Thursday, 21 March 2013

Alex Steinweiss – part 1

Alex Steinweiss (1917 - 2011) played a seminal role in record cover design as the Art Director for Columbia Records, as well as other record companies - London, Decca and A&R Records. He also worked for clients including National Distillery, Schenly Distributors, as well as "Print" and "Fortune" magazines.

When Alex Steinweiss was appointed as art director at Columbia Records in 1938, there was no such thing as a record sleeve. Within a year of starting his new job he persuaded his bosses to invest $250,000 in the equipment needed to print on record packaging. No longer would records come in plain brown wrappers. Steinweiss created the ‘album package.’ It was an instant success, and created an entirely new field of illustration and design in the form of Album Cover Art.

Quote: " I got this idea that the way they were selling these albums was ridiculous. The covers were just big brown, tan or green paper. I said "Who the hell's going to buy this stuff? There's no push to it. There's no attractiveness. There's no sales appeal." So I told them I'd like to start designing covers."


Steinweiss' Generic Covers:
From about 1940 to 1943, Masterworks sets without unique covers (and this was the vast majority of them) came in plain grey covers with the title and artist information enclosed within a box. After that, an attractive new generic design was unveiled which, though unsigned by Steinweiss, appears to be his work ( in particular, the lower-case rendering of "columbia" is a hallmark of his style). It came in three colours:




Generic polka-dot style

The next generic cover design appeared in 1947, and it is the only one that's actually signed by Steinweiss.  It features a Greek statue in the background, three large spots for work, artist and album details, and smaller spots showing various instruments, a singer and a conductor: and again it came in colour variations.


Generic Greek style

In 1948 came not one, but several new generic covers, keyed to various genres of music. Orchestral, String and Chamber, Other Instrumental, Vocal, and Columbia Masterworks. All of these cover designs came in a variety of colours as well.


Generic Orchestral

Generic String and Chamber

Generic Other Instrumental

Generic Vocal

Generic Columbia Masterworks

Alex Steinweiss' career can be divided into roughly five periods. From 1939 to perhaps 1945, he designed all the covers for Columbia. During this period, he developed the entire graphic "language" of album design.

The second period is from 1945 to roughly 1950, during which he was no longer the sole designer for Columbia. He began designing for other companies. This period is sometimes described as the "First Golden Age" of the album cover.

Steinweiss's signature font, the Steinweiss Scrawl," first appeared in about 1947:




 

Steinweiss is credited with designing the first individually illustrated album cover in 1940 Smash Song Hits by Rodgers and Hart:


1940 "Smash Song Hits by Rodgers and Hart" 
Columbia Records catalogue no. C-11

Starting in around 1950, Steinweiss did the covers and record label for Remington, and began a more than 20 year association with both Decca and London Records.  For his Decca designs Steinweiss employed the pseudonym 'Piedra Blanca', which was quite clever. In German Steinweiss means White Stone. He therefore used the Spanish for white stone Piedra Blanca.

This is part 1 of a 6-part post on the works of Alex Steinweiss:



"Chain Gang" Joshua White and his Carolinians 
( Columbia Records catalogue no. C-22 ) signed Steiweiss

1940 "Bessie Smith - Empress of the Blues" 
( Columbia Records catalogue no. C-31 ) signed Steinweiss

1940 "Barber Shop Melodies by The Flat Foot Four"
( Columbia Records catalogue no. C-35 ) signed Steinweiss

1940 "Dinner Music" 
( Columbia Records catalogue no. C-21 )

1940 "Eddy Duchin" 
( Columbia Records catalogue no. C-32 ) signed Steinweiss

1940 "Famous Songs of Bert Williams" 
( Columbia Records catalogue no. C-25 ) signed Steinweiss

1940 "Invitation to the Dance… Strauss Waltzes" 
( Columbia Records catalogue no. C-13 ) signed Steinweiss

1940 "Tango" 
( Columbia Records catalogue no. C-15 ) signed Steinweiss

1940 "At the Piano…Frankie Carle" 
( Columbia Records catalogue no. C-23 ) signed Steinweiss

1940 "La Conga" Desi Arnaz and his La Conga Orchestra 
( Columbia Records catalogue no. C-12 ) signed Steinweiss

1940s Larry Adler "Harmonica Virtuoso" 
( Columbia Records catalogue no. C-18 ) signed Steinweiss

1940 Dvorák "New World Symphony" 
( Columbia Masterworks catalogue no. ML 4023 ) signed Steinweiss

Late 1940s Delius "Concerto for Violin and Orchestra" 
( Columbia Masterworks catalogue no. MM-672 ) signed Steinweiss

1941 "Congas / Rumbas" 
( Columbia Records catalogue no. C-65 ) signed Steinweiss

1941 "Duchin - Gershwin" 
( Columbia Records catalogue no. C-52 )

1941 "Cante Flamenco" La Nona de los Peines 
( Columbia Records catalogue no. C-59 ) signed Steinweiss

1941 "John Kirby and his Orchestra" 
( Columbia Records catalogue no. C-45 ) signed Steinweiss

1941 "Here Comes the Showboat" 
( Columbia Records catalogue no. C-55 ) signed Steinweiss

1941 "Rhapsody in Blue" 
( Columbia Records catalogue no. X-196 ) signed Steinweiss

1941 Alec Wilder Octet  
( Columbia Records catalogue no. C-60 ) signed Steinweiss

1941 Burl Ives "The Wayfaring Stranger" 
( Columbia Okeh catalogue no. K-3 ) signed Steinweiss

1941 Charles Magnante "Accordiana" 
( Columbia Records catalogue no. C-53 ) signed Steinweiss

1941 Circus 
( Columbia Records catalogue no. C-58 ) signed Steinweiss

1941 Kate Smith "USA" 
( Columbia Records catalogue no. C-50 ) signed Steinweiss

1941 Marimba Music 
( Columbia Records catalogue no. C-71 ) signed Steinweiss

1941 Oscar Strauss conducting his "Chocolate Soldier" and other Operetta Favorites 
( Columbia Records catalogue no. C-67 )

1941 Rhumba with Cugat 
( Columbia Records catalogue no. C-45 ) signed Steinweiss
An experiment with scalloped edging on the binding

1941 Theme Songs 
( Columbia Records catalogue no. C-63 ) signed Steinweiss

1941-42 Poster
silkscreen

c1941 "Memorial Album" Hal Kemp 
( Columbia Records catalogue no. C-42 ) signed Steinweiss

1941 Paul Robeson "Songs of Free Men" 
( Columbia Records catalogue no. M-534 ) signed Steinweiss

1942 "Boogie Woogie" 
( Columbia Masterworks catalogue no. C-44 ) signed Steinweiss

1942 "The Boswell Sisters" 
( Columbia catalogue no. C-82 ) signed Steinweiss

1942 Beethoven "Emperor - Piano Concerto No. 5 in E-Flat" 
( Columbia Masterworks catalogue no. M-500 ) signed Steinweiss

1942 Enesco "Roumanian Rhapsody No. 1" 
( Columbia Masterworks catalogue no. MX-203 ) signed Steinweiss

1942 Cesar Franck "Symphony in D Minor" 
( Columbia Masterworks catalogue no. M-479 ) signed Steinweiss

1942 Duchin Plays Cole Porter 
( Columbia Records catalogue no. C-87 ) signed Steinweiss

1942 Frankie Carle and his Girl Friends 
( Columbia Records catalogue no. C-97 ) signed Steinweiss

1942 Jerome Kern "Mark Twain" 
( Columbia Records catalogue no. X-227 ) signed Steinweiss

Tuesday, 19 March 2013

Robert Crumb – album covers




American cartoonist Robert Crumb (born 1943 in Philadelphia) is widely considered to be the "father of underground comics." His work has a distinctive style and satirical tone and often features strongly stereotyped portrayals of minorities and overly sexualised women. He is best known for creating the cartoon characters Fritz the Cat, Mr. Natural and Devil Girl.

 







Crumb has illustrated many album covers, including most prominently Cheap Thrills by Big Brother & the Holding Company and the compilation album The Music Never Stopped: Roots of the Grateful Dead.

1968 Big Brother and the Holding Company with Janis Joplin 
Cheap Thrills

1995 Roots of the Grateful Dead 
The Music Never Stopped

1972 Earl Hooker 
There's a Fungus amung us

1972 Good Tone Banjo Boys

1973 Please Warm My Weiner 
Old Time Hokum Blues

1974 Big John Wrencher and his Maxwell Street Blues Boys 
Maxwell Street Alley Blues

1974 Dave Jasen 
Rompin’ Stompin’ Ragtime

Between 1974 and 1984, Crumb drew at least 17 album covers for Yazoo Records/Blue Goose Records, including those of the Cheap Suit Serenaders. He also created the revised logo and record label designs of Blue Goose Records that were used from 1974 onward.

1974 R. Crumb and his Cheap Suit Serenaders ( front cover )

1974 R. Crumb and his Cheap Suit Serenaders ( back cover )

1974 Ukelele Ike 
I'm a Bear in a Lady's Boudoir

1975 Casey Bill Welden and Kokomo Arnold 
Bottleneck Guitar Trendsetters of the 1930s

1975 The Hokum Boys 
You Can't Get Enough of that Stuff

1975 Roy Smeck plays Hawaiian Guitar, Banjo, Ukelele and Guitar 1926-1949
1976 Harmonica Blues

1976 R. Crumb and his Cheap Suit Serenaders No. 2 ( aka Chasin' Rainbows )

1977 Larry Groce 
Turn on Your TV

1978 Harmonica Blues Band 
Bring Me Another Half a Pint

1978 Blind Boy Fuller 
Truckin' my Blues Away

1978 Bo Carter 
Banana in Your Fruit Basket

1978 R. Crumb and the Cheap Suit Serenaders Number Three

1978 The Klezmorim 
Streets of Gold

1978 The Cheap Suit Serenaders 
Party Record

1979 Memphis Jug Band 
Double Album

1982 The Otis Brothers 
Flying Crow

1985 Louie Blue

1987 Robert Crumb, Dominic Cravic and others 
Cocktail D'Amour

In 1992 and 1993 Crumb was involved in a project by a Dutch formation, The Beau Hunks, and for both their albums The Beau Hunks Play the Original Laurel and Hardy Music (1 and 2), he was the illustrator for the album covers, as well as for the album booklets.


1993 The Beau Hunks Play the Original Laurel and Hardy Music

1999 Kansas Joe and Memphis Minnie

2000 Trésors Illustrés des Musiques Populaires du XXe siècle

2003 That's What I Call Sweet Music

2006 The East River Band 
Sweet East River

2006 Alan Seidler 
"The Duke of Ook"


2008 Eden and John's East River String Band 
Some Cold Rainy Day

2009 Hot Women

2009 Eden and John's East River String Band 
Drunken Barrel House Blues

In 2010 Crumb drew three artworks for Christopher King's Aimer Et Perdre: To Love And To Lose Songs, 1917-1934 released on CD on Tompkins Square in 2012.

2010 Aimer et Perdre To Love and to Lose, Songs 1917-1934

2010 Aimer et Perdre To Love and to Lose

2010 Aimer et Perdre, To Love and to Lose, Songs

2011 Eden and John's East River String Band 
Be Kind to a Man When He's Down