Monday, 20 October 2025

Italian Paintings 1200s-1600 part 1

The works featured in these posts date from before and leading up to the Italian Renaissance. Renaissance paintings of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas

The Italian Renaissance: meaning “rebirth,” the Renaissance refers to the art of Europe made between 1300–1600: 

Proto-Renaissance 1300s, otherwise known as the Trecento: “300s” in Italian, referring to the 1300s.

Early Renaissance otherwise known as Quattrocento: “400s” in Italian, referring to the 1400s, High Renaissance 1500s otherwise known as the Cinquecento: “500s” in Italian or 1500s.


This is part 1 of a 10-part series on Italian Paintings:


1265-70 Crucifix by Master of Saint Francis
egg tempera on poplar wood 91.8 x 70.6 cm
The National Gallery, London

1266-75 Saints Bartholomew and Simon
by Master of Saint Francis
tempera and gold on wood panel 47.6 x 22.9 cm
Metropolitan Museum of Art, New York

c1272 Saint John the Evangelist by Master of Saint Francis
tempera on wood panel 49.8 x 24.2 cm (painted surface)
National Gallery of Art, Washington, DC

c1272 Saint James Minor by Master of Saint Francis
tempera on wood panel 48.3 x 22.5 cm (painted surface)
National Gallery of Art, Washington, DC

1277 Crucifix by Master of Saint Francis
tempera on wood panel (size not given)
Galleria Nazionale dell'Umbria

1280-85 Virgin and Child with Two Angels by Cimabue
egg tempera on wood panel 26 x 21 cm
The National Gallery, London

1280-90 Virgin Mary by Cimabue
tempera on panel 385 x 223 cm
Uffizi Gallery, Florence

1280-90 Triptych of Perugia (Marzolini Triptych)
 by Master of the Perugia
tempera on wood 172 x 211 cm
National Gallery of Umbria, Perugia

c1280 Madonna and Child by Master of the Magdalen 
tempera on wood 74.9 x 46.4 cm
Metropolitan Museum of Art, New York

1285-86 The Rucellai Madonna by Duccio di Buoninsegna
tempera on panel 450 x 290 cm
Uffizi Gallery, Florence

1285-86 Madonna in Majesty by Cimabue
tempera and gold on wood panel 384 x 223 cm
Uffizi Gallery, Florence

1287-88 Crucifix by Cimabue
tempera on wood 448 x 390 cm
Museo dell'Opera di Santa Croce, Florence

1287-88 Crucifix by Cimabue
detail

1290-95 Virgin Enthroned with Angels by Cimabue
tempera? on wood panel 424 x 276 cm
Musée du Louvre, Paris

c1290 Madonna and Child Enthroned with Angels
by Master of Varlungo 
tempera on wood panel, silver ground 127.6 x 71.1 cm (image)
Metropolitan Museum of Art, New York

before 1295 Madonna and Child Enthroned
by Master of the Magdalen
tempera on wood, gold ground 153.7 x 91.4 cm
Metropolitan Museum of Art, New York

before 1295 Madonna and Child Enthroned
by Master of the Magdalen
tempera on wood, gold ground, Central panel 40.6 x 28.3 wings 38.1 x 14.3 cm, 38.1 x 14 cm
Metropolitan Museum of Art, New York

before 1302 Madonna Enthroned with the Child and Two Angels by Cimabue
tempera on wood panel 218 x 118 cm
Santa Maria dei Servi, Bologna

before 1302 Madonna Enthroned with the Child, St Francis, St. Domenico and two Angels by Cimabue
 tempera on wood panel 133 x 81 cm
Uffizi Gallery, Florence

1300-1400 Saint Pierre by School of Taddeo di Bartoli
tempera on gold on poplar wood panel 82 x 39 cm
Louvre, Paris

1300-1400 Saint John the Evangelist, Saint Louis of Toulouse and the donor, Catarina dei Franzesi by School of Tommaso del Mazza
tempera and gold on poplar wood panel 88 x 58 cm
Louvre, Paris

1300-1400 Saint John the Baptist, Saint Anthony of Padua and the donor, Bonifazio Lupi by School of Tommaso del Mazza
tempera and gold on poplar wood panel 88 x 58 cm
Louvre, Paris

1300-1400 The Crucifixion by School of Taddeo di Bartolo
tempera and gold on poplar wood panel 29.5 x 62 cm (image)
Louvre, Paris

1300-1400 The Calvary with five saints (Catherine, François, Marie-Madeleine, Barthélémy, Évêque)
by School of Giovanni Bonsi
tempera on gold on poplar wood panel 73 x 48 cm
Louvre, Paris

1300-1400 The Adoration of the Shepherds
by School of Bartolo di Fredi Cini
tempera on gold on poplar wood panel 160 x 96 cm
Louvre, Paris

1300-1400 The Virgin and Child surrounded by eight angels
by School of Tommaso del Mazza, Italy
 tempera and gold on poplar wood panel 85 x 61 cm
Louvre, Paris

1300-1400 The Virgin and Child between Saint John the Baptist and Saint Michae by Follower of School of Barnaba da Modena
tempera and gold on poplar wood panel 98 x 130 cm
Louvre, Italy

1300-1400 The Nativity of Saint John the Baptist by School of Andrea di Nerio
tempera and gold on wood panel 29 x 39 cm
Louvre, Paris

1300-1400 The Mystical Marriage of Saint Catherine with Saint Anthony Abbot and Two Angels by Anonymous
tempera on wood panel 30 x 20 cm
Louvre, Paris

c1302-40 Saint John on Patmos, Madonna and Child Enthroned, and Death of the Virgin:
The Crucifixion by Pacino di Bonaguida
tempera on wood, gold ground 61.9 x 40 cm
Metropolitan Museum of Art, New York

c1302-40 Saint John on Patmos, Madonna and Child Enthroned, and Death of the Virgin: The Crucifixion
by Pacino di Bonaguida
tempera on wood, gold ground 61.9 x 40.6 cm
Metropolitan Museum of Art, New York

c1302-88 Triptych: Crucifixion and other Scenes
tempera on wood panels, central panel 44.9 x 31.4 cm
Royal Collection Trust, UK

c1304-06 Nativity. Birth of Jesus fresco
Scrovegni Chapel, Padua, Italy

1307/8-11 Maestà Predella Panels (three panels):

1307/8-11 The Annunciation
egg tempera on wood panel 44.5 x 45.8 cm
The National Gallery, London

1307/8-12 The Healing of the Man born Blind
egg tempera on wood panel 45.1 x 46.7 cm
The National Gallery, London

1307/8-12 The Transfiguration
egg tempera on wood panel 48.5 x 51.4 cm
The National Gallery, London

1308-11 Flight into Egypt t
empera on wood panel 42.5 x 44 cm
Museo dell'Opera del Duomo, Siena

1308-11 Disputation with the Doctors
tempera on wood panel 42.5 x 43 cm
Museo dell'Opera del Duomo, Siena

1308-11 Christ before Caiaphas
tempera on wood panel 45.5 x 53.5 cm
Museo dell'Opera del Duomo, Siena

1308-11 Annunciation
tempera on wood panel 43 x 44 cm
The National Gallery, London

1308-11 The Transfiguration
tempera on wood panel 48 x 50.5 cm
The National Gallery, London

1308-11 The Temptation of Christ on the Mountain
tempera on poplar wood panel 43.2 x 46 cm
The Frick Collection, New York City

1308-11 The Nativity with the Prophets Isaiah and Ezekiel
tempera on single poplar wood panel painted sufaces:
 left: 43 x 26 cm centre: 43 x 43.9 cm right: 43 x 16 cm
National Gallery of Art, Washington, DC

1308-11 The Calling of the Apostles Peter and Andrew
tempera on wood panel 42.7 x 45.5 cm (painted surface)
National Gallery of Art, Washington, DC

1310-11 The Raising of Lazarus
tempera and gold on wood panel 43.5 x 46.4 cm
 (painted surface)
Kimbell Art Museum, Fort Worth, Texas

1310-11 Christ and the Samaritan Woman
tempera and gold on wood panel 43.5 x 46 cm
Museo Nacional Thyssen-Bornemisza, Madrid

1310-15 Annunciation in an Initial M by Maestro Daddesco
tempera and gold on parchment 13.6 x 13.4 cm
Metropolitan Museum of Art, New York


Friday, 17 October 2025

Ronald Lampitt

Ronald George Lampitt (1906 - 1988) was an English artist and illustrator. He is best known for illustrating children's books and railway posters. He was born in Worcester, and grew up in Kent and Sidcup, where he lived his whole life. Limpart never received any formal art training.

Lampitt often illustrated the Kent countryside. He would often spend weekends sketching with his friend Rowland Hilder. In 1938, Lampitt married Mona Deverson before commencing work for British Intelligence during the Second World War. This experience might have developed Lampitt's technical drawing and topographical accuracy.

Lampitt's friend and brother-in-law, Harry Deverson was a Fleet Street journalist. He was connected with publishers and was able to find illustrating work for Lampitt such as the popular weekly magazine, 'John Bull'. The two also worked collaboratively to produce two children's books: "The Map that Came to Life" (1948) and "The Open Road: (1962)

During the 1950s and 60, Lampitt illustrated railway posters for British locations including Bexhill-on-Sea, Harlech Castle and St Michael's Mount in Cornwall.


This is a one-off post on the works of Ronald Lampitt

Note: A glitch in the uploading of images means they defaulted to a random order,


1930 Devon, GWR (Great Western Railway)
lithograph 101.6 x 127 cm

1936 Cornwall, GWR (Great Western Railway)
lithograph 100.25 x 125 cm

1937 Royal Leamington Spa, GWR (Great Western Railway)
lithograph 63.8 x 101.6 cm

1946 Tenby, GWR (Great Western Railway)
lithograph

1947 Bexhill-on-Sea, Southern Railway
lithograph 102 x 62 cm

1948 Ireland, So near to home - so far from care
British Railways
lithograph 102 x 127 cm

1949 Townscape
illustration for John Bull magazine

c1950s Portrush, Northern Ireland, British Railways
lithograph 63.5 x 101.6 cm

c1950 Skating by moonlight
pencil, watercolour and bodycolour 34.5 x 40 cm

1950 John Bull magazine, July 3 issue
lithograph
 
Market Day
watercolour 37 x 30.5 cm

Railwayana: A Railway Executive (SR)
double royal lithograph poster

A Robin  (details not found)

Spring Landscape (details not found)

Steam Engine (details not found)

The English Lakes
lithograph poster 102 x 127 cm

The Tower of London from the Thames
oil on canvas 50.8 x 76.2 cm


Winter Landscape (details not found)


1950 John Bull magazine, April 15
issue
lithograph

1950 Easter
Illustrated London News April 8 edition
 


1953 Illustration for International Harvester Co.
 Annual Report cover
watercolour on board 33 x 27.9 cm

1953 John Bull magazine February 24 issue
lithograph

1955 Thirsty Work
lithograph published in John Bull magazine

1956 Folkestone, British Railways
 lithograph 100.3 x 62.2 cm

1958 December (details not found)

1958 In the Garden
lithograph, Whitbread (Brewers) Calendar

1959 Harlech Castle, artwork for a poster
oil painting 90.5 x 74 cm
Science Museum Group Collection, London

1960 Harlech Castle, British Railways
lithograph 90.5 x 74 cm

c1959 St. Michael's Mount
oil on board 88.9 x 73.6 cm
Science Museum, London

c1959 St. Michael's Mount, By Train to Marazion,
 British Railways
lithograph 102 x 64 cm

1960 Cardiff Castle
original artwork for British Railways (Western Region)
102 x 130 cm

1961 Yorkshire Dales, British Railways (North Eastern Region)
lithograph 101.6 x 63.5 cm

1963 A Farm in February
lithograph published in Treasure Magazine

1965 A Kent Farm in Spring
watercolour and bodycolour

1965 Plants and how they grow
 A Ladybird Natural History Book

1966 Birds and how they live
A Ladybird Natural History Book

1967 Understanding Maps
A Ladybird Book

1967 Understanding Maps 2

1967 Understanding Maps 3

1967 Understanding Maps 4

1967 Understanding Maps 5

1972 What to look for outside a Church
A Ladybird Book
 
1972 What to look for inside a Church
A Ladybird Book

A study of Mona (details not found)

Bredon, Worcestershire
lithograph

Cardiff Castle, Travel by Train, British Railways
lithograph 101.5 x 127 cm

Farm at Twilight (details not Found)

Flying Geese (details not found)