x 15 cm
Published by Curt Valentin

1944 Werewolf
pastel and ink on coloured paper 45.7 x 61 cm
MoMA, New York

1944 The Pain
charcoal on paper 51.2 x 47 cm

1945 Improvisation
etching and aquatint on cream wove paper 19.7 x 14.8 cm

1945 Actéon
tempera on canvas 31.1 x 25.7 cm