Maurice Pillard Verneuil (1869 - 1942) was born in Saint Quentin, France. He learned his trade from the Swiss designer Eugène Grasset (a series on Eugène Grasset can be found in the index of this blog). Verneuil then went on to become a well-known artist and designer. He was inspired by Japanese art and nature, particularly the sea. He is known for his contribution to the Art Deco movement and, in particular, his use of bold, floral designs in ceramic tiles, wallpapers, and other furnishing textiles.
This is part 2 of a 6-part series on the works of Maurice Verneuil.
1896 La Plante et ses Applications ornementales, continued from part 1:
Plate 55 Aconit by M.P. Verneuil |
Plate 56 Aconit by M.P. Verneuil |
Plate 57 Aconit by Anna Martin |
Plate 58 Chardon by M.P. Verneuil |
Plate 59 Chardon by M.P. Verneuil |
Plate 60 Chardon by J. Milesi |
Plate 61 Pervenche by Marcelle Gaudin |
Plate 62 Pervenche by Marcelle Gaudin |
Plate 63 Pervenche by Anna Martin |
Plate 64 Bouton d'or by M.P. Verneuil |
Plate 66 Bouton d'Or by A. Poidevin |
Plate 67 Eglantier by M.P. Verneuil |
Plate 68 Eglantier by M.P. Verneuil |
Plate 69 Eglantier by E. Hervegh |
Plate 70 Chrysanthème by M.P. Verneuil |
Plate 71 Chrysanthème by M.P. Verneuil |
Plate 72 Chrysanthème by A. Poidevin |
1897 L'Animal dans la Décoration (The Animal in the Decoration) by M.P. Verneuil
Front Cover |
Title Page |
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