Albrecht Dürer - part 2

1491-92 Self-Portrait with a Bandage 
ink on paper 20.4 x 20.8 cm 
Graphische Sammlung der Universitätsbibliothek, Erlangen

Albrecht Dürer (1471-1528) was a German painter, engraver, printmaker, mathematician and theorist. Dürer revolutionised printmaking, elevating it to an independent art form. His high quality woodcuts established his reputation and influence across Europe when he was still in his twenties, and he is regarded as the greatest artist of the Northern Renaissance. His vast body of works include altarpieces and other religious works, numerous portraits and self-portraits, and copper engravings.

For more biographical notes and for earlier works, see part 1 also.

This is part 2 of a 9-part post on the works of Albrecht Dürer:

1496-98 The Peasant and His Wife 
engraving 
The Metropolitan Museum of Art, New York

1496-98 Willow Mill 
watercolour and gouache on paper 25.1 x 36.7 cm 
Bibliothèque Nationale, Paris

1496-1500 Virgin and Child with the Monkey 
engraving 
The Metropolitan Museum of Art, New York

1496c House by a Pond 
watercolour and gouache on paper 21 x 23 cm 
British Museum, London

1496c Pond in the Woods 
watercolour and gouache on paper 26.2 x 37.4 cm 
British Museum, London

1496c St. Jerome in the Wilderness 
engraving, second state of two 
The Metropolitan Museum of Art, New York

1496c The Prodigal Son 
engraving 24.3 x 18.7 cm 
The Metropolitan Museum of Art, New York

1496c The Turkish Family 
engraving 10.2 x 7.3 cm 
The Metropolitan Museum of Art, New York

1496c The Seven Sorrows of the Virgin:

1496c The Seven Sorrows of the Virgin 
oil on panel 109.2 x 43.3 cm ( centre panel ) 63 x 46 cm ( side panels ) 
Alte Pinakothek, Munich and Gemäldegalerie, Dresden, Germany

1496c The Seven Sorrows of the Virgin: Mother of Sorrows 
oil on pine panel 109.2 x 43.3 
Alte Pinakothek, Munich, Germany

1496c The Seven Sorrows of the Virgin: Circumcision 
oil on pine panel 63 x 45.5 cm 
Gemäldegalerie, Dresden, Germany

1496c The Seven Sorrows of the Virgin: The Flight into Egypt 
oil on pine panel 63 x 45.5 cm 
Gemäldegalerie, Dresden, Germany

1496c The Seven Sorrows of the Virgin: Christ among the Doctors 
oil on pine panel 62.5 x 45 cm 
Gemäldegalerie, Dresden, Germany

1496c The Seven Sorrows of the Virgin: Via Crusis 
oil on panel 63 x 44.5 cm 
Alte Pinakothek, Munich, Germany

1496c The Seven Sorrows of the Virgin: Christ Nailed to the Cross 
oil on pine panel 62 x 46.5 cm 
Alte Pinokothek, Munich, Germany

1496c ( 1518? ) Study of a Man with a Drill 
pen and ink on paper 25.1 x 15.1 cm 
Musée Bonnat, Bayonne, France

1496c The Seven Sorrows of the Virgin: The Crucifixion 
oil on pine panel 63.5 x 45.5 cm 
Gemäldegalerie, Dresden, Germany

1496c The Seven Sorrows of the Virgin: The Deposition 
oil on pine panel 63 x 46 cm 
Alte Pinokothek, Munich, Germany

before 1497 Sebastian Brandt:

n.d.  chapter 37 from Sebastian Brandt: Das Narrenschrift 
woodcut 21 x 14.5 cm 
The Metropolitan Museum of Art, New York

n.d. Illustration from Sebastian Brandt: Navis Stultifera, Basle, Bergmann van Olpe, 1497 
woodcut 
The Metropolitan Museum of Art, New York

n.d. Illustration from Sebastian Brandt: Navis Stultifera, Strassburg 
woodcut 
The Metropolitan Museum of Art, New York

n.d. Ilustration from Sebastian Brandt: Das Narrenschriff 
woodcut 
The Metropolitan Museum of Art, New York

n.d. Von Ungluckes Fal, title page chapter 37 from Sebastian Brandt: Das Narrenschrift 
woodcut 21 x 14.5 cm 
The Metropolitan Museum of Art, New York

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1497 Four Naked Women 
engraving 19.4 x 13.5 cm 
The Metropolitan Museum of Art, New York

1497 Portrait of a Young Fürleger with Her Hair Done Up 
oil on canvas 56.5 x 42.5 cm 
Staatliche Museen, Berlin

1497 Portrait of a Young Fürleger with Loose Hair 
oil on canvas 56 x 43 cm 
Städelsches Kunstinstitut, Frankfurt

1497 Portrait of Dürer's Father at 70 
oil on panel 51 x 40 cm 
National Gallery, London

1497 The Lady on Horseback and the Lansquenet 
engraving 
The Metropolitan Museum of Art, New York

1497 - 1510 The Large Passion:

The Man of Sorrows Mocked by a Soldier, title page to The Large Passion 
woodcut 44.1 x 30.3 cm 
The Metropolitan Museum of Art, New York

1510 Title page The Large Passion: The Man of Sorrows Mocked by a Soldier 
woodcut 44.1 x 30.3 cm 
The Metropolitan Museum of Art, New York

1497-99c The Large Passion: Christ on the Mount of Olives 
woodcut 39 x 28 cm 
The Metropolitan Museum of Art, New York

1497c The Large Passion: The Flagellation of Christ 
woodcut 38.7 x 27.5 cm 
The Metropolitan Museum of Art, New York

1498-99c The Large Passion Ecce Homo 
woodcut 41.3 x 30.6 cm 
The Metropolitan Museum of Art, New York

1498 The Large Passion: Christ Bearing the Cross 
woodcut 38.7 x 28.2 cm 
The Metropolitan Museum of Art, New York

1498 The Large Passion: The Crucifixion 
woodcut 39.3 x 28.1 cm 
The Metropolitan Museum of Art, New York

1497c The Large Passion: The Lamentation for Christ 
woodcut 38.9 x 28.3 cm 
The Metropolitan Museum of Art, New York

1497c The Large Passion: The Deposition of Christ 
woodcut 38.8 x 27.7 cm 
The Metropolitan Museum of Art, New York

1510 The Large Passion: The Last Supper 
woodcut 29.8 x 22.2 cm 
The Metropolitan Museum of Art, New York

1510 The Large Passion: Christ in Limbo 
woodcut 39.5 x 27.7 cm 
The Metropolitan Museum of Art, New York

1510 The Large Passion: The Resurrection 
woodcut 39.4 x 27.6 cm 
The Metropolitan Museum of Art, New York

1510 The Large Passion: Betrayal of Christ 
woodcut 39.4 x 28.1 cm 
The Metropolitan Museum of Art, New York

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1497 The Men's Bath 
woodcut 38.7 x 27.9 cm 
The Metropolitan Museum of Art, New York

1497 Winged Man, in Idealistic Clothing, Playing a Lute 
silverpoint on dark paper heightened with white 26.8 x 19.5 cm 
Staatliche Museen, Berlin

1497-98 Angels Restraining the Four Winds 
woodcut 38.6 x 27.9 cm 
The Metropolitan Museum of Art, New York

1497-98 Portrait of a Man 
parchment on panel 24.2 x 20 cm 
Heinz Kisters Collection, Kreuzlingen

1497-98 The Four-and-Twenty Elders Round the Throne of God 
woodcut 38.7 x 27.4 cm 
The Metropolitan Museum of Art, New York

1497-98 The Prodigal Son among the Swine 
pen and ink 21.7 x 21.9 cm 
British Museum, London

1497-98c Samson Rending the Lion 
woodcut 40.6 x 30.2 cm 
The Metropolitan Museum of Art, New York

1497-98c The Holy Family with Three Hares 
woodcut first state of nine 38.4 x 27.9 cm 
The Metropolitan Museum of Art, New York

1497-1501 St. Sebastian Bound to the Column 
engraving 
The Metropolitan Museum of Art, New York

1497c Three Peasants in Conversation 
engraving 
The Metropolitan Museum of Art, New York

1498 Fortuna in a Niche 
pen and greenish brown ink 32.5 x 11.9 cm 
The Metropolitan Museum of Art, New York

1498 Madonna and Child ( Haller Madonna ) 
oil on wood 50 x 39 cm. 
National Gallery of Art, Washington, DC

1498 The Promenade 
engraving first state of two 19.5 x 12.1 cm 
The Metropolitan Museum of Art, New York

1498-99 Hercules 
engraving second state of two 32.3 x 22.5 cm 
The Metropolitan Museum of Art, New York

1498-1500 Virgin on the Crescent 
engraving 
The Metropolitan Museum of Art, New York

1498-1501 Justice 
engraving 
The Metropolitan Museum of Art, New York

1498-1502 The Witch 
engraving 
The Metropolitan Museum of Art, New York

1498-1502 Three Putti with Trumpets 
engraving 
The Metropolitan Museum of Art, New York

1498c  The Martyrdom of St. Catherine of Alexandria 
woodcut 39.2 x 28.7 cm 
The Metropolitan Museum of Art, New York

1498c Lot Fleeing with his Daughters from Sodom 
oil and tempera on panel 52 x 41 cm 
National Gallery of Art, Washington, DC

1498c The Dream of the Doctor 
engraving 18.9 x 11.9 cm 
The Metropolitan Museum of Art, New York