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| 1890 The Author Drawing a Sketch |
Frederic Sackrider Remington (1861 – 1909) was an American painter, illustrator, sculptor, and writer who specialised in depictions of the Old American West featuring depictions of Cowboys, American Indians and the U.S. Cavalry.
For more biographical notes see part 1. For earlier works see parts 1 - 4 also.
This is part 5 of a 7-part post on the works of Frederic Remington:
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| 1899-1903 The Mule Pack oil on canvas ( en grisaille ) 68.6 x 101.9 cm Museum of Fine Arts, Houston, Texas |
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| 1899c Belle McKeever and Lt. Edgar Wheelock oil on canvas 58.4 x 45.7 cm Private Collection |
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| 1900 9th U.S. Infantry Entering Peking, August 15, 1900 oil on canvas ( en grisaille ) 68.9 x 102.2 cm Art Institute of Chicago, IL |
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| 1900 "The Right of the Road" - A Hazardous Encounter on a Mountain Trail ( detail ) oil on canvas ( en grisaille ) Amon Carter Museum of American Art, Fort Worth, Texas |
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| 1900 I Will Tell the White Man oil on canvas ( en grisaille ) 68.9 x 102.2 cm Art Institute of Chicago, IL |
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| 1900 Rushing Red Lodges Passed through the Line oil on canvas ( en grisaille ) 69.9 x 101.6 cm Art Institute of Chicago, IL |
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| 1900 The Fire-Eater Slung His Victim Across His Pony oil on canvas ( en grisaille ) 109.2 x 69.4 cm Art Institute of Chicago, IL |
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| 1900 The Frozen Sheepherder ( also known as The Last Watch ) oil on canvas 68.6 x 101.6 cm Private Collection |
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| 1900 The Interpreter Waved at the Youth oil on canvas en grisaille 68.9 x 102.2 cm Art Institute of Chicago, IL |
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| 1900 The Norther bronze 58.4 x 50.8 cm Gilcrease Institute, Tulsa, Oklahoma |
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| 1900 The Signal ( also known as If Skulls Could Speak ) oil on canvas 101.6 x 68.6 cm Private Collection |
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| 1900 The Wolves Sniffed Along on the Trail, but Came No Nearer oil on board 68.6 x 101.6 cm Private Collection |
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| 1900-04 Days on the Range ( "Hands Up!" ) oil on canvas ( en grisaille ) 68.6 x 101.6 cm Museum of Fine Arts, Houston, Texas |
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| 1900-10 The Herd Boy oil on canvas 68.9 x 114.9 cm Museum of Fine Arts, Houston, Texas |
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| 1900c Ceremony of the Fastest Horse oil on canvas ( en grisaille ) 101.9 x 69.2 cm Art Institute of Chicago, IL |
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| 1900c Charge of the Rough Riders at San Juan Hill |
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| 1900c Fire-Eater Raised His Arms oil on canvas ( en grisaille ) 69.2 x 102.6 cm Art Institute of Chicago, IL |
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| 1900c Head of a Man graphite 17.7 x 10.5 cm Yale University Art Gallery, New Haven, CT |
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| 1900c Nothing But Cheerful Looks Followed the Bat oil on canvas ( en grisaille ) 68 x 102.2 cm Art Institute of Chicago, IL |
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| 1900c Pretty Mother of the Night - White Otter is no Longer a Boy oil on canvas 68.6 x 101.6 cm Private Collection |
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| 1901 Arizona Cowboy lithograph |
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| 1901 Breed pastel on paperboard 101.6 x 76.2 cm Private Collection |
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| 1901 How the Worm Turned oil on canvas ( en grisaille ) Richard F. Brush Art Gallery, St. Lawrence University, Canton, New York |
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| 1901 Infantry Soldier pencil and pastel on paper 73.7 x 40.3 cm Amon Carter Museum of American Art, Fort Worth, Texas |
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| 1901 It was to be a Lasso Duel to the Death pen and ink on paper ( en grisaille ) 27 x 102.2 cm Private Collection |
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| 1901 The Cheyenne bronze 59.7 cm high Amon Carter Museum of American Art, Fort Worth, Texas |
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| 1901, cast by 1907 The Cheyenne bronze 51.4 x 63.5 x 20.3 cm The Metropolitan Museum of Art, New York |
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| 1901 The Old Stage-Coach of the Plains 102.2 x 69.2 cm Amon Carter Museum of American Art, Fort Worth, Texas |
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| 1901c A Post Office in the "Cow Country" oil on canvas ( en grisaille ) Buffalo Bill Centre of the West, Cody, Wyoming |
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| 1901c The Defeat of "Crazy Horse" by Colonel Miles, Januarry 1877 oil on canvas ( en grisaille ) 68.6 x 101.6 cm Museum of Fine Arts, Houston, Texas |
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| 1902 A Reconnaissance oil on canvas 69.2 x 101.9 cm Amon Carter Museum of American Art, Fort Worth, Texas |
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| 1902, cast before 1939 Coming Through the Rye bronze 69.2 x 76.2 x 66.7 cm The Metropolitan Museum of Art, New York |
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| 1902, cast before 1939 Coming Through the Rye bronze 69.2 x 76.2 x 66.7 cm The Metropolitan Museum of Art, New York |
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| 1902 Lane through the Buffalo Herd oil on canvas ( en grisaille ) |
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| 1902 The Cowboy oil on canvas 102.2 x 68.9 cm Amon Carter Museum of American Art, Fort Worth, Texas |
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| 1902-05 Friends or Foes? ( The Scout ) oil on canvas 68.6 x 101.6 cm The Clark Institute of Art, Williamstown, MA |
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| 1902-06 The Emigrants oil on canvas 115.3 x 77.2 cm Museum of Fine Arts, Houston, Texas |
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| 1903 A New Year on the Cimarron oil on canvas 69.2 x 102.2 cm Museum of Fine Arts, Houston, Texas |
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| 1903 Change of Ownership ( The Stampede: Horse Thieves ) oil on canvas 102.2 x 70.2 cm Museum of Fine Arts, Houston, Texas |
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| 1903 Fight for the Waterhole oil on canvas 69.2 x 101.9 cm Museum of Fine Arts, Houston, Texas |
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| 1903 His First Lesson oil on canvas 69.2 x 101.6 cm Amon carter Museum of American Art, Fort Worth, Texas |
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| 1903 The Last Lull in the Fight ( also known as The Last Stand ) oil on canvas 76.2 x 152.4 cm Private Collection |
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| 1903 The Parley oil on canvas 129.9 x 76.5 cm Museum of Fine Arts, Houston, Texas |
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| 1903, cast by March 1907 The Mountain Man bronze 70.5 x 30.5 x 25.4 cm Amon Carter Museum of American Art, Fort Worth, Texas |
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| 1903, cast by March 1907 The Mountain Man bronze 70.5 x 30.5 x 25.4 cm The Metropolitan Museum of Art, New York |
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| 1903c The Parley oil on canvas 68.5 x 102 cm Museo Thyssen-Bornemisza, Madrid, Spain |
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| 1904 Pony Tracks in the Buffalo Trails oil on canvas 76.5 x 129.9 cm Amon Carter Museum of American Art, Fort Worth, Texas |
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| 1904 The Apaches! oil on canvas 63.5 x 76.2 cm Private Collection |
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| 1904 The End of the Day |
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| 1904, cast before 1938 The Sergeant bronze 26.4 x 13.3 x 10.2 cm The Metropolitan Museum of Art, New York |
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| 1904c A Cold Morning on the Range oil on canvas 68.9 x 101.9 cm American Museum of Western Art, Denver, CO |
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| 1904c A Manchurian Bandit oil on canvas 76.2 x 51.4 cm Private Collection |
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| 1904c Apache Fire Signal oil on canvas 102 x 68.5 cm Museo Thyssen-Bornemisza, Madrid |
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| 1905 A Halt in the Wilderness ( also known as Halt of a Cavalry Patrol to Warm ) oil on canvas 68.6 x 101.6 cm Private Collection |
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| 1905 Coming to the Call oil on canvas 69.2 x 102.2 cm Private Collection |
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| 1905 Evening on a Canadian Lake oil on canvas Private Collection |
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| 1905 Radisson and Groseilliers oil on canvas 43.2 x 75.6 cm Buffalo Bill Centre of the West, Cody, Wyoming |
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| 1905 The Smoke Signal oil on canvas 30.5 x 48.25 cm Amon Carter Museum of American Art, Fort Worth, Texas |
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| 1905, cast 1907 The Old Dragoons of 1850 bronze 68.3 x 119.4 x 43.2 cm The Metropolitan Museum of Art, New York |
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| 1905, revised 1908, this cast before 1939 The Rattlesnake bronze 58.7 x 45.1 x 36.8 cm Amon carte Museum of American Art, Fort Worth, Texas |
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| 1905, revised 1908, this cast before 1939 The Rattlesnake bronze 58.7 x 45.1 x 36.8 cm The Metropolitan Museum of Art, New York |
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| 1905-06 Ridden Down oil on canvas Amon Carter Museum, Fort Worth, Texas |
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| 1905-06 The Belated Traveller oil on board 50.8 x 66.7 cm Private Collection |
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| 1905-08c Attack on the Supply Wagons oil on canvas 76.2 x 115.6 cm Private Collection |
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| 1905c A Map in the Sand oil on canvas Cincinnati Art Museum, Ohio |
Wow, what an amazing artist. I have a couple of his bronzes. I find the works relation to the Indians especially moving. A sad time in their history, but so wonderful that Remmington was there to record it all.
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