Raoul Dufy gelatin silver print 34.3 x 26.5 cm Art Institute of Chicago, IL © 2022 Artists Rights Society (ARS), New York / ADAGP, Paris |
Raoul Dufy (born June 3, 1877, Le Havre, France—died March 23, 1953, Forcalquier), French painter and designer noted for his brightly coloured and highly decorative scenes of luxury and pleasure.
In 1900 Dufy went to Paris to attend the École des Beaux-Arts. He painted in an Impressionist style in his early work, but by 1905 he had begun to employ the broad brushstrokes and bright colours typical of the Fauvre artists. A 1907 exhibition of Paul Cézanne’s work convinced Dufy to adopt temporarily more subdued colours and structured compositions. He worked in a Cubist-influenced style with the painters Georges Braque and Émile-Othon Friesz during 1908 and 1909, but he soon returned to his more carefree Fauvist approach.
Dufy was also a successful artist in other media. In 1910 he produced a series of woodcuts to illustrate poet Guillaume Apollinaire’s Bestiary. He began to create designs for a textile company in 1912, and in the 1920s he designed ceramics and tapestries.
In the early 1920s Dufy rededicated himself to painting and began to produce what are now his best-known works. His distinctive style is characterised by bright colours thinly spread over a white ground, with objects sketchily delineated by sensuously undulating lines. Dufy took as his subjects scenes of recreation and spectacle, including horse races, regattas, parades, and concerts. He spent much of his time on the French Riviera and produced series of paintings of Nice (1927), the Bois de Boulogne (1929), and Deauville (1930). He also worked as an illustrator and printmaker, creating whimsically drawn etchings and lithographs in the 1920s and ’30s. Though very popular, his lively, carefree, elegant paintings have been criticised as occasionally bordering on the superficial.
This part 9 of 18 on the works of Raoul Dufy:
1930 Leda and the Swan watercolour on paper 50 x 65.7 cm |
1930 Oxford Cambridge Boat Race gouache and watercolour on paper 50.7 x 66.4 cm |
1930 Parrots textile / wallpaper design gouache on paper 53 x 41 cm |
1930 Portrait of Ambrose Vollard with Bathers painted and enamelled ceramic 33.9 cm high |
1930 Race Horses gouache, watercolour and brush and ink and pencil on paper 56.6 x 75.9 cm |
1930 Reclining Female Nude colour lithograph 42.4 x 49 cm |
1930 Rue Chaude in Marseille gouache, watercolour and pencil on paper 32.7 x 25.4 cm |
1930 Rue Chaudein, Marseille pencil, pen and ink on China paper 26.8 x 19.7 cm |
1930 Seaside gouache on paper 48.5 x 64 cm |
1930 London, The Thames watercolour on paper 48.2 x 65.2 cm |
1930 Seedlings of Blue and Yellow Roses textile / wallpaper design) gouache on paper 49.7 x 37 cm |
1930 Study of Primo Carnera's Boxing Match at the Albert-Hall in London watercolour and India ink on paper 50 x 65 cm |
1930 The Hindu oil on canvas 42.2 x 56.8 cm |
1930 The Weightlifter oil on canvas 54 x 24.5 cm |
c1930-35 Regatta at Deauville oil on canvas 38.1 x 45.9 cm |
c1930-35 The Reception pen and ink on paper 50.2 x 65.3 cm |
c1930 Bather with Sailboat and Shell gouache on paper 31.5 x 49 cm |
c1930 Bathers etching 29 x 20 cm |
c1930 Boats oil on canvas 73 x 91.8 cm |
c1930 Departure of the Sailboats in Deauville oil on canvas 34 x 46.4 cm |
c1930 Fernand Fleuret etching 25.5 x 22.5 cm (Image) MoMA, New York © 2022 Artists Rights Society (ARS), New York / ADAGP, Paris |
c1930 Group of Jockeys and Horses gouache and watercolour on paper 50 x 66.3 cm |
c1930 Havanaise etching 34.9 x 51.4 cm |
c1930 Jockeys and Horses before the Start gouache over pencil on paper laid down on card 51.3 x 67.5 cm |
c1930 Nice Casino with Two Urns oil on canvas 46 x 55.4 cm |
c1930 Normandy Countryside (Cows in a Meadow) pen and ink on paper 25.9 x 39.9 cm |
c1930 Nude on Blue Drapery gouache on paper 50.2 x 66 cm |
c1930 Road in the Forest oil on canvas 33 x 41 cm |
c1930 Rowers at Henley watercolour and gouache on paper 49.2 x 65 cm |
c1930 The Beautiful Child or Love at Forty Years etching on ivory wove paper 33.6 x 24.8 cm Art Institute of Chicago, IL © 2022 Artists Rights Society (ARS), New York / ADAGP, Paris |
c1930 The Street decked out with Banners oil on board 47.6 x 54.9 cm |
c1930 Weighing in at Deauville gouache on paper 50.8 x 65.9 cm |
1931 Auvergne Landscape watercolour an and gouache on paper 49.7 x 66 cm |
1931 Portrait of a young Woman sitting in an Armchair oil on canvas 81 x 64.8 cm |
1931 Reclining Nude gouache and watercolour on paper 50.4 x 66 cm |
1931 The Circus oil on canvas 38 x 46 cm |
1931-32 The Kessler Family on Horseback gouache on paper 50 x 66.9 cm Tate, London © ADAGP, Paris and DACS, London 2022 |
1932 The Kessler Family on Horseback oil on canvas 219.5 x 281.6 cm Tate, London © ADAGP, Paris and DACS, London 2022 |
c1931 Houses of Parliament, London gouache and watercolour on paper 50 x 66 cm |
c1931 La Marine Furnishing Fabric © V&A, London |
c1931 Les Arums Furnishing Fabric of tissue silk 70.5 x 103.3 cm © V&A, London |
c1931 The Start at Saint-Cloud gouache and watercolour on paper 50.2 x 65.5 cm |
1932 Regatta on the River watercolour and gouache on paper 49.1 x 61.5 cm |
1932 Sainte-Réparate, Nice oil on canvas 38 x 46 cm |
1932 The Conductor oil on canvas 73.2 x 92.2 cm |
c1932 Four Women in the Salon ink on paper 50.2 x 66.3 cm |
c1932 Pension Sévigné, Nice watercolour, ink and gouache on paper 50.8 x 65.8 cm |
1933 Clump of Trees gouache and watercolour on paper 50.8 x 66 cm |
1933 Deauville, drying the Sails oil on canvas 46.4 x 110.2 cm Tate, London © ADAGP, Paris and DACS, London 2022 |
1933The Fish Plate lithograph on white vellum 46 x 34 cm |
1933 Landscape of the Langres oil on canvas 37.8 x 46.1 cm |
1933 Landscape of Touraine, Langres oil on canvas 33.6 x 41.5 cm |
1933 Paris, Place de la Concorde watercolour on paper 49 x 65.7 cm |
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