Wednesday, 29 July 2026

William Roberts - part 15

Self-Portrait 1971
pencil 36.5 x 26.3 cm

Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an "English Cubist". In the First World War he served as a gunner on the Western Front, and in 1918 became an official war artist. Roberts's first one-man show was at the Chenil Gallery in London in 1923, and a number of his paintings from the twenties were purchased by the Contemporary Art Society for provincial galleries in the UK. In the 1930s it could be argued that Roberts was artistically at the top of his game; but, although his work was exhibited regularly in London and, increasingly, internationally, he always struggled financially. This situation became worse during the Second World War – although Roberts did carry out some commissions as a war artist.

Roberts is probably best remembered for the large, complex and colourful compositions that he exhibited annually at the Royal Academy summer exhibition from the 1950s until his death. He had a major retrospective at the Tate Gallery in 1965, and was elected a full member of the Royal Academy in 1966. There has recently been a revival of interest in the work of this artist who always worked outside the mainstream.


Note: All images © reserved (Bona Vacantia)


This is part 15 of a 20-part series on the works of William Roberts: 

1959 The Hostesses study
pencil on paper, squared 14.6 x 19.1 cm
Tate Gallery, London

1959 The Hostesses
watercolour 27 x 37 cm

1959 The Tryst study
pencil, squared 18.4 x 13.3 cm

1959 The Tryst
watercolour and pencil 50.4 x 35.7 cm

c1959 Spring Flowers
pencil and watercolour 37.5 x 23.8 cm

c1959 Spring Flowers
pencil and watercolour 42 x 30 cm

c1959 Study for ‘The Swimming Bath’
pencil on paper 17.2 x 7.6 cm
Tate Gallery, London

c1959 The Swimming Bath
pencil & watercolour on paper 50.8 x 21.5 cm
The Ingram Collection of Modern British and Contemporary Art, London

1960 Flamenco
oil on canvas 61 x 50.8 cm

1960 T.V.
oil on canvas 101.7 x 183 cm
Aberdeen Archives, Gallery & Museums, UK

1960 The Boat study
(aka The Zambezi)
pencil, squared 17.8 x 12.7 cm

1960 The Boat
(aka The Zambezi)
pencil and watercolour 38 x 29 cm

1960-61 Change of Address study
pencil, squared 12 x 17 cm

c1960 "1917-58 Paintings 1917–1958 by William Roberts A.R.A."
cover artwork. pen and ink 22 x 17.5 cm

c1961-62 The Vorticists at the Restaurant de la Tour Eiffel - Spring 1915 study
pencil on paper, squared 15.9 x 18.4 cm
Tate Gallery, London

c1961-62 The Vorticists at the Restaurant de la Tour Eiffel -  Spring 1915
oil on canvas 182.9 x 213.4 cm
Tate Gallery. London

c1961 The Sunflowers study
pencil, squared 17.8 x 11.4 cm

c1961 The Sunflowers study
pencil and watercolour, squared 43.2 x 27.9 cm

c1961 The Sunflowers
oil on canvas 183 x 122 cm

1962 John
oil on canvas 40.6 x 30.5 cm

1962 L’Algérienne
oil on canvas 51.1 x 41 cm
Tate Gallery. London

c1962 The Salute
(aka The Ex-serviceman)
(a self-Portrait)
oil on canvas 59.7 x 49.5 cm

1963 La Lucertola study
pencil on paper 18.4 x 12.7 cm
Tate Gallery, London
1963 La Lucertola
pencil and watercolour 43.8 x 29.8 cm

1963 London Transport Poster
Hampstead Fair

1963 Making the Bed study
pencil, squared in red chalk 8.2 x 13.5 cm
1963 Making the Bed
pencil and watercolour 46.1 x 36.2 cm

1963 The Common Market study
pencil, squared 18.6 x 23.2 cm

1963 The Common Market study
watercolour over pencil 33 x 43.2 cm

1963 The Common Market
oil on canvas 168 x 214 cm
Harris Museum & Art Gallery, Preston, UK

c1963 La Lucertola study
pencil on paper 18.4 x 12.7 cm
Tate Gallery, London
c1963 La Lucertola study
pencil and watercolour, squared 43.8 x 29.8 cm

c1963 La Lucertola
oil on canvas 216 x 152 cm

1964 A Joy Ride study
 pencil, squared 18 x 12.5 cm

1964 A Joy Ride
pencil and watercolour 50 x 35 cm

1964 I Contadini study
pencil and watercolour 47.6 x 31.1 cm

1964 Italian Peasants study
pencil, squared 19.1 x 13.3 cm

1964 Italian Peasants
pencil and watercolour 51 x 33 cm

1964 The Bicycle Lesson
oil on canvas 61 x 51 cm

1964 The Lake study
pencil, squared 19 x 13 cm




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