Monday, 31 March 2025

James Montgomery Flagg - part 4

 

Born in Pelham Manor, New York, James Montgomery Flagg attended several art schools, including four years spent at the Art Students League in New York City. He worked prolifically in a number of media but is best remembered for his poster designs.

By the turn of the century, Flagg had created a reputation as a graphic designer and illustrator. When the United States entered World War I, he produced his I Want You for U.S. Army poster, which quickly became a household icon and one of the most enduring images of the twentieth century. Although Flagg took the design from an earlier British work, he adapted it in a manner that immediately captured the American imagination.

Flagg is also well known for his many pen-and-ink drawings. Fascinated by the vivacity of the 1920s, he sought to capture the spirit of a prosperous nation in a number of intelligent and witty works from that period. During his career, Flagg also executed numerous portraits in oil, ranging from sensitive likenesses of family members to grand renderings of statesmen and celebrities such as Theodore Roosevelt. Smithsonian American Art Museum

For more information on Flagg see part 1, and for earlier works, see parts 1 - 3 also.

This is part 4 of a 5-part series on the works of James Montgomery Flagg:


c1930 The Protective Instinct  “Down I went and down accompanied me Miss Lura de Lure, to her great mortification.”
Liberty magazine
pen & ink on illustration board

1930 Liberty magazine illustration “Does He Get the Girl?”
 pencil & watercolour

1931 Uncle Sam
pen & ink on paper 40.6 x 33 cm

1931 The Million Dollar Hairpin, Good Housekeeping magazine
watercolour 53.9 x  66.6 cm

1931 Story illustration for “Collier’s,” April 25, 1931
 ink on paper

1931 "A Six-Letter Word Meaning Trouble" Story Illustration, Good Housekeeping magazine
ink on board 74.3 x 58.4 cm

1932 It’s Time to Build a Stronger America
oil on canvas 92 x 76.2 cm

1933 "What You Lack, Mister, is Guts!"
Illustration for the story "Lovelorn" in Liberty Magazine September 16 issue
watercolour, ink and wash on paper 58.4 x 73.7 cm
 

1933 "The old Standards that had to do with money and success are gone..."

1933 Eight Women, double page spread
ink

Eight Women detail

Eight Women detail

1933 Caption not found (double page Spread)

Double page Spread detail

Double page Spread detail

1933 September Girls double page spread 

Double page spread detail

Double page spread detail

1934 Help Wanted
(using the same illustration as above)

c1935-43 Your Forests-Your Fault-Your Loss
oil on canvas 164.9 x 101.9 cm
Smithsonian American Art Museum, Washington DC

1937 Lost Horizon
colour lithograph movie poster

1937 Lost Horizon
colour lithograph movie poster

1937 Parents should know about this
 ink drawing

c1940 Wimbledon Champion
pencil & watercolour on board 65 x 40.5 cm

c1940 The Man Who Cares Drinks Carstairs.
(Portrait study from the Carstairs campaign)
charcoal & wash on tinted paper 42 x 35 cm

c1940-45 All Gone!
colour lithograph poster 52 x 36.5 cm

after 1941 Help China! China is Helping Us
colour lithograph 56 x 35 cm

1942 Your Red Cross Needs You!
colour lithograph poster 49.5 x 31 cm

1942 Want Action? Join U.S. Marine Corps!
colour lithograph poster 94 x 63 cm

1942 "The Marines Have Landed-!"
colour lithograph poster 101 x 77.5 cm

1943 Unconditional Surrender Of All Tyrants
pen and ink on paper 71.1 x 55.8 cm

1943 Man reading
watercolour & gouache on paper 27.9 x 21.6 cm

1944 I Want You F.D.R. Stay and Finsh the Job!
colour lithograph poster

1945 Jap...You're Next! We'll Finish the Job!
Recruiting Publicity Bureau, U.S. Army.
colour lithograph poster 49.5 x 35.5 cm

1945 Coming Right Up!
Recruiting Publicity Bureau, U.S. Army
colour lithograph poster

c1945  WW2 cartoon rough
Portrait of 2 American Dim-Wits.
ink & watercolour 28 x 21.2 cm

c1945 WW2 cartoon rough
The Womb of Bellona
ink & watercolour 21.2 x 28 cm

c1945 WW2 cartoon rough 
 "Yoo Hoo - your ship is showing!"
ink & watercolour 21.2 x 28 cm

c1945 WW2 cartoon rough
"This Wat to the War"
ink & watercolour 21.2 x 28 cm

c1945 WW2 cartoon rough
ink & watercolour 28 x 21.2 cm

c1945 "Carry me back to ol' Virginny" 
watercolour & ink 21.6 x 27.9 cm

c1945 Come & get it!
watercolour & ink 21.6 x 27.9 cm

c1945 Gentlemen, pull yourselves together!...
watercolour & ink 21.6 x 27.9 cm

1945c Will you f'gawdsake come back here-...
watercolour & ink 21.6 x 27.9 cm

1949 American Weekly, Cooking Around America
"The South - Fried Chicken And Buttermilk Biscuits"
colour lithograph

1949 American Weekly, Cooking Around America
 "Southern California - Fiesta Foods" 
colour lithograph

1949 American Weekly, Cooking Around America
 "San Francisco - Treasure Island Salad"
colour lithograph

1949 American Weekly, Cooking Around America
"The Northwest - Fried Trout and French Toast"
 colour lithograph


Friday, 28 March 2025

James Montgomery Flagg - part 3

Born in Pelham Manor, New York, James Montgomery Flagg attended several art schools, including four years spent at the Art Students League in New York City. He worked prolifically in a number of media but is best remembered for his poster designs.

By the turn of the century, Flagg had created a reputation as a graphic designer and illustrator. When the United States entered World War I, he produced his I Want You for U.S. Army poster, which quickly became a household icon and one of the most enduring images of the twentieth century. Although Flagg took the design from an earlier British work, he adapted it in a manner that immediately captured the American imagination.

Flagg is also well known for his many pen-and-ink drawings. Fascinated by the vivacity of the 1920s, he sought to capture the spirit of a prosperous nation in a number of intelligent and witty works from that period. During his career, Flagg also executed numerous portraits in oil, ranging from sensitive likenesses of family members to grand renderings of statesmen and celebrities such as Theodore Roosevelt. Smithsonian American Art Museum

For more information on Flagg see part 1, and for earlier works, see parts 1 & 2 also.

This is part 3 of a 5-part series on the works of James Montgomery Flagg:


1917 Wake up America Day, April 19, 1917
colour lithograph poster

1917 Wake up America! Civilization Calls Every Man, Woman and Child!
colour lithograph poster 106.7 x 71.1 cm

c1917 Some Backing! The Empire State Needs Soldiers, Join The New York Guard
 colour lithograph poster 100.25 x 67.25 cm

c1917-18 I Am Telling You, WW1  Enlistment poster
colour lithograph 76.2 x 51 cm

c1917-18 Beware of the Wrath of a Patient Man!
colour lithograph poster 76.2 x 51.1 cm

1917-18 Together We Win
colour lithograph poster 96.7 x 73.6 cm

1917-18 Boys and Girls!
colour lithograph poster 76.2 x 50.8 cm

1918 Leslie's Illustrated Weekly Newspaper
5 January 1918 issue

1918 Help him to help U.S.! Help the horse to save the soldier
colour lithograph poster

1918 "The Stenog" with Camilla Carrol
colour lithograph poster

1918 "The Artist's Model" with Mary Arthur
colour lithograph poster

1918 Leslie's Illustrated Weekly Newspaper
25 May 1918 issue

1918 Side by Side - Britannia!
colour lithograph poster 76.2 x 50.9 cm

1918 Our Regular Divisions
colour lithograph poster

1918 Stage Women's War Relief
colour lithograph poster 77.3 x 54 cm

1918 Will you have a part in Victory?
colour lithograph poster 83.8 x 55.8 cm

1918 Vive La France!
colour lithograph poster. 101 x 71 cm

1918 Tell that to the Marines
colour lithograph 100.6  x 75.5 cm

c1918 Join the Marines!
colour lithograph poster 101.5 x 74.25 cm

c1919 Hold on to Uncle Sam's Insurance
colour lithograph poster 75 x 50 cm

1919 Saucy Stories cover
May 1919 issue

1920 Judge magazine cover November 27 issue
"An Amusing Yarn"

1920 Judge magazine cover design for May 8 1920
watercolour on paper 67.3 x 49.5 cm

c1920s “Damn you – you did it on purpose!”
watercolour on paper 55.8 x 87 cm

c1920s “Why, I just took it for granted you’d drag me to your dance, that’s all – let’s forget it though.”
 watercolour on paper 55.8 x 86.9 cm

c1921 Dinner disturbance
pen & ink on board 71.7 x 54.8 cm

1921 Vanishing Point
oil on canvas 60.9 x 95.2 cm

1921 The Profiteers
pen & ink 50.8 x 73.7 cm

1921 Judge magazine cover 19 February issue
"Four of a Kind"

1921 Judge magazine cover 22 January issue
"Two Features Today"

Everett Walsh, charcoal sketch
(details not found)

1922 The Curious Case of Benjamin Button,” by F. Scott Fitzgerald,
Collier’s magazine  27 May 1922
“It was impossible for Mr. Button to ignore the fact that his son was a poor excuse for a first‐family baby.”

1922 Judge magazine cover 4 February issue
Smile Week
 

1922 Cover illustration for The American Golfer magazine, July 15, 1922 issue
pencil and watercolour on paper 34.2 x 27.3 cm

The American Golfer magazine
July 15, 1922 issue

1922 The Amarican Golfer magazine March 25 issue
"Safe!"

1922 Bill Hart (sketch of William S. Hart)
 Photoplay magazine May 1922 issue

1923 Judge magazine cover, 15 September 1923 Prize-Fight Number
"The Wedding Ring"

c1923 Illustration for an unidentified story, likely Good Housekeeping magazine
watercolour on paper mounted on board 69 x 50.5 cm

1924 Judge magazine cover July 12 1924 issue
"A Short Vamp"

1924 "Very Likely!" Cover for The American Golfer magazine May 17 issue
pencil watercolour and wash on paper 33.6 x 27.3 cm


1925 Life magazine Commuters' Number.12 February issue
 "The 8;15 - or Bust!"

1926 College Humor magazine 1 September 1926 issue
"They called her Honey Child"

"They called her Honey Child"

"They called her Honey Child"

1926 College Humor magazine March 1926 issue

1928 New Members’ Night, Bily Rose Theatre, New York State

1928 "Follow Through" cover for The American Golfer magazine, published December 1, 1923
pencil and watercolour wash on paper 34 x 27 cm

1929 Life magazine cover "Grandmother's Clock" June 28 1919 issue