Wednesday, 22 July 2026

William Roberts - part 11

Self-Portrait 1963
pencil 37 x 26.5 cm

Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an "English Cubist". In the First World War he served as a gunner on the Western Front, and in 1918 became an official war artist. Roberts's first one-man show was at the Chenil Gallery in London in 1923, and a number of his paintings from the twenties were purchased by the Contemporary Art Society for provincial galleries in the UK. In the 1930s it could be argued that Roberts was artistically at the top of his game; but, although his work was exhibited regularly in London and, increasingly, internationally, he always struggled financially. This situation became worse during the Second World War – although Roberts did carry out some commissions as a war artist.

Roberts is probably best remembered for the large, complex and colourful compositions that he exhibited annually at the Royal Academy summer exhibition from the 1950s until his death. He had a major retrospective at the Tate Gallery in 1965, and was elected a full member of the Royal Academy in 1966. There has recently been a revival of interest in the work of this artist who always worked outside the mainstream.


Note: All images © reserved (Bona Vacantia)


This is part 11 of a 20-part series on the works of William Roberts:

c1942 The Gypsies study
pencil, squared 16.5 x 13.5 cm

c1942 The Gypsies
pencil on paper, squared (size not given)
Tate Gallery, London

c1942 The Gypsies study
pencil and watercolour 26.2 x 14.2 cm

c1942 The Gypsies
oil on canvas 50 x 39 cm

c1942 The Hermit, Illustration for ‘Four Fables’ by David Roberts
 graphite on paper 17.2 x 13.3 cm 
Tate Gallery, London

c1942 Woman with a Cat
graphite and watercolour on paper 11.4 x 17.8 cm
Tate Gallery. London

1943 Recorder Players
oil on canvas 19 x 24 cm

1943 The Guitarist (John)
watercolour 55 x 33 cm

1943-44 Cyclists study
pencil and watercolour, squared 29,5 x 10.5 cm

1943-44 Cyclists
chalk and watercolour 52.5 x 35 cm

1943-44 The Bathers
pencil and watercolour 34 x 52.5 cm

1943-44 The Gypsy Flower Seller study
red chalk and pencil 19 x 14 cm

1943-44 The Gypsy Flower Seller
pencil and watercolour study, squared
(size not given)

1943-44 The Gypsy Flower Seller
black chalk and watercolour, squared 54 x 33 cm

1943-44 Woman Playing with a Cat study
pencil and watercolour, squared 18 x 10 cm

1943-44 Woman Playing with a Cat
pencil, watercolour and coloured crayon 35.6 x 17.8 cm

1943-44 Woman Playing with a Cat
black chalk with watercolour 53 x 31 cm

c1943 A Station Scene in Wartime study
pencil, watercolour, pen and red ink, squared 12.7 x 17.8 cm

c1943 A Station Scene in Wartime 
watercolour 40 x 50 cm

c1943 The Gift
pencil and watercolour, squared 55 x 33 cm

c1943 The Punters study
pencil, squared 15 x 19.5 cm

c1943 The Punters study
pencil, squared 17.5 x 22 cm

c1943 The Punters
pencil and watercolour 17.2 x 22.8 cm

1943 The Punters
oil on canvas 40.6 x 50.8 cm

c1943 Women Railway Porters in Wartime
pencil and watercolour study 19 x 28 cm

c1943  Women Railway Porters in Wartime
watercolour 37.1 x 51.6 cm
Imperial War Museum, London

1943-45 Mothers study
pencil 18 x 12.8 cm

1944-45 Mothers
pencil and watercolour, squared 16.5 x 11.5 cm

1944-45 Mothers
watercolour (details not given)

1944-45 The Tip
pencil and watercolour 17.5 x 12.8 cm

1944-45 The Plough
charcoal and watercolour 35 x 52.5 cm

c1944-45 The Recital study, squared
16.2 x 28 cm

c1944-45 The Recital
watercolour and pencil, squared 15.5 x 25.7 cm
 

c1944-45 The Recital
watercolour, pencil and ink 33 x 52 cm

1944-46 Pollarding 
pencil, coloured pencil, charcoal and watercolour, softly squared 55 x 36.5 cm

c1944 Christopher Milford
oil on canvas 43.2 x 33 cm

c1944 Ferry Crossing study for ‘The Ferry’
graphite and watercolour on paper 16.5 x 12.7 cm
Tate Gallery, London

c1944 Ferry Crossing
oil on canvas 52.5 x 42.5 cm

c1944 Hedge cutting
watercolour 48.3 x 31.8 cm

c1944 Ironing
pencil and watercolour 54.6 x 34 cm

c1944 Old Women and Girl
graphite and watercolour on paper 17.8 x 11.4 cm
Tate Gallery. London

c1944 Saloon Bar
pencil and watercolour 34.3 x 55.3 cm

c1944 The Tea Party
pencil and watercolour 33 x 53 cm

1945 Indolence
pencil and watercolour study, squared 12.1 x 17.5 cm

1945 Indolence
red pencil, black chalk, and watercolour

c1945 The Tramp
graphite and watercolour study, squared 10.2 x 17.8 cm
Tate Gallery, London

c1945 The Tramp
pencil and watercolour, 35 cm x 53 cm

1946 Kumari de Zoysa
oil on canvas 48 x 38 cm



Monday, 20 July 2026

William Roberts - part 10

Self-Portrait c1960 with Pale Green Tie
oil on canvas 48.9 x 40.6 cm

Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an "English Cubist". In the First World War he served as a gunner on the Western Front, and in 1918 became an official war artist. Roberts's first one-man show was at the Chenil Gallery in London in 1923, and a number of his paintings from the twenties were purchased by the Contemporary Art Society for provincial galleries in the UK. In the 1930s it could be argued that Roberts was artistically at the top of his game; but, although his work was exhibited regularly in London and, increasingly, internationally, he always struggled financially. This situation became worse during the Second World War – although Roberts did carry out some commissions as a war artist.

Roberts is probably best remembered for the large, complex and colourful compositions that he exhibited annually at the Royal Academy summer exhibition from the 1950s until his death. He had a major retrospective at the Tate Gallery in 1965, and was elected a full member of the Royal Academy in 1966. There has recently been a revival of interest in the work of this artist who always worked outside the mainstream.


Note: All images © reserved (Bona Vacantia)


This is part 10 of a 20-part series on the works of William Roberts: 

c1938 Pigeons
oil on canvas 56 x 42 cm

1939 The Toque
(aka Sarah in a Gold Lamé Hat)
oil on canvas 43.2 x 33 cm
Tate Gallery, London

1939 Woman and Dog
(aka Woman with Dog and Beggar Woman)
pencil and coloured wash, squared 53 x 28 cm

1939-40 Richard MacGillivray Dawkins
oil on canvas 43 x 33 cm

1939-40 Woman with a Red Collar
(aka Sarah in a Green Hat)
oil on canvas 40.6 x 30.5 cm

1939-40 Artist and Wife
pencil and watercolour, squared 26.7 x 15.2 cm

1939-40 Artist and Wife
charcoal & watercolour on paper, squared for transfer
53.3 x 33 cm
The Ingram Collection of Modern British and Contemporary Art, London

c1939 Study for ‘Bathing a Child’
pencil 18.4 x 13 cm 

c1939 Study for ‘Bathing a Child’
graphite and watercolour on paper, squared 18.1 x 10.2 cm
Tate Gallery, London

c1939 ‘Bathing a Child’
pencil and watercolour 53.5 x 26.5

1940 Harold Hutchison

Harold F. Hutchison's wife, Helen, and her first husband, Mahmoud Hashim had, like the Robertses, been part of the social circle of A.P. de Zoysa in the late 1920s and early 1930s. From 1947 to 1966 Hutchison (1900–75) was publicity officer for London Transport, where he introduced the idea of the 'pair poster', designed in two halves: one for an image and one for text, to allow more scope for both the artist and the copywriter. Roberts's Hampstead Fair was produced for such a poster. Other artists commissioned by Hutchison included Edward Bawden, Abram Games and Tom Eckersley.


1940 Harold Hutchison
red chalk 33 x 22.9 cm

1940 Munitions Factory
pencil, squared 13.5 x 18.5 cm

1940 Munitions Factory
pencil squared for transfer 30 x. 41.4 cm

1940 Munitions Factory
pencil and watercolour 30.5 x 42.4 cm

1940 The Cat
pencil and wash, squared 38.1 x 56.2 cm

1940 William Bowman
pencil 31.9 x 24.4 cm

1940-42 Hay-rick
 pencil and watercolour, squared 17.8 x 26.7 cm 

1940-42 Hay-rick
pencil and watercolour 35 x 52.4 cm
 

1940-59 The Acrobats
pencil and watercolour, squared 18.4 x 10.8 cm

c1940 Sarah in Yellow and Green
oil on canvas 41 x 35.6 cm

c1940 Selecting Calves study, squared
pencil 16.5 x 21.5 cm

c1940 Selecting Calves
pencil and watercolour 16.5 x 21.5 cm

c1940 Selecting Calves
oil on canvas 33 x 43.2 cm
National Museum Cardiff, UK

1941 A Windy Day
pencil study, squared 11.5 x 14.5 cm

1941 A Windy Day study
pencil 16.5 x 21.5 cm

1941 A Windy Day
oil on canvas 33 x 43.5 cm

1941 Demolition Squad study
pencil, squared 23.5 x 33.8 cm

1941 Demolition Squad
oil on canvas 56 x 81 cm
Guildhall Art Gallery, London

1941 John
(aka The Artist's Son)
red chalk 31.2 x 22.5 cm

1941 News
gouache on paper 34.5 x 52 cm
The Ingram Collection

1941 Study for ‘The Control Room, Civil Defence Headquarters’
charcoal and graphite on paper, squared 19.1 x 27.9 cm
Tate Gallery, London
 

1941 The Control Room
oil on canvas 59.5 x 70 cm
Salford Museum & Art Gallery, UK

c1941 Flower Stall: study for The Flower Sellers
pencil and watercolour 13.3 x 18.1 cm

c1941 The Flower Sellers
oil on canvas 29.5 x 39.5 cm

c1941 Tropical Sea (aka Bathers)
pencil and watercolour, squared 11.9 x 17.3 cm

c1941 Tropical Sea
pencil and watercolour 36.2 x 53.3 cm

1942-43 Portrait of Daphne
oil on canvas 70 x 60 cm

1942-43 The Artist and his Wife
pencil study, squared 16.5 x 13.3 cm

1942-43 The Artist and his Wife
oil on canvas 61 x 50.8 cm

c1942-43 Study for ‘The Back Door'
watercolour and graphite, squared 21.6 x 17.2 cm

c1942-43 The Back Door
watercolour
 

c1942-43 The Back Door
oil on canvas 50.5 x 40 cm

1942-45 Some Recipes
pencil and watercolour, squared 18.0 x 11.4 cm

1942-45 Some Recipes (aka The Kitchen)
watercolour, pencil and crayon 55.9 x 35.6 cm

1942-45 The Landing
watercolour 52.5 x 33.7 cm

c1942  Cover Design for ‘Fantasy for Flute’ by David Roberts
ink and graphite on paper 12.7 x 17.8 cm
Tate Gallery, London




c1942 Paperback cover for 'Fantasy for Flute'

c1942 Illustration for ‘Fantasy for Flute’
ink on paper 22.9 x 17.6 cm
Tate Gallery, London

c1942 Four Fables – Dr Phantasmus
black chalk 15.6 x 12.4 cm

c1942 Four Fables – Dr Phantasmus
pencil, squared 15.5 x 12.3 cm

c1942 Four Fables – The Hermit
pencil study 17.5 x 12.5 cm

c1942 Four Fables – The Hermit
graphite on paper, squared 17.2 x 13.3 cm
Tate Gallery, London

c1942 Four Fables – The Hermit 
(details not given)