Wednesday, 30 November 2016

American Folk Art - part 17

Continuing a major series on American Folk Art featuring 21 postings. Folk Art encompasses art produced by artists and ordinary folk with little or no training in the arts, and is traditionally utilitarian and decorative rather than purely aesthetic. The period I’m covering is the C18th and C19th.
See parts 1-16 also for earlier works.

Note: Follow me on Twitter for notice of updates @poulwebb

This is part 17 of a 21-part post on American Folk Art:


Noah North (1809-1880)

Noah North was a sign, ornamental, and portrait painter active in Ohio in the 1830s. He was born in 1809 in Alexander, Genessee County, New York. He was painting portraits there probably under the tutelage of Milton W. Hopkins (also featured in this post). Both were in western New York in the mid-1930s, and both headed into Ohio at about the same time.

He was back in New York State by 1841, when he married and settled in Livingston County. From 1845 to 1847 he operated a daguerreotype studio in Mount Morris, then worked as an ornamental painter for a while. He took up farming, and died in Attica, New York in 1880.

1830c ( attributed to: possibly by Milton W. Hopkins )
Portrait of a Man oil on poplar panel 69.8 x 56.5 cm

1830c ( attributed too: possibly by Milton W. Hopkins )
Portrait of a Woman oil on poplar panel 69.8 x 56.5 cm

1833 Portrait of a Woman
oil on canvas 69.8 x 61 cm

1834 Eunice Eggleston Darrow Spafford, Holley, NY
oil on panel 71.1 x 59.7 cm

1835-36c Gracie Beardsley Jefferson Jackman and her Daughter
 oil on panel 72.4 x 60 cm
Flint Institute of Arts, MI

1835-40 ( attributed to ) Portrait of a Lady
oil on canvas 69.8 x 59 cm

1839-36 Major J. R. Jackman
oil on panel 71.4 x 60.3 cm
Flint Institute of Arts, MI

n.d. ( attributed to ) Portrait of a Woman in a Lace Cap
graphite on paper 34.3 x 26.7 cm

n.d. ( attributed to ) Portrait of a Woman in a Lace Cap detail

n.d. Portrait of a Young Boy with Belted Coat
oil on board

n.d. Portrait of a Young Lady
oil on canvas 71.1 x 61 cm


Milton W. Hopkins (1789-1844)

Milton W. Hopkins was born in 1789 in Harwinton, Connecticut. In 1800 the family moved to Clinton, New York. In 1807 he returned to Connecticut, soon marrying Abigail Pollard of Guildford. After Abigail's death in 1817, he married Almira Adkins and moved to Evans Mill, New York.
By September 1824, when he advertised in the "Newport Patriot," Hopkins was engaged in house and sign painting supplies. The previous year he and his family had moved to Newport, renamed Albion in 1826. For a short time in 1828 he served as Captain on an Albion canal oat, but by December of that year he was in Richmond, Virginia.
His advertisement in the Richmond "Constitutional Whig" in December 1828 indicates that he was an instructor of women in Poonah, or theorem painting, and it is probable that he also assisted a Miss Turner, who ran an academy foe drawing, penmanship, "Music, Painting on Velvet, Wood and Paper, and Fancy Work."
Hopkins returned to Albion in the autumn of 1829, and in 1833 he advertised his services as both a teacher and a portrait painter. Although Hopkins may never have painted portraits before 1833, no earlier works have been discovered. The first documented portrait dates from that year.
There remains much confusion between the portraiture of Hopkins and that of the better-known painter Noah North, who was active in the same geographic areas of New York State and Ohio during the same years.

1833c Aphia Salisbury Rich and Baby Edward
oil on wood 75.8 x 61.6 cm
National Gallery of Art, Washington, DC

1835-36 Eliza Pixley Lacey
oil on canvas 76.2 x 63.5 cm
Memorial Art Gallery, Rochester, NY

1835-36 Pierrepont Edward Lacey and His Dog, Gun
oil on canvas 106.7 x 76.5 cm
Memorial Art Gallery, Rochester, NY

1835-40c ( attributed to ) Woman in Black Dress
 66 x 55.9 cm
Smithsonian American Art Museum, Washington, DC

1835c Portrait of a Woman Wearing a Fancy Yellow-Ribboned Lace Bonnet
oil on canvas 71.1 x 57.1 cm

1835c Portrait of a Young Woman
oil on canvas 71.7 x 57.1 cm

n.d. ( attributed to ) Samuel Warren Holland, Aged Two Years
66.5 x 556.1 cm
Smithsonian American Art Museum, Washington, DC

n.d. Portrait of Marietta Ryan
oil on board 53.3 x 44.4 cm

Sturtevant J. Hamblin  (1817-1884)

Sturtevant J. Hamblin, son of Almery and Sally Clark Hamblin, listed his profession as a portrait painter between 1841 and 1856. He came from a family of artisans, which included his grandfather, George Hamblin, who was a painter and glazier, his father, and his brothers Nathaniel, Joseph G., and Eli. Sturtevant's sister Rosamund married the itinerant portrait painter William Matthew Prior in 1928, and Sturtevant may have become his brother-in-law's pupil.
Sturtevant resided for several years with the Priors; he is recorded for the first time as living "at Wm. Prior's" in 1837, the date used by scholars as his beginning active date, despite the fact that his first signed work dates from 1841. About three years later both families moved to Boston. In 1841 Sturtevant Hamblin and William Prior are recorded living in Nathaniel Hamblin's house on 12 Chambers Street. The following year they moved to Marion Street in East Boston; they lived there together until 1844.
Three of the Hamblins advertised as house, sign and fancy painters, and Sturtevant probably earned part of his living in this manner. By 1846 William Prior established his own residence on Trenton Street, East Boston, where he lived until his death in 1873. While the Hamblins continued working in the painting business, only Sturtevant is known to have considered himself a portrait painter. By 1856, however, he evidently became dissatisfied with his painting career and entered into a partnership in "Gent's Furnishings" with his brother Joseph.
Because Sturtevant Hamblin rarely signed his paintings, and his brother-in-law was such a prolific and popular artist, many works attributed to Prior may have been executed by Hamblin. Careful stylistic comparison of Prior-Hamblin portraits with existing signed Hamblins has more firmly established the artist's individual style and illuminated a larger portion of his oeuvre.

1830c Portrait of a Young Girl Holding a Bouquet of Flowers
oil on paperboard 35.6 x 25.4 cm

1840 Portrait of Ellen
oil on canvas 69.9 x 56.6 cm

1840c ( attributed to ) Little Girl with an Apple
oil on canvas 54 x 43.8 cm
Private Collection

1840c Boy with a Hoop

1840c Double Portrait of a Little Girl with Toy Bird and a Boy with a Whip

1840c Little Girl Holding an Apple
oil on canvas 57.2 x 46.7 cm
National Gallery of Art, Washington, DC

1840c Portrait of a Girl with an Apple
oil on academy board 33.5 x 23.5 cm

1840s Lady with Black Hair
oil on canvas 55.9 x 42.5 cm
Museum of Fine Arts, Boston, MA

1845c ( attributed to ) Sea Captain
oil on canvas 68.9 x 56.5 cm
American Folk Art Museum, New York City

1845c ( attributed to ) Standing Boy with a Book
oil on canvas 91.4 x 60.3 cm
Private Collection

1845c Family Group
oil on canvas 76.2 x 91.4 cm
Museum of FIne Arts, Boston, MA

1845c Portrait of a Baby
oil on canvas 69.2 x 56.5 cm
Museum of FIne Arts, Boston, MA

1845c Portrait of a Boy with a Whip
oil on artists board35.6 x 25.4 cm

1848 Mother and Child
oil on canvas 68.9 x 56.2 cm
Museum of Fine Arts, Boston, MA

1850c Emma Thompson

1850c Portrait of Three Girls
oil on canvas 55.4 x 67.9 cm
Philadelphia Museum of Art, PA

1850c The Younger Generation
oil on canvas 55.5 x 68.2 cm
National Gallery of Art, Washington, DC

1850c Young Boy in Grey with Flowers
oil on canvas 68.6 x 54.9 cm

1851 Charles C. Henry
oil on canvas 91.4 x 73.7 cm
Fenimore Art Museum, Cooperstown, NY
1853 Silver Cloud - Capt. Thos. W. Lewis ( see below )
63.5 x 76.2 cm

1853c Portrait of Captain Thomas W. Lewis
oil on artist board 76.2 x 33 cm

Label on the backboard: Capt. Thomas W. Lewis Owner and Skipper of Silver Cloud joined Masonic Order at Cape of Good Hope / father of Sarah E. Lewis who was wife of George B. Lawton, parents of Edna B. and Ida M. Lawton / Aunt Edna died 2. 77

n.d Portrait of a Boy and Girl

n.d. ( attributed to ) Portrait of a Lady
oil on board 32.4 x 24.2 cm

n.d. Portrait of a Dark-Haired Young Woman
oil on academy board 33 x 23.5 cm

n.d. Portrait of a Girl with a Fan

n.d. Portrait of a Small Child

n.d. Portrait of a Small Child with a Bugle

n.d. Portrait of a Small Child with a Dog

n.d. Portrait of a Small Child

n.d. Portrait of a Young Man

n.d. Portrait of Young Girl Seated in a Rocking Chair with her Dog
oil on canvas 68.6 x 50.8 cm

n.d. Portrait of a Young Boy and Girl

Monday, 28 November 2016

American Folk Art - part 16

Continuing a major series on American Folk Art featuring 21 postings. Folk Art encompasses art produced by artists and ordinary folk with little or no training in the arts, and is traditionally utilitarian and decorative rather than purely aesthetic. The period I’m covering is the C18th and C19th.
See parts 1-15 also for earlier works.

Note: Follow me on Twitter for notice of updates @poulwebb

This is part 16 of a 21-part post on American Folk Art:


“Puffy Sleeve Artist” (active 1830 – 1831)

We don’t know who the Puffy Sleeve Artist was, but he or she left behind a legacy of unique naïve silhouettes with hollow-cut heads on watercolour bodies. The dresses are always painted, usually in blue or black. Women always face left, and men to the right. Books often bear the initials or age of the sitter, and a date.

1830 Portrait of a Woman Holding a Flower Sprig hollow-cut silhouette head with watercolour painted body
inscribed "Sarah Jackson - My grandmother taken when she was eighteen / just the head - the body was put on to make a more complete picture / 1829 18yrs old / Abby Elizabeth Kelly Carroll / nana's niece"
8.9 x 6.7 cm

1830-31 Double hollow-cut Silhouette of Mr. and Mrs. Coombs
ink and ink wash on paper 8.9 x 14.9 cm

1830-31c Portrait of a Woman Holding a Book
inscribed "DW"

1830-31c Portrait of a Woman Wearing a Blue Scarf and Holding a Book
hollow-cut with watercolour, gouache and ink in period red-washed frame 11.1 x 7.62 cm

1830-31c Portrait of Henrietta Wakefield wearing a Red Gown and holding a Fan
hollow-cut with watercolour, gouache and ink 10.8 x 8.9 cm

1830-35c ( attributed to ) Silhouette in Brilliant Teal Dress
hollow-cut with watercolour on paper over black fabric backing 13 x 11.1 cm

1830c Portrait of a Gentleman
hollow-cut with watercolour and pen

1830c Portrait of Eliza Carter in a Red Dress and Holding Flowershollow-cut with watercolour and pen

1831 Portrait of a Woman in Holding a Book inscribed "Aged 29 1831 H.R."hollow-cut with watercolour and pen

n.d. Portrait of a Woman holding Three Roses
hollow-cut with watercolour and pen

n.d. Portrait of a Woman in a Bonnet, holding a Floral Bouquethollow-cut with watercolour and pen

n.d. Portrait of a Woman in Black with White Lace Collar and Red Ribbons, holding a Sprig of Mosshollow-cut with watercolour and pen

Portrait of a Man Holding a Walking Canehollow-cut with watercolour and pen

Portrait of a Gentlemanhollow-cut with watercolour and pen

Portrait of a Woman with a Blue Dresshollow-cut with watercolour and pen 13.3 x 11.3 cm


Silhouettes by other artists:


1800s ( attributed to E. Howard )
hollow-cut silhouette of a gentleman with curlicue cut-outs

1800s ( attributed to William Chamberlain 1790-1860 )
hollow-cut silhouette

1800s Hollow-cut silhouette of a gentleman on black silk with watercolour body

1838 Silhouette by James Hosley Whitcomb (1806-1849)
inscribed "June The 5 1838, Jonathan L. Stone aged 39 Was Born The 25 1799"

Everet Howard ( attributed to) ( 1797-1833 )
Portrait of a Girl

Everet Howard
Portrait of a Gentleman inscribed "Liennel Tucker"

James Hosley Whitcomb ( attributed to ) ( 1806-184 9)
Silhouette of a Gentleman

James Hosley Whitcomb (1806-1849)
Silhouette of a Gentleman

n.d. Hollow-cut Portrait of a Woman
black silk with watercolour body

W.H. Brown ( attributed to ) Elizabeth Osgood Holt
hollow-cut silhouette10.8 x 8.2 cm

W.H. Brown ( attributed to ) Jeremiah T. Holt
hollow-cut silhouette 14 x 12.1 cm
Horace Bundy (1814-1883)

Horace Bundy was an untrained painter born in Hardwick, Vermont, 22 July 1814. He received his introduction to painting as a decorator of sleighs. In 1837, while residing in Lowell, Massachusetts, he married Louisa Lockwood. By 1841 the Bundys had moved into a house in North Springfield, Vermont, built for the couple by Louisa's father. They had eight children.

Bundy almost always signed and dated his portraits, often including a place of execution, thereby providing a record of his travels. His itinerancy was likely as much a result of his religious calling as of his artistic one. In 1842 he converted to the Advent faith and thereafter spent an increasing amount of time preaching throughout New England. By 1850 he was painting, and certainly speaking as well, in Townshend, Vermont; Hancock, Nashua, and Fitzwilliam, New Hampshire; and Winchendon, Massachusetts. He accepted portrait commissions through at least 1859 and was listed as a painter in the 1860 census of Springfield, Vermont. In 1863 Bundy was appointed pastor of the Second Advent Church, Lakeport, New Hampshire, where he was recorded as an important leader.

In 1883 Bundy journeyed to Jamaica, where he is reported to have executed several paintings for a wealthy planter and to have made studies of tropical scenery. He died of typhus shortly after his return to the United States in the same year.

1830c A Gentleman with a Horn
oil on canvas 71.1 x 59.7 cm

1835c ( attributed to ) Portrait of a Young Girl Holding a Doll
oil on canvas 74.9 x 61.6 cm

1839 A Portrait of Stephen Edgell, Age 2
oil on canvas

1840c Portrait of a Gentleman
oil on canvas 78.7 x 61 cm

1840c Portrait of a Lady 
oil on canvas 78.7 x 61 cm

1840c ( attributed to ) Memorial Portrait of a Young Girl
oil on canvas 53.3 x 43.2 cm

1841 A Vermont Lawyer
oil on canvas 111.8 x 90.3 cm
National Gallery of Art, Washington, DC

1845 Portrait of a Ludlow, Vermont, Gentleman
oil on canvas 71.1 x 61 cm

1846 Portrait of a Gentleman
oil on canvas 711.1 x 61 cm

1848 Portrait of Ellen Delight
oil on canvas 95.2 x 82.5 cm framed

1849 Portrait of Abbie and Adah Clay
oil on canvas 76.2 x 81.6 cm

1850 Portrait of a Young Brother and Sister
oil on canvas 84.7 x 73 cm

1852 Girl with a Dog
oil on canvas 91.8 x 74 cm
Smith College of Art, Northampton, MA

1852 Portrait of George Henry ( 1848-1937 ) and Charles Albert Whitcomb ( 1851-1935 )
oil on canvas 74.9 x 61 cm

1852 Portrait of Young Ellen Fairbank of Winchendon, Massachusetts
oil on canvas 73.7 x 59.7 cm

1854 Portrait of a Preacher, Whitehall, New York
oil on canvas 77.5 x 63.5 cm

1857 Portrait of a Woman in a Lace Bonnet
oil on canvas 86.4 x 69.2 cm

n.d. Portrait of a Young Gentleman
85.1 x 72.4 cm

n.d. ( attributed to ) Portrait of a Baby Girl Wearing a White Gown and Holding a Pink Rose
oil on canvas 55.9 x 45.7 cm

n.d. Portrait of a Lady

n.d. Portrait of a Young Child
oil on canvas mounted on panel 49.5 x 34.3 cm