Friday, 21 February 2025

Salvador Dali - part 17

Salvador Dalí is among the most versatile and prolific artists of the 20th century and the most famous Surrealist. Though chiefly remembered for his painterly output, in the course of his long career he successfully turned to sculpture, printmaking, fashion, advertising, writing, and, perhaps most famously, filmmaking in his collaborations with Luis Buñuel and Alfred Hitchcock. Dalí was renowned for his flamboyant personality and role of mischievous provocateur as much as for his undeniable technical virtuosity. In his early use of organic morphology, his work bears the stamp of fellow Spaniards Pablo Picasso and Joan Miro. His paintings also evince a fascination for Classical and Renaissance art, clearly visible through his hyper-realistic style and religious symbolism of his later work.

For more biographical details see Part 1, and for earlier works see Parts 1-16 also.

This is part 17 of an 18-part series on the works of Salvador Dali.

All artworks © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres. 


1979 The Golden Goat of the Castle of Quermançó
oil on plywood panel 122 x 244 cm
The Gala-Salvador Dalí Foundation, Figueres

c1979 “The School of Athens” and “The Fire in the Borgo”
oil on plywood panel 32 x 43 cm each panel
The Gala-Salvador Dalí Foundation, Figueres

c1979 “The School of Athens” and “The Fire in the Borgo”
detail

c1979 “The School of Athens” and “The Fire in the Borgo”
detail

c1979 Allegory of Spring
oil on plywood panel 122 x 244 cm
The Gala-Salvador Dalí Foundation, Figueres

c1979 Battle in the Clouds
oil on canvas 100 x 100 each panel
Museo Nacional Centro de Arte Reina Sofia, Madrid

c1979 Battle in the Clouds
detail

c1979 Battle in the Clouds
detail

c1979 More beautiful than Canova
oil on copper 32 x 24 cm
The Gala-Salvador Dalí Foundation, Figueres


c1979 Llullian Wheels
oil on canvas 100 x 100 cm
The Gala-Salvador Dalí Foundation, Figueres


c1979 In Search of the Fourth Dimension
oil on canvas 122.5 x 246 cm
The Gala-Salvador Dalí Foundation, Figueres


c1979 Copy of a Rubens copied from a Leonardo
oil on plywood panel 18 x 24 cm
The Gala-Salvador Dalí Foundation, Figueres

c1979 Pentagonal Sardana
oil on canvas 100 x 100 cm each panel
The Gala-Salvador Dalí Foundation, Figueres

c1979 Pentagonal Sardana
detail

c1979 Pentagonal Sardana
detail

1980 Arabs
oil on plywood panel 32 x 43 cm
The Gala-Salvador Dalí Foundation, Figueres

1980 Landscape with Celestial figures
oil on canvas 43 x 57 cm
Museo Nacional Centro de Arte Reina Sofia, Madrid

1981 Hermes
 oil on copper 22.8 x 17.8 cm
Museo Nacional Centro de Arte Reina Sofia, Madrid

1981 After "Jason with the Golden Fleece" by Erasmus Quellinus
oil on canvas 130 x 89 cm
The Gala-Salvador Dalí Foundation, Figueres

c1981 The Path of the Enigma
oil on canvas 140 x 94 cm
Museo Nacional Centro de Arte Reina Sofia, Madrid


c1981 The Path of the Enigma
oil on canvas 139 x 94 cm
The Gala-Salvador Dalí Foundation, Figueres


c1981 The Exterminating Angels
oil on plywood panel 122 x 122 cm
The Gala-Salvador Dalí Foundation, Figueres


c1981 Reading
oil on copper 12.8 x 17.7 cm
Museo Nacional Centro de Arte Reina Sofia, Madrid


c1981 Gala Contemplating the apparition of Prince Baltasar Carlos
(After "The Prince Baltasar Carlos on Horseback" by Velázquez)
oil on canvas 140.5 x 100 cm
The Gala-Salvador Dalí Foundation, Figueres


c1981 After "Mercury and Argus" by Velázquez
 oil on canvas 140 x 95 cm
The Gala-Salvador Dalí Foundation, Figueres


c1981 After "Aphrodite of Cnidus" by Praxiteles
oil on canvas 140 x 96 cm
The Gala-Salvador Dalí Foundation, Figueres


c1981"Night" after the Tomb of Giuliano de' Medici and "Apollo" by Michelangelo
oil on canvas 43 x 31 cm
The Gala-Salvador Dalí Foundation, Figueres


c1981 The Pearl
 (The Infanta Margarita of Austria after “Las Meninas” by Velázquez)
oil on canvas 140 x 100 cm
The Gala-Salvador Dalí Foundation, Figueres


c1981 The Garden of Hours
oil on canvas 65 x 54 cm
The Gala-Salvador Dalí Foundation, Figueres


c1981 Spanish Nobleman with Fleur de Lis
 oil on copper 27.7 x 22.8 cm
Museo Nacional Centro de Arte Reina Sofia, Madrid


c1981 Landscape with Cypress
oil on copper 37 x 53 cm
Museo Nacional Centro de Arte Reina Sofia, Madrid


c1981 Character carrying the Golden Fleece
oil on canvas 89 x 130 cm
The Gala-Salvador Dalí Foundation, Figueres


c1981 Argos
oil on canvas 97 x 146.5 cm
The Gala-Salvador Dalí Foundation, Figueres


c1981 Ritual Scene
oil on copper 32.2 x 24 cm
Museo Nacional Centro de Arte Reina Sofia, Madrid


c1981 Woman on a Ram
oil on copper 24 x 32.2 cm
Museo Nacional Centro de Arte Reina Sofia, Madrid

c1981 Wing and harpoon lifting the skin of the sea
oil on canvas 96 x 139.5 cm
The Gala-Salvador Dalí Foundation, Figueres


c1981 Tower, grand piano and fountain
oil on copper 76 x 56 cm
Museo Nacional Centro de Arte Reina Sofia, Madrid 


c1981 Three Figures
oil on copper 28 x 42 cm
Museo Nacional Centro de Arte Reina Sofia, Madrid


c1981 The towers
oil on copper 56 x 76 cm
Museo Nacional Centro de Arte Reina Sofia, Madrid


1982 Behind the window on the left side of which a spoon projects, Velázquez is dying
(After “The Jester Don Sebastián de Morra” by Velázquez in the Courtyard of El Escorial)
oil and collage on canvas 75 x 59.5 cm
The Gala-Salvador Dali Foundation, Figueres


c1982 Olé!
(After "The Jester Calabacillas" by Velázquez in the Courtyard of El Escorial)
oil on canvas 60 x 73 cm
The Gala-Salvador Dalí Foundation, Figueres


c1982 Knight and King in the background
oil on canvas 73 x 60 cm
The Gala-Salvador Dalí Foundation, Figueres


c1982 Geological Echo
(After "Pietà" by Michelangelo)
oil on canvas 100 x 100 cm
The Gala-Salvador Dalí Foundation, Figueres


c1982 Double Victory of Gaudí
oil on canvas 75 x 60 cm
The Gala-Salvador Dalí Foundation, Figueres


c1982 Adam
(After “The Creation of Adam” in the Sistine Chapel by Michelangelo)
oil on canvas 60 x 75 cm
The Gala-Salvador Dalí Foundation, Figueres

Wednesday, 19 February 2025

Salvador Dali - part 16


Salvador Dalí is among the most versatile and prolific artists of the 20th century and the most famous Surrealist. Though chiefly remembered for his painterly output, in the course of his long career he successfully turned to sculpture, printmaking, fashion, advertising, writing, and, perhaps most famously, filmmaking in his collaborations with Luis Buñuel and Alfred Hitchcock. Dalí was renowned for his flamboyant personality and role of mischievous provocateur as much as for his undeniable technical virtuosity. In his early use of organic morphology, his work bears the stamp of fellow Spaniards Pablo Picasso and Joan Miro. His paintings also evince a fascination for Classical and Renaissance art, clearly visible through his hyper-realistic style and religious symbolism of his later work.

For more biographical details see Part 1, and for earlier works see Parts 1-15 also.

This is part 16 of an 18-part series on the works of Salvador Dali.

All artworks © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres.


c1973 Untitled (Imaginary Landscape of Púbol)
oil and gold paint on canvas 61 x 46 cm
The Gala-Salvador Dalí Foundation, Figueres

c1973 Untitled (After "Dying Slave" by Michelangelo - unfinished)
 oil on plywood panel 244 x 122 cm
The Gala-Salvador Dalí Foundation, Figueres

1974 Transformation (Woman with Mirror)
oil on wood panel 83 x 61 cm
Private Collection

c1974 Untitled (Two Religious Figures)
oil on plywood panel 25.5 x 20.5 cm
The Gala-Salvador Dalí Foundation, Figueres

c1974 Untitled (Madonna)
oil on wood panel 19.1 x 10.8 cm
The Gala-Salvador Dalí Foundation, Figueres

c1974 Untitled (A Fate of the Parthenon)
oil on canvas 42.5 x 30.5 cm
The Gala-Salvador Dalí Foundation, Figueres

c1974 Gala's Foot. Stereoscopic work
oil on canvas 60 x 60 cm each panel
The Gala-Salvador Dalí Foundation, Figueres
 

c1974 Gala's Foot. Stereoscopic work
detail

c1974 Gala's Foot. Stereoscopic work
detail

1975 The Sun of Dalí
oil on masonite board 101 x 75.7 cm
Okazaki City Museum, Japan

1975-76 Untitled (Pietà. Work to be viewed with anaglyphs)
oil and collage on canvas 143 x 143 cm
The Gala-Salvador Dalí Foundation, Figueres

1975-76 Untitled (After Nike at the Temple of Asclepius by Timotheus in Epidaurus)
oil on plywood panel 183 x 100 cm
The Gala-Salvador Dalí Foundation, Figueres

1975-76 Untitled (stereoscopic work)
oil and photography on canvas on wood panel 99 x 83 cm each panel
The Gala-Salvador Dalí Foundation, Figueres

1975-76 Untitled (Study for a stereoscopic work)
detail

1975-76 Untitled (Study for a stereoscopic work)
detail

1975-76 Untitled (The Hand. Stereoscopic work)
oil on canvas 35 x 27 cm each panel
The Gala-Salvador Dalí Foundation, Figueres

1975-76 Untitled (The Hand. Stereoscopic work)
detail

1975-76 Untitled (The Hand. Stereoscopic work)
detail

c1975 Gala nude looking at the sea which at 18 metres appears President Lincoln
oil and photography on plywood panel 445 x 350 cm
The Gala-Salvador Dalí Foundation, Figueres

c1975 The Chair. Stereoscopic work
oil on canvas 402 x 210.5 cm each panel
The Gala-Salvador Dalí Foundation, Figueres

c1975 The Chair. Stereoscopic work
detail

c1975 The Chair. Stereoscopic work
detail

c1975 Untitled (After “Head of Michelangelo” by Daniele da Volterra)
oil on plywood panel 200 x 122 cm
The Gala-Salvador Dalí Foundation, Figueres

c1975-79 Portrait of Gala
oil on wood panel 37 x 33 cm
Museo Nacional Centro de Arte Reina Sofia, Madrid

c1976 Untitled (Blue Angel. Element of the Cupola-Stage of the Dalí Theatre-Museum in Figueres)
oil on  Kraft paper 188 x 111 cm
The Gala-Salvador Dalí Foundation, Figueres

c1976 Cyclopean Eye of Millet's “Angelus”. Stereoscopic work
oil on canvas 100 x 100 cm each panel
The Gala-Salvador Dalí Foundation, Figueres

c1976 Cyclopean Eye of Millet's “Angelus”. Stereoscopic work
detail

c1976 Cyclopean Eye of Millet's “Angelus”. Stereoscopic work
detail

c1976 Untitled
oil and gouache on paper on board 39.5 x 77 cm
The Gala-Salvador Dalí Foundation, Figueres

1977 Dalí's Hand. Drawing back the Golden Fleece in the form of a cloud to show Gala the dawn completely nude, very, very far away behind the Sun.
Stereoscopic work oil on canvas 197 x 138 each panel
The Gala-Salvador Dalí Foundation, Figueres

1977 Dalí's Hand. Drawing Back the Golden Fleece in the Form of a Cloud To Show Gala the Dawn Completely Nude, Very, Very Far Away Behind the Sun. 
detail

1977 Dalí's Hand. Drawing Back the Golden Fleece in the Form of a Cloud To Show Gala the Dawn Completely Nude, Very, Very Far Away Behind the Sun. 
detail


1977 Untitled (Soft Monster in Angelic Landscape)
oil on canvas 76 x 101 cm
Vatican City Museum, Italy


c1977 Untitled (Saint Sebastian)
oil on plywood panel 200 x 100 cm
The Gala-Salvador Dalí Foundation, Figueres


1978 Dalí Lifting the skin of the Mediterranean Sea to show Gala the Birth of Venus
Hyperstereoscopic oil on canvas 100.5 x 100.5 each panel
The Gala-Salvador Dalí Foundation, Figueres


1978 Dalí Lifting the skin of the Mediterranean Sea to show Gala the Birth of Venus
detail


1978 Dalí Lifting the skin of the Mediterranean Sea to show Gala the Birth of Venus
detail


c1978 The Harmony of the Spheres
oil on canvas 100 x 100 cm
The Gala-Salvador Dalí Foundation, Figueres


c1978 The Christ of Gala
oil on canvas 100 x 100 each panel
Pérez Simón Collection, Mexico


c1978 The Christ of Gala
detail



c1978 The Christ of Gala
detail


1979 Dawn, Noon, Afternoon and Twiligh
oil on plywood panel 122 x 244 cm
The Gala-Salvador Dalí Foundation, Figueres


1979 Raphaelesque Hallucination
oil on plywood panel 120 x 244 cm
The Gala-Salvador Dalí Foundation, Figueres