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| 1849 Samuel Palmer by Henry Walter |
This is part 4 of a 5 - part series on the works of Samuel Palmer. For full biographical notes see part 1, and for earlier works, see parts 1 - 3 also.
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| 1861c Sunset watercolour, gouache and gum over graphite on wove paper 38.7 x 27 cm Yale Centre for British Art, New Haven, CT |
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| 1861c The Early Ploughman etching on laid paper 17.6 x 24.5 cm (plate) National Gallery of Art, Washington, DC |
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| 1863 Moonlit Scene graphite on paper 11.3 x 9.3 cm de Young/Legion of Honour Fine Arts Museums of San Francisco, CA |
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| 1864 (exhibited) A Dream in the Apennine watercolour and gouache on paper mounted on wood 66 x 101.6 cm Tate, London |
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| 1864 Going Home at Curfew Time watercolour 27.3 x 39.4 cm © Victoria and Albert Museum, London |
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| 1864-70c An Illustration to Milton’s ‘Lycidas’ graphite and watercolour, heightened with scratching out and gouache 10.4 x 15.1 cm |
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| 1865 The Golden Hour watercolour and gouache with graphite and scraping out 25.6 x 35.4 cm The Cleveland Museum of Art, Ohio |
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| 1868 Box Hill grey, green and brown washes with black chalk over graphite on brown wove paper 30.8 x 24.1 cm Yale Centre for British Art, New Haven, CT |
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| 1868 The Lonely Tower watercolour, gouache and gum arabic on London board 70.8 x 51.4 cm Yale Centre for British Art, New Haven, CT |
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| 1879 The Lonely Tower etching 16.5 x 23.3 cm (image) |
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| 1880 The Lonely Tower watercolour and gouache 16.8 x 23.5 cm The Huntington Library, San Marino, CA |
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| 1868c The Towered City: The Haunted Stream sepia wash with white body-colour on card 26 x 42.3 cm © Victoria and Albert Museum, London |
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| 1870 The Curfew (or The Wide Water'd Shore) graphite, eraser, watercolour and gouache on paper 51 x 71 cm Rijksmuseum, Amsterdam |
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| 1870 The Near and the Distant: From Southern Italy watercolour and body-colour over pencil, heightened with scratching out and gum arabic, on board 41.7 x 60 cm |
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| 1874 Old England's Sunday Evening watercolour over graphite, heightened with body-colour, scratching out and gum arabic 30 x 70 cm |
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| 1879 Going to Fold: Study for Eclogue VI: 'Til Vesper Bade the Swain' watercolour 12.7 x 19.2 cm © Victoria and Albert Museum, London |
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| 1879 The Eastern Gate sepia wash 27.3 x 38.1 cm © Victoria and Albert Museum, London |
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| 1879c The Bellman etching 19 x 25.1 cm (plate) |
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| 1879c The Winding Stream watercolour10.2 x 17.8 cm © Victoria and Albert Museum, London |
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| 1880 The Herdsman's Cottage, or Sunset etching 9.8 x 7.6 cm (image) |
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| 1880c Opening the Fold: Early Morning watercolour over graphite |
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| 1880c Opening the Fold: Early Morning graphite and grey wash with pen and black ink on cream laid paper 10.8 x 14.9 cm Yale Centre for British Art, New Haven, CT |
1883 An English Version of the Eclogues of Virgil:
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| 1883 Eclogues of Virgil by Samuel Palmer published by Seeley & Company, London |
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| 1876 "Eclogue IV: Thy Very Cradle Quickens" study for an etching graphite on paper |
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| 1880 Opening the Fold etching and drypoint 17.6 x 11.7 cm |
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| 1883 Moeris and GalateaIllustration for Eclogue 9 etching 21 x 31.3 cm |
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| 1883 The Cypress Grove etching The Cleveland Museum of Art, Ohio |
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| 1883 The Homeward Star etching 13-3 x 19 cm |
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| 1883 The Sepulchre etching 21 x 32.1 cm The Cleveland Museum of Art, Ohio |
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| 1890c The Shadowy Stream watercolour on card 10.8 x 17.8 cm © Victoria and Albert Museum, London |
Note: From here on in, the works are undated, so will inevitably be out of date sequence:
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| n.d. A Barn with a Mossy Roof, Shoreham watercolour, pen and brown ink, white gouache and graphite on cream wove paper 27.6 x 37.8 cm Yale Centre for British Art, New Haven, CT |
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| n.d. A Cottage among Trees, Shoreham pen and black ink with grey wash on cream wove paper 19.1 x 27.6 cm Yale Centre for British Art, New Haven, CT |
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| n.d. A Harvest Field watercolour 30.5 x 53.3. cm © Victoria and Albert Museum, London |
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| n.d. A Rocky Shore with Distant Sailing Boats, Margate watercolour and gouache 28.6 x 40.6 cm |
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| n.d. An Ancient Barn at Shoreham pen and black ink, grey and brown washes over graphite on cream wove paper 27.8 x 15.6 cm Yale Centre for British Art, New Haven, CT |
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| n.d. Cornfield and Church by Moonlight brush and black ink on very thick, smooth, cream wove paper 40 x 50.8 cm Yale Centre for British Art, New Haven, CT |
