Bruno Liljefors - part 2

Bruno Liljefors was a Swedish artist widely regarded as one of the most important wildlife painters of the 19th century. His depictions of birds in particular are considered iconic for their groundbreaking combination of Impressionistic brushstrokes and carefully observed realism. Often painting from life, Liljefors kept many live animals in an enclosure at his home to use as models, including foxes, an eagle, and hares. His 1908 painting, Winter Hare, featuring a lifelike rendering of a hare bounding through the snow, is one of his best-known works. Born on May 14, 1860 in Uppsala, Sweden into a poor family, his talent for drawing was recognized by an early age, with local shopkeepers reportedly giving the boy art materials in support. He went on to study at the Royal Swedish Academy of Arts in Stockholm, and later also produced sequential picture narratives, which are seen as examples of the earliest form of Swedish comic books. During the late 1890s, he exhibited at the prestigious Paris Salon. He died on December 18, 1939 in Stockholm, Sweden.

For more biographical information, and for earlier works, see part 1 also.

This is part 2 of a 4-part series on the works of Bruno Liljefors:

1890 Partridge with Daisies
oil on canvas 33 x 43.5 cm
Private Collection

1891 Winter Landscape with Bullfinches
oil on canvas 40 x 50 cm

1892 Coastal motifs (probably from Lake Vänern)
oil on canvas 52 x 73 cm

1892 Grouse in a Winter Landscape
oil on canvas 70 x 105.5 cm

1893 Northern Goshawk with Prey
oil on canvas 80 x 100 cm

1894 A Poacher
oil on canvas 180 x 118 cm
National Museum of Fine Arts, Stockholm, Sweden

1894 Eider Ducks
oil on canvas 80 x 96 cm
National Museum of Fine Arts, Stockholm, Sweden

1894 Morning
oil on canvas

1895 Winter Scene with Hunter
ink on paper 44 x 38 cm

1897 Sea Eagles
oil on canvas 182 x 240 cm
National Museum of Fine Arts, Stockholm, Sweden

1900 Winter Landscape at Dawn
oil on canvas 60.5 x 100.5 cm

1901 Evening Wild Ducks
details not found

1901 Fox Cubs
details not found

1901 Sketch for Eider Ducks flying in formation
details not found

1901 Wild Ducks in Horse-Tail
details not found

Wild Ducks in Reeds
details not found

1904 Eagle and Hare
details not found

1904 Rocky Ground
details not found

1905 An Eagle Owl
oil on canvas 59 x 81 cm
National Museum of Fine Arts, Stockholm, Sweden

1905 Drama in the Forest
oil on canvas 90 x 120 cm

1906 Kiruna, Lapland
oil on canvas 45.4 x 85.6 cm

1906 Snipe among Reeds
oil on paper 26 x 34.5 cm

1907 Capercaillie in Springtime
oil on canvas 67 x 101 cm
National Museum of Fine Arts, Stockholm, Sweden

1907 Curlew
oil on canvas 134 x 112 cm
National Museum of Fine Arts, Stockholm, Sweden

1907 Landscape with Hare
oil on canvas 70.5 x 99 cm

1907 Sea Eagles Nest
oil on canvas 180 x 200 cm
National Museum of Fine Arts, Stockholm, Sweden

1907 Swans in Reeds
details not found

1907 Wild Geese Settling
oil on canvas 76.6 x 151 cm
Private Collection
(see larger version below)

1907 Wild Geese Settling
oil on canvas 180 x 363 cm
National Museum of Fine Arts, Stockholm, Sweden

1908 Winter Hare
oil on canvas 70 x 100 cm
Private Collection

1912 Fox with Cubs
oil on canvas 70 x 100 cm
National Museum of Fine Arts, Stockholm, Sweden

1912 Golden Eagles attacking a Hare
oil on canvas 102 x 151 cm

Bruno Liljefors - part 1

Bruno Andreas Liljefors was a Swedish artist. He is perhaps best known for his nature and animal motifs, especially with dramatic situations. He was the most important and probably most influential Swedish wildlife painter of the late nineteenth and early twentieth century. He also drew some sequential picture stories, making him one of the early Swedish comic creators.

Liljefors was born in Uppsala, Sweden. His parents were Anders Liljefors and Maria Margareta Lindbäck. He was brother of the composer and conductor Ruben Liljefors (1871–1936). He went to Uppsala Cathedral School for six years. He received instruction from 1879-82 at the Swedish Royal Academy of Fine Arts. From 1882-83, he made a study trip to Düsseldorf, Baiern, Venice, Florence, Naples, Rome and Paris. He received inspiration from the Scandinavian artist colony in Grez-sur-Loing. In 1886, he became a member of the Artists' Union (Konstnärsförbundet), which was in opposition to the Royal Academy. From 1888-89, he taught at Valand Academy in Gothenburg.

During the last years of the nineteenth century, a brooding element entered his work, perhaps the result of turmoil in his private life. He was often short of money and in 1925, he suffered a facial neuralgia with severe pain. From 1932, Liljefors lived at Kungsholmen in Stockholm. The last two years of his life he spent in Uppsala. Liljefors died during 1939 and was buried at the Uppsala old cemetery.

Liljefors is held in high esteem by painters of wildlife and is acknowledged as an influence by, for example, American wildlife artist Michael Coleman. All his life Liljefors was a hunter, and he often painted predator-prey action, the hunts engaged between fox and hare, sea eagle and eider, and goshawk and black grouse serving as prime examples. However, he never exaggerated the ferocity of the predator or the pathos of the prey, and his pictures are devoid of sentimentality.

The darker quality in his paintings gradually began to attract interest, and he had paintings exhibited at the Paris Salon. The influence of the Impressionists can be seen in his attention to the effects of environment and light, and later that of Art Nouveau in his Mallards, Evening of 1901, in which the pattern of the low sunlight on the water looks like leopardskin, hence the Swedish nickname Panterfällen. Bruno was fascinated by the patterns to be found in nature, and he often made art out of the camouflage patterns of animals and birds. He particularly loved painting capercaillies against woodland, and his most successful painting of this subject is the large-scale Capercaillie Lek, 1888, in which he captures the atmosphere of the forest at dawn. He was also influenced by Japanese art, for example in his Goldfinches, painted in the late 1880s.

This is part 1 of a 4-part series on the works of Bruno Liljefors:

c1880 Landscape from Kvarnbo, Uppland, Sweden
oil on canvas 59 x 53.5 cm

1881 Foxes and a Cat, Winter Landscape
oil on canvas 49 x 28 cm

1882 Boys poaching
oil on canvas 36 x 29 cm

1882 Sledging
oil on canvas 50 x 61 cm
National Museum of Fine Arts, Stockholm, Sweden

1883 Fox chased by Hounds
 oil on canvas 50 x 61 cm

1884 Hawk and Black-Game
oil on canvas 143 x 203 cm
National Museum of Fine Arts, Stockholm, Sweden

1884 Portrait of the artist's brother Pontus Julius Liljefors
pastel on paper 31 x 45 cm

1884 Portrait of the Artist's Father
oil on canvas 55 x 66 cm
Private Collection

1885 A Cat and a Chaffinch
oil on wood panel 35 x 26.5 cm
National Museum of Fine Arts, Stockholm, Sweden

1885 A Cat with a young Bird in its Mouth
oil on wood panel 26.5 x 16.5 cm
National Museum of Fine Arts, Stockholm, Sweden

1885 Anna (Olofsson)
oil on canvas 95.5 x 79.5 cm

1885 Anna, the Artist's Wife
pencil on paper 9.5 x 12.5 cm

1885 Chaffinches and Dragonflies
oil on wood panel 33 x 25.5 cm
National Museum of Fine Arts, Stockholm, Sweden

1885 Fox and Magpies
oil on canvas 41 x 56.5 cm

1885 Foxes and Magpies
brush and grey ink, white highlights on paper 46 x 30.8 cm
National Museum of Fine Arts, Stockholm, Sweden

1885 Foxes
oil on canvas 72 x 93 cm
Gothenburg Art Museum, Sweden

1885 Hare Studies
watercolour? on paper 32 x 24.5 cm

1885 Redstarts and Butterflies
oil on wood panel 26.5 x 17 cm
National Museum of Fine Arts, Stockholm, Sweden

1885 Swedish Foxhound and Fox
oil on canvas 148 x 119 cm
National Museum of Fine Arts, Stockholm, Sweden

1886 A Fox Family
oil on canvas 112 x 218 cm
National Museum of Fine Arts, Stockholm, Sweden
(see detail below)

1886 A Fox Family (detail)
oil on canvas 112 x 218 cm
National Museum of Fine Arts, Stockholm, Sweden

1886 Foxes
oil on canvas 63.5 x 50 cm

1886 Great Tits and Owl
oil on panel 36 x 14 cm

1886 Jays
oil on canvas 66 x 51 cm
National Museum of Fine Arts, Stockholm, Sweden

1886 Sleeping Jeppe
oil on canvas 56.5 x 41 cm
Private Collection

1886 Sparrows among the Thorns
oil on panel 17 x 26.5 cm

1886 Squirrel
oil on canvas 50 x 31 cm

1886 Swifts
oil on canvas 41 x 56 cm

1887 Cat in a Flower Meadow
 oil on canvas 61 x 76 cm
National Museum of Fine Arts, Stockholm, Sweden

1887 Chicks on a Branch
ink on paper 23 x 30.5 cm

1887 Crow on a Fence
watercolour on paper 17.5 x 24.5 cm

1887 Nestlings of Red-Backed Shrikes
oil on canvas 60.5 x 46 cm
National Museum of Fine Arts, Stockholm, Sweden

1888 Beach Game
oil on canvas 120 x 148 cm
National Museum of Fine Arts, Stockholm, Sweden

1888 Weasel with Chaffinch
oil on canvas 23.4 x 33 cm
Private Collection

1890 Fox resting
watercolour 28.5 x 38 cm