Wednesday, 29 April 2026

André Masson - part 2

 

André Masson (1896-1987) french painter, sculptor, illustrator, designer and writer, was born at Balagny (Oise). He spent most of his youth in Brussels, where he worked as a pattern-drawer in an embroidery studio and studied part-time at the Académie des Beaux-Arts. Then moved to Paris and studied at the Ecole des Beaux-Arts 1912-14. He served in the French Army 1914-19, and was gravely wounded. He lived in the South of France (1919-22), then returned to Paris where he met Gris, Derain, and later Miró and Breton. His first one-man exhibition was at the Galerie Simon, Paris in 1923. Paintings of forests, card players and still lifes, followed by experiments with automatic drawing. From 1924-9 he participated in the Surrealist movement. He made further works exploring chance effects, including sand paintings, as well as paintings of metamorphoses of animal and human forms, themes of germination, combats and massacres, with emphasis on violence and eroticism. He lived in Spain 1934-36 where he made paintings of bullfights, Spanish myths, etc. He took refuge in the USA between 1941-45, where he lived at New Preston, Connecticut, and made works inspired by the elemental forces of nature. He returned to France in 1945 and settled in Aix-en-Provence in 1947. Here he painted landscape themes such as mountains and waterfalls for several years, followed by some almost completely abstract pieces. His works also include sets and costumes for the theatre, book illustrations and a number of small sculptures.

This is part 2 of 15-part series on the works of André Masson:

1934 Montserrat
graphite and chalk on paper 46.8 x 63.3 cm
Tate Gallery, London

1934 1934 Massacre in the Sun
oil on canvas 
41.6 x 57.1 cm

1934 Insect, Spain
watercolour and China ink on paper 28.8 x 30.5 cm

1934 Insect Engagement
oil on canvas 31 x 53.5 cm

1935 Massacre
pastel on off-white laid paper 48.2 x 63.5 cm

1935 Little Don Quixote
oil on canvas 21.8 x 27 cm

1935 Insect Games
watercolour and graphite on paper (size not given)

1935 Ibdès in Aragon
oil on canvas 60 x 92.4 cm
Tate Gallery, London

1935 Don Quixote and the Enchanters
oil on canvas 98 x 126 cm

1935 Dawn in Montserrat
oil on canvas 50 x 65 cm

1935 Toledo China
ink on card 24 x 32 cm

1935 The Rooster and the Grasshopper
oil on canvas 40 x 62.2 cm

1935 The Landscape of Wonders
oil on canvas  76.5 x 65.4 cm
Solomon R. Guggenheim Museum, New York

1935 The Ephemeral
oil on canvas 81.3 x 54.3 cm

1935 Pupae to Toledo
mixed media (size not given)

c1935 Insect Games
graphite and watercolour on paper 31.5 x 46.5 cm

1936 The Matador Insects
oil on canvas 89 x 116 cm

1936 Disemboweled Horses
oil on canvas 22 x 27 cm

1936 Corrida (Corrida imaginaire)
oil on canvas 85 x 90 cm

1937 Thrust
ink on paper 50 x 66 cm

1937 The Menhir
oil on canvas 46 x 55.3 cm

1937 The Last Image
ink on paper 50.8 x 63.5 cm

1937 The Bad Bull
oil on canvas 38.4 x 61.7 cm

1937 Chicken-like Bacchanalia
ink and watercolour on paper 21 x 31.5 cm

1938 The Metamorphosis of the Lovers
oil on canvas 40.8 x 46 cm

1938 The Labyrinth
oil on canvas 120 x 61 cm

1938 Moon
lithograph 35.5 x 26.5 cm

1938 Melancholy of the Minotaur
pen and India ink on paper 50.5 x 65.8 cm

1938 Erotic Transmutation
oil on canvas 100.3 x 50.4 cm

1938 Ecstasy (conceived) cast1987
National Gallery of Victoria, Australia

1939 The Paralytic Woman
oil on canvas 114.7 x 146.1 cm

1939 Portrait of the poet Heinrich von Kleist
oil on canvas 55 x 38 cm
Kunstsammlungen Chemnitz, Germany

1939 Montserrat
graphite and chalk on paper 46.8 x 63.3 cm
Tate Gallery, London

1939 Minotaur (cover design)
gouache on paper 32 x 58 cm

1939 Love Duet
bronze 55 x 84.6 x 32.3 cm

1939 Gradiva
oil on canvas 97 x 130 cm

1939-41 Hotel of Automata
oil on canvas 71 x 92 cm

1940 Auvergne Peasant
China ink and watercolour on cartridge paper
65 x 50 cm

1940 Myself drawing Dante 
ink on paper 62.7 x 47.8 cm
MoMA, New York

1940 Gérard de Nerval
ink on paper 52.5 x 36.8 cm
MoMA, New York

1940 Brocéliande
pen and India ink on paper 35 x 24.6 cm

1940 The Prince
watercolour and ink on paper laid down on canvas 62.7 x 47.7 cm

1940 The Citadel
watercolour on paper 47.1 x 45.9 cm

c1940 Hilly Landscape
charcoal on paper 48 x 57 cm

1940-41 The Couple
oil on canvas 87.3 x 37.2 cm

1940-41 Portrait of a woman (probably Sylvia Bataille)
watercolour and Indian ink wash on paper 28.9 x 23.6 cm
 


Monday, 27 April 2026

André Masson - part 1

André Masson (1896-1987) french painter, sculptor, illustrator, designer and writer, was born at Balagny (Oise). He spent most of his youth in Brussels, where he worked as a pattern-drawer in an embroidery studio and studied part-time at the Académie des Beaux-Arts. Then moved to Paris and studied at the Ecole des Beaux-Arts 1912-14. He served in the French Army 1914-19, and was gravely wounded. He lived in the South of France (1919-22), then returned to Paris where he met Gris, Derain, and later Miró and Breton. His first one-man exhibition was at the Galerie Simon, Paris in 1923. Paintings of forests, card players and still lifes, followed by experiments with automatic drawing. From 1924-9 he participated in the Surrealist movement. He made further works exploring chance effects, including sand paintings, as well as paintings of metamorphoses of animal and human forms, themes of germination, combats and massacres, with emphasis on violence and eroticism. He lived in Spain 1934-36 where he made paintings of bullfights, Spanish myths, etc. He took refuge in the USA between 1941-45, where he lived at New Preston, Connecticut, and made works inspired by the elemental forces of nature. He returned to France in 1945 and settled in Aix-en-Provence in 1947. Here he painted landscape themes such as mountains and waterfalls for several years, followed by some almost completely abstract pieces. His works also include sets and costumes for the theatre, book illustrations and a number of small sculptures.

This is part 1 of 15-part series on the works of André Masson:

1922-23 Dominos and Snuffbox
oil on canvas 27 x 40 cm

1923 Fish
oil on canvas 61 x 50 cm

1923 Fish
oil on canvas 38 x 55 cm

1923 Card Trick
oil on canvas 73 x 50.2 cm

1923 Carafe and Fish
oil on canvas 40.4 x 33.3 cm

1924 The Rope
oil on canvas 45.1 x 38.2 cm
National Galleries of Scotland, UK

1924 Man in a Tower
oil on canvas 95 x 60.8 cm
Solomon R. Guggenheim Museum, New York

1924 Automatic Drawing

Masson began automatic drawings with no preconceived subject or composition in mind. Like a medium channeling a spirit, he let his pen travel rapidly across the paper without conscious control. He soon found hints of images—fragmented bodies and objects—emerging from the abstract, lace-like web of pen marks. At times Masson elaborated on these with conscious changes or additions, but he left the traces of the rapidly drawn ink mostly intact.

MoMA, New York


1924 Automatic Drawing
ink on paper 23 x 20.6 cm
MoMA, New York

1924-25 Postcards
oil on card 33.2 x 46 cm

c1925 Untitled
tempera, colour pastels and pencil on paper
55.8 x 41.9 cm

c1925 Birth of Birds
ink on paper 41.9 x 31.4 cm
MoMA, New York

1925 The Armor
oil on canvas 80.6 x 54 cm
Peggy Guggenheim Collection, Venice
(Solomon R. Guggenheim Foundation, New York)

1925 Meteora
oil on canvas 72.8 x 54.3 cm

1925 Knight
pen and ink on paper 41.5 x 29.8 cm

1925 Furious Suns
ink on paper 42.2 x 31.8 cm
MoMA, New York

1926 Battle of Fishes

Masson made Battle of Fishes by freely applying gesso to areas of the canvas, throwing sand on it, then brushing away the excess. The resulting contours suggested forms "although almost always irrational ones," according to the artist around which he rapidly sketched and applied paint directly from the tube. The image that emerged suggests a savage underwater battle between sharp–toothed fish. Masson, who was physically and spiritually wounded during World War I, joined the Surrealist group in 1924. He believed that, if left to chance, pictorial compositions would reveal the sadism of all living creatures.

MoMA, New York


1926 Battle of Fishes
sand, gesso, oil, pencil, and charcoal on canvas 36.2 x 73 cm
MoMA, New York

1926-27 The Haunted Castle
 oil on canvas 45.5 x 37.4 cm

1926-27 Figure
oil and sand on canvas 46.1 x 26.9 cm
MoMA, New York

1927 Landscape with a wounded bird
oil on canvas 81 x 64.8 cm

1927 Battle of the Fishes
chalk, charcoal, conté crayon, and oil on paper 48 x 60.3 cm
MoMA, New York

1928 The Singers
oil on canvas 40 x 50.2 cm

1928 Animals
ink on paper 31 x 25 cm

1929 Mating Animals
pastel and charcoal on paper (size not given)

1929 Encounter
pastel on paper 36 x 30 cm

c1929-30 Animal Fight
pastel on toned paper 45.5 x 59.6 cm

c1930 Great Landscape
pastel on paper 48.5 x 63 cm

1930 Figures and Shells
oil on canvas c33 x 55 cm

1931 Three characters in a tunnel
oil on canvas 73.3 x 60.2 cm

1931 The Poacher II
oil and pencil on canvas 98.2 x 80.1 cm

1932 The Sileni
oil on canvas 46 x 65 cm

1932 Surprised woman
oil over pencil on canvas 100.2 x 85 cm

1932 Rapt
oil on canvas 24.3 x 33.2 cm

1932 Midi Forest
mixed media on paper applied on canvas 49.5 x 63.5 cm

1932 Abduction
oil on canvas 24.3 x 33.2 cm

c1933 printed 1972 Orpheus
etching and drypoint 29.6 x 23.3 cm (plate)
Published by Blue Moon Gallery, New York

c1933 printed 1972 Drama (Massacre) 
drypoint 29.7 x 23.6 cm (plate)
Published by Blue Moon Gallery, New York

1933 Winged Character
pastel and charcoal on paper 24.2 x 31.7 cm

1933 Orpheus Outrage
oil on canvas 55.2 x 45.9 cm

1933 Joan of Arc
oil on canvas 35 x 27 cm

1933 Cavalier
colour lithograph on paper 45.7 x 35.5 cm

1933 Ballet Russes de Monte-Carlo
lithograph 116.2 x 75.5 cm
MoMA, New York

1934 Almasadiel
oil on canvas 55.2 x 33 cm