Wednesday, 22 July 2026

William Roberts - part 11

Self-Portrait 1963
pencil 37 x 26.5 cm

Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an "English Cubist". In the First World War he served as a gunner on the Western Front, and in 1918 became an official war artist. Roberts's first one-man show was at the Chenil Gallery in London in 1923, and a number of his paintings from the twenties were purchased by the Contemporary Art Society for provincial galleries in the UK. In the 1930s it could be argued that Roberts was artistically at the top of his game; but, although his work was exhibited regularly in London and, increasingly, internationally, he always struggled financially. This situation became worse during the Second World War – although Roberts did carry out some commissions as a war artist.

Roberts is probably best remembered for the large, complex and colourful compositions that he exhibited annually at the Royal Academy summer exhibition from the 1950s until his death. He had a major retrospective at the Tate Gallery in 1965, and was elected a full member of the Royal Academy in 1966. There has recently been a revival of interest in the work of this artist who always worked outside the mainstream.


Note: All images © reserved (Bona Vacantia)


This is part 11 of a 20-part series on the works of William Roberts:

c1942 The Gypsies study
pencil, squared 16.5 x 13.5 cm

c1942 The Gypsies
pencil on paper, squared (size not given)
Tate Gallery, London

c1942 The Gypsies study
pencil and watercolour 26.2 x 14.2 cm

c1942 The Gypsies
oil on canvas 50 x 39 cm

c1942 The Hermit, Illustration for ‘Four Fables’ by David Roberts
 graphite on paper 17.2 x 13.3 cm 
Tate Gallery, London

c1942 Woman with a Cat
graphite and watercolour on paper 11.4 x 17.8 cm
Tate Gallery. London

1943 Recorder Players
oil on canvas 19 x 24 cm

1943 The Guitarist (John)
watercolour 55 x 33 cm

1943-44 Cyclists study
pencil and watercolour, squared 29,5 x 10.5 cm

1943-44 Cyclists
chalk and watercolour 52.5 x 35 cm

1943-44 The Bathers
pencil and watercolour 34 x 52.5 cm

1943-44 The Gypsy Flower Seller study
red chalk and pencil 19 x 14 cm

1943-44 The Gypsy Flower Seller
pencil and watercolour study, squared
(size not given)

1943-44 The Gypsy Flower Seller
black chalk and watercolour, squared 54 x 33 cm

1943-44 Woman Playing with a Cat study
pencil and watercolour, squared 18 x 10 cm

1943-44 Woman Playing with a Cat
pencil, watercolour and coloured crayon 35.6 x 17.8 cm

1943-44 Woman Playing with a Cat
black chalk with watercolour 53 x 31 cm

c1943 A Station Scene in Wartime study
pencil, watercolour, pen and red ink, squared 12.7 x 17.8 cm

c1943 A Station Scene in Wartime 
watercolour 40 x 50 cm

c1943 The Gift
pencil and watercolour, squared 55 x 33 cm

c1943 The Punters study
pencil, squared 15 x 19.5 cm

c1943 The Punters study
pencil, squared 17.5 x 22 cm

c1943 The Punters
pencil and watercolour 17.2 x 22.8 cm

1943 The Punters
oil on canvas 40.6 x 50.8 cm

c1943 Women Railway Porters in Wartime
pencil and watercolour study 19 x 28 cm

c1943  Women Railway Porters in Wartime
watercolour 37.1 x 51.6 cm
Imperial War Museum, London

1943-45 Mothers study
pencil 18 x 12.8 cm

1944-45 Mothers
pencil and watercolour, squared 16.5 x 11.5 cm

1944-45 Mothers
watercolour (details not given)

1944-45 The Tip
pencil and watercolour 17.5 x 12.8 cm

1944-45 The Plough
charcoal and watercolour 35 x 52.5 cm

c1944-45 The Recital study, squared
16.2 x 28 cm

c1944-45 The Recital
watercolour and pencil, squared 15.5 x 25.7 cm
 

c1944-45 The Recital
watercolour, pencil and ink 33 x 52 cm

1944-46 Pollarding 
pencil, coloured pencil, charcoal and watercolour, softly squared 55 x 36.5 cm

c1944 Christopher Milford
oil on canvas 43.2 x 33 cm

c1944 Ferry Crossing study for ‘The Ferry’
graphite and watercolour on paper 16.5 x 12.7 cm
Tate Gallery, London

c1944 Ferry Crossing
oil on canvas 52.5 x 42.5 cm

c1944 Hedge cutting
watercolour 48.3 x 31.8 cm

c1944 Ironing
pencil and watercolour 54.6 x 34 cm

c1944 Old Women and Girl
graphite and watercolour on paper 17.8 x 11.4 cm
Tate Gallery. London

c1944 Saloon Bar
pencil and watercolour 34.3 x 55.3 cm

c1944 The Tea Party
pencil and watercolour 33 x 53 cm

1945 Indolence
pencil and watercolour study, squared 12.1 x 17.5 cm

1945 Indolence
red pencil, black chalk, and watercolour

c1945 The Tramp
graphite and watercolour study, squared 10.2 x 17.8 cm
Tate Gallery, London

c1945 The Tramp
pencil and watercolour, 35 cm x 53 cm

1946 Kumari de Zoysa
oil on canvas 48 x 38 cm



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