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| 1830 Samuel Palmer by George Richmond pen and brown ink on paper 18.1 x 11.4 cm Yale Centre for British Ar, New Haven, CT |
This is part 3 of a 5 - part series on the works of Samuel Palmer. For full biographical notes see part 1, and for earlier works, see parts 1 and 2 also.
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| 1838-39 View of Tivoli transparent and opaque watercolour with fabricated black chalk and graphite on paper, mounted on cardboard 32.7 x 41.6 cm Philadelphia Museum of Art, PA |
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| 1838c Florence watercolour 44.4 x 60.4 cm © Victoria and Albert Museum, London |
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| 1839 Florence watercolour over pencil heightened with bodycolour 42 x 61 cm |
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| 1839c The Rising of the Skylark oil on panel 30.8 x 24.5 cm National Museum of Wales, Cardiff, UK |
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| 1840c Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq. * watercolour 59.7 x 43.8 cm Yale Centre for British Art, New Haven, CT
*John Charles Herries (b. 1778) was a high-ranking politician in the British government. He died intestate at his home "St. Julians" now a private members club (I have been a member!) near Sevenoaks in 1855.
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| 1843 View from Rook's Hill, Kent graphite, watercolour with gouache and pen and brown ink on paper 41.3 x 52.4 cm Yale Centre for British Art, New Haven, CT |
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| 1844 Guildford watercolour and gouache and scraping out with some varnish over graphite on paper 27 x 18.7 cm Yale Centre for British Art, New Haven, CT |
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| 1845 Evening in Italy - the Deserted Villa watercolour, with traces of shell gold, over graphite on paper 19 x 41.2 cm Art Institute of Chicago, IL |
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| 1846 Crossing the Ford watercolour Bucks County Museum, Aylesbury, UK |
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| 1846 Pictures From Italy by Charles Dickens illustrated by Samuel Palmer |
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| 1846c A Farmyard near Princes Risborough, Bucks watercolour 39.2 x 54 cm © Victoria and Albert Museum, London |
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| 1847 Crossing the Bridge transparent and opaque watercolour over graphite on paper 40.6 x 51.1 cm The Morgan Library and Museum, New York City |
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| 1848 Carting the Wheat watercolour with traces of pencil, gum arabic and touches of gouache 31 x 54 cm National Gallery of Victoria, Melbourne, Australia |
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| 1848 Christian Descending into the Valley of Humiliation watercolour and gouache on paper 51.9 x 71.4 cm Ashmolean Museum, Oxford, UK |
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| 1848-49c View of Clovelly, Devon watercolour, gouache, black chalk and graphite 27 x 38 cm The Metropolitan Museum of Art, New York City |
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| 1848c Box Hill, Surrey oil on paper 24 x 40.1 cm |
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| 1848c Kensington Gardens watercolour over graphite on paper 37.1 x 25.7 cm Yale Centre for British Art, New Haven, CT |
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| 1849 Sir Guyon with the Palmer Attending, Tempted by Phaedria to Land upon the Enchanted Islands watercolour and bodycolour, with some gum arabic, over black chalk underdrawing 53.7 x 75.1 cm The J. Paul Getty Museum, Los Angeles |
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| 1849c The North Devon Coast watercolour over pencil, heightened with bodycolour and black chalk 18.7 x 26.9 cm |
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| 1850 Christmas, or Folding the Last Sheep etching 9.8 x 8.1 cm |
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| 1850 The Herdsman's Cottage etching on laid paper 9.7 x 7.7 cm (image) National Gallery of Art, Washington, DC |
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| 1850 The Skylark etching on chine collé: seventh or eighth state of eight 9.9 x 7.4 cm (image) |
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| 1850 The Willow etching 12 x 8.2 cm (plate) © Victoria and Albart Museum, London |
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| 1850c Sunset etching on paper 9.7 x 7.7 cm (image) Art Institute of Chicago, IL |
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| 1851c Harvesting watercolour and gouache over graphite with scratching-out and touches of gum arabic on paperboard 37.8 x 51.5 cm National Gallery of Art, Washington, DC |
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| 1851c Summer Storm near Pulborough, Sussex watercolour on paper 72 x 51.5 cm Art Gallery of South Australia, Adelaide |
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| 1851c Wilmot's Hill, Kent watercolour and gouache over black chalk on paper 37.5 x 27.3 cm Yale Centre for British Art, New Haven, CT |
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| 1853c The Rustic Dinner watercolour 75.5 x 53.3 cm Art Gallery of South Australia, Adelaide |
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| 1854 Old Cedar Tree in Botanic Garden, Chelsea black chalk and graphite on paper 59.7 x 43.8 cm Yale Centre for British Art, New Haven, CT |
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| 1854-57c The Sleeping Shepherd: Early Morning etching 9.5 x 7.8 cm (image) |
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| 1854-57c The Sleeping Shepherd: Early Morning etching, hand-coloured with watercolour and opaque white with gold highlights 9.5 x 7.8 cm (plate) |
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| 1855-57 The Rising Moon etching on chine collé 14.6 x 22.1 cm (plate) |
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| 1856c A Woodland Study brush and black and brown washes, with white gouache and scraping, ruled in graphite, on ivory paperboard 22.5 x 17.2 cm Art Institute of Chicago, IL |
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| 1857 Pele Point, Land's End pencil on paper 38 x 28 cm The Phillips Collection, Washington, DC |
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| 1857 The Rising Moon, or An English Pastoral etching |
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| 1858 Going to Dea watercolour 35.4 x 58.8 cm © Victoria and Albert Museum, London |
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| 1858 The Weary Ploughman, or The Herdsman, or Tardus Bubulcus etching 13.3 x 20 cm |
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| 1860-61 (begun) The Morning of Life etching 13.6 x 20.6 cm (image) |
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| 1861 Noon; Resting Time watercolour, heightened with gouache and gum arabic, over graphite 20.2 x 43.2 cm Private Collection |
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| 1861 Tintern Abbey at Sunset watercolour, gouache and varnish over graphite with scratching on heavy card 70.5 x 33.3 cm Yale Centre for British Art, New Haven, CT |
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