Friday, 26 September 2025

Joan Miró - part 6

Joan Miró Ferra was born on April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja, the academy of fine arts, the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. In 1917, he met Francis Picabia and the following year, the dealer José Dalmau gave him his first solo show at his gallery in Barcelona.

n 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie La Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. That year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography, and his first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941.

Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in these two mediums. In 1958, Miró was given a Guggenheim International Award for his murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospective took place at the Grand Palais, Paris, in 1974. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of his drawings. Miró died on December 25, 1983, in Palma de Mallorca, Spain.

Biography from Guggenheim Museums


Note: All works © 2025 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris


This is part 6 of a 13-part series on the works of Joan Miró:

1948 Diver
23.2 x 33.4 cm  (composition)
MoMA New York

1948 Figures in the Meadow
lithograph 22.1 x 33.5 cm (composition)
MoMA New York

1948 Album 13: A portfolio of fifteen lithographs published by Maeght Éditeur, Paris

Title Page
57 x 45 cm


Colophon page
57 x 45.1 cm

Plate 1
45.2 x 56 cm

Plate 2
45.1 x 55.7 cm

Plate 3
56.7 x 35.1 cm

Plate 4
45.1 x 56 cm

Plate 5
45.3 x 56 cm

Plate 6
44.7 x 56 cm

Plate 7
56.4 x 45 cm

Plate 8
56.1 x 44.7 cm

Plate 9
44.7 x 56.6 cm

Plate 10
45.1 x 56.4 cm

Plate 11
44.9 x 56.6 cm

Plate 12
44.9 x 56.6 cm

Plate 13
45 x 56.7 cm

1 1948 Derrière le Miroir, No. 14–15 (Behind the Mirror) Periodical with eight lithographs  
Front cover 26.2 x 16.9 cm Pages 38.3 x 28.1 cm 
MoMA New York






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1948 Men
lithograph 65.7 x 50 cm (sheet)
MoMA New York

1948 Women
lithograph 66 x 49.9 cm (sheet)
MoMA, New York

1948-50 published 1950: Parler Seul (Speaking Alone) 
MoMA New York:

Publisher's folder

Wrapper front

Headpiece 1

Headpiece 2

Headpiece 3

Frontispiece & Title Page

Pages 10-11

Page 15

Pages 16-17

Page 19

Pages 20-21

Page 23

Page 27

Page 44

Page 45

Page 46-47

Parler Seul (Speaking Alone) continues in Part 7.



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