Friday, 31 October 2025

Italian Paintings 1200s-1600 part 6

The works featured in these posts date from before and leading up to the Italian Renaissance. Renaissance paintings of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas

The Italian Renaissance: meaning “rebirth,” the Renaissance refers to the art of Europe made between 1300–1600: 

Proto-Renaissance 1300s, otherwise known as the Trecento: “300s” in Italian, referring to the 1300s.

Early Renaissance otherwise known as Quattrocento: “400s” in Italian, referring to the 1400s, High Renaissance 1500s otherwise known as the Cinquecento: “500s” in Italian or 1500s.

This is part 6 of a 10-part series on Italian Paintings: 


c1446-47 Madonna and Child by Fra Filippo Lippi
tempera and gold leaf on wood panel 75.5 x 52.3 cm (painted surface)
The Walters Art Museum, Baltimore, MD

1447 Saint Bernard's Vision of the Virgin by Fra Filippo Lippi
egg tempera on wood panel 94.3 x 106 cm
The National Gallery, London


c1447-65 Saint Catherine of Siena Receiving the Stigmata by Giovanni di Paolo (Giovanni di Paolo di Grazia)
tempera and gold on wood 27.9 x 20 cm
Metropolitan Museum of Art, New York


1448-52 Assumption of the Virgin by Sano di Pietro
tempera on wood 32 x 47 cm
Lindenau-Museum, Altenburg, Germany

1448-52 Marriage of the Virgin by Sano di Pietro
tempera on wood 32 x 46 cm
Pinacoteca Vaticana, Rome

1448-52 Return of the Virgin by Sano di Pietro
tempera on wood 30 x 46 cm
Lindenau Museum Altenburg, Germany

1448-52 The Presentation of the Virgin Mary in the Temple of Jerusalem by Sano di Pietro
tempera on wood 32 x 46 cm
Pinacoteca Vaticana, Rome

c1448-60 Madonna and Child by Workshop of Sano di Pietro (Ansano di Pietro di Mencio)
 tempera on wood, gold ground 54.9 x 35.9 cm (painted surface)
Metropolitan Museum of Art, New York

c1449 The Triumph of Fame by the younger brother of Masaccio
tempera, silver, and gold on wood panel 62.5 cm diameter
Metropolitan Museum of Art, New York

1450 Triptych (The Virgin and Child; Saint Peter: Saint Bernardine of Siena) by School of Francesco d'Antonio da Viterbo
tempera and gold on poplar wood panels 127 x 53 cm
Louvre, Paris

1450-53 The Annunciation by Fra Filippo Lippi
egg tempera on wood panel 68.6 x 152.7 cm
The National Gallery, London

c1450-53 Seven Saints by Fra Fillippo Lippi
egg tempera on wood panel 68 x 152.8 cm
The National Gallery, London


1450-60 Saint Bernardino by Sano di Pietro (Ansano di Pietro di Mencio)
tempera on wood, gold ground 24.1 x 22.2 cm
Metropolitan Museum of Art, New York

1450-60 The Birth and Naming of Saint John the Baptist by Sano di Pietro (Ansano di Pietro di Mencio)
 tempera and gold on wood 20.6 x 42.9 cm (painted surface)
Metropolitan Museum of Art, New York

1450-81 Madonna and Child with Saints Jerome, John the Baptist, Bernardino and Bartholomew by Sano di Pietro
gold leaf and tempera on panel 93.5 x 52.2 cm
Art Gallery of New South Wales, Sydney, Australia

c1450 Madonna and Child Sano di Pietro (Ansano di Pietro di Mencio)
tempera on wood, gold ground 33.3 x 22.9 cm
Metropolitan Museum of Art, New York

c1450 Saint Peter Martyr Healing the Leg of a Young Man by Antonio Vivarini
tempera and gold on wood 53 x 33.3 cm
Metropolitan Museum of Art, New York

c1450 The Exultation of Saint Nicholas of Tolentino by Giovanni di Paolo (Giovanni di Paolo di Grazia) tempera on wood, gold ground 48.6 x 36.2 cm
Metropolitan Museum of Art, New York

1450s The Adoration of the Shepherds by Andrea Mantegna
tempera on canvas, transferred from wood 37.8 x 53.3 cm
Metropolitan Museum of Art, New York

1450s Saint Francis by Sano di Pietro (Ansano di Pietro di Mencio)
tempera on wood, gold ground 24.1 x 22.2 cm
Metropolitan Museum of Art, New York

c1450s Madonna and Child by Sano di Pietro (Ansano di Pietro di Mencio)
 tempera on wood, gold ground 12.7 cm diameter (painted surface)
Metropolitan Museum of Art, New York


c1454 Madonna and Child with Seraphim and Cherubim by Andrea Mantegna
tempera and gold on wood 44.1 x 28.6 cm
Metropolitan Museum of Art, New York

1454 Madonna and Child with Saints Giovanni di Paolo
tempera on wood, gold ground (see sizes in Notes)
Metropolitan Museum of Art, New York


c1455 Coronation of the Virgin by Giovanni di Paolo (Giovanni di Paolo di Grazia)
tempera on wood, gold ground 179.4 x 131.4 cm
Metropolitan Museum of Art, New York


c1455-60 The Annunciation to Zacharias by Giovanni di Paolo (Giovanni di Paolo di Grazia)
tempera and gold on wood 75.9 x 43.2 cm
Metropolitan Museum of Art, New York


1458 Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot
tempera on wood panel 81.3 x 29.8 cm
The Cleveland Museum of Art, Ohio


c1458-61 Saint Anne and the Virgin and Child Enthroned with Angels by Niccolò Alunno (Niccolò di Liberatore)
tempera and gold on wood 120.3 x 68.9 cm 
Metropolitan Museum of Art, New York


1459 The Adoration in the Forest by Fra Filippo Lippi
oil on poplar wood panel 129.5 x 118.5 cm
Gemäldegalerie, Berlin


c1460-65 Madonna and Child by Filippo Lippi
medium? on poplar wood 76.2 x 54.6 cm
Alte Pinakothek, Munich

c1460-70 Saint Bernardino by Workshop of Sano di Pietro (Ansano di Pietro di Mencio)
tempera and gold on wood 17.8 x 10.5 cm
Metropolitan Museum of Art, New York

1460-70 The Burial of Saint Martha by Sano di Pietro (Ansano di Pietro di Mencio)
tempera and gold on wood 14 x 29.2 cm
Metropolitan Museum of Art, New York


c1460 Vision of St Augustine by Filippo Lippi
tempera (details not given)
Hermitage Museum, Saint Petersburg, Russia

c1460 Virgin and Child with Angels by follower of Fra Filippo Lippi
tempera and gold on wood panel 95 x 53 cm
The Cleveland Museum of Art, Ohio


c1460 The Adoration of the Magi by Giovanni di Paolo (Giovanni di Paolo di Grazia)
tempera and gold on wood 27 x 23.2 cm
Metropolitan Museum of Art, New York

c1460 Saint John the Evangelist Raises Drusiana by Giovanni di Paolo (Giovanni di Paolo di Grazia)
 tempera and gold on wood 23.8 x 22.5 cm
Metropolitan Museum of Art, New York

early 1460s Madonna and Child with Saints James Major and John the Evangelist, altarpiece by Sano di Pietro
tempera and gold on panel 65.4 x 143.5
Brooklyn Museum, New York

1460s Madonna Adoring the Sleeping Child by Giovanni Bellini
tempera on wood 72.4 x 46.4 cm
Metropolitan Museum of Art, New York


1460s Totila before Saint Benedoct by Benozzo Gozzoli (Benozzo di Lese di Sandro)
tempera on wood 39.4 x 45.7 cm
Metropolitan Museum of Art, New York

1460s Saint Zenobius Resuscitating a Dead Child by Benozzo Gozzoli (Benozzo di Lese di Sandro)
 tempera on wood 39.4 x 45.7 cm
Metropolitan Museum of Art, New York

1460s The Conversion of Saint Paul by Benozzo Gozzoli (Benozzo di Lese di Sandro)
tempera on wood 39.7 x 45.7 cm
Metropolitan Museum of Art, New York


1465-70 Saint Ambrose by Giovanni di Paolo (Giovanni di Paolo di Grazia)
tempera on wood, gold ground 60.6 x 36.8 cm
Metropolitan Museum of Art, New York


c1465-70 Madonna and Child with Saints Jerome, Bernardino, John the Baptist, and Anthony of Padua and Two Angels by Sano di Pietro (Ansano di Pietro di Mencio)
tempera on wood, gold ground 61.9 x 39.7 cm (surface)
Metropolitan Museum of Art, New York

c1465 Madonna and Child with Saints Jerome and Agnes by Giovanni di Paolo (Giovanni di Paolo di Grazia)
 tempera on wood, gold ground 32.1 x 24.8 cm
Metropolitan Museum of Art, New York


1467 The Birth of the Virgin by Fra Carnevale (Bartolomeo di Giovanni Corradini)
tempera and oil on wood 144.8 x 96.2 cm
Metropolitan Museum of Art, New York



Wednesday, 29 October 2025

Italian Paintings 1200s-1600 part 5

The works featured in these posts date from before and leading up to the Italian Renaissance. Renaissance paintings of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas

The Italian Renaissance: meaning “rebirth,” the Renaissance refers to the art of Europe made between 1300–1600: 

Proto-Renaissance 1300s, otherwise known as the Trecento: “300s” in Italian, referring to the 1300s.

Early Renaissance otherwise known as Quattrocento: “400s” in Italian, referring to the 1400s, High Renaissance 1500s otherwise known as the Cinquecento: “500s” in Italian or 1500s.


This is part 5 of a 10-part series on Italian Paintings:


c1435 The Presentation of Christ in the Temple by Giovanni di Paolo (Giovanni di Paolo di Grazia)
 tempera and gold on wood 38.7 x 43.8 cm (painted surface)
Metropolitan Museum of Art, New York

c1435 The Annunciation by Sassetta (Stefano di Giovanni)
tempera on wood, gold ground 73 x 41 cm (painted surface)
Metropolitan Museum of Art, New York

c1435 Saints Matthew and Francis by Giovanni di Paolo (Giovanni di Paolo di Grazia)
tempera on wood, gold ground 134.3 x 85.1 cm (painted surface)
Metropolitan Museum of Art, New York

c1435 Saint Anthony the Abbot in the Wilderness by Osservanza Master, Siena 
tempera and gold on wood panel 47 x 33.7 cm
Metropolitan Museum of Art, New York

1437 The Virgin and Child Surrounded by Angels, Saint Frediano and Saint Augustine, known as Pala Barbadori by Filippo Lippi
oil on panel 208 x 244 cm
Louvre, Paris

The Virgin and Child Surrounded by Angels... 
by Filippo Lippi
detail

The Virgin and Child Surrounded by Angels... 
by Filippo Lippi
detail

The Virgin and Child Surrounded by Angels... 
by Filippo Lippi
detail

The Virgin and Child Surrounded by Angels... 
by Filippo Lippi
detail

The Virgin and Child Surrounded by Angels... 
by Filippo Lippi
detail

1439-47 The Coronation of the Virgin by Fra Filippo Lippi
tempera on panel 200 x 287 cm
Uffizi Gallery, Florence

1440-45 The Adoration of the Christ Child by Workshop of Bicci di Lorenzo
tempera on poplar panel 47 x 35 cm
National Gallery of Art, Washington, DC

c1440-60 The Adoration of the Magi by Fra Angelico and Fra Filippo Lippi
tempera on poplar wood panel 137.3 cm diameter
National Gallery of Art, Washington, DC

c1440 The Crucifixion by  Fra Angelico (Guido di Pietro)
tempera transferred to canvas, laid down on wood, gold ground 45 x 50.2 cm (image)
Metropolitan Museum of Art, New York

c1440 The Annunciation by Fra Filippo Lippi
tempera on poplar wood panel left panel 63.8 x 25.1 cm right panel 63.8 x 25.4 cm
The Frick Collection, New York City

c1440 Madonna and Child by Fra Filippo Lippi
tempera on poplar wood panel 79 x 51.1 cm 
National Gallery of Art, Washington, DC

1440s Saint Jerome by Workshop of Antonio Vivarini
tempera on wood, gold ground 26 x 16.8 cm
 Metropolitan Museum of Art, New York

1440s Madonna of Mercy by Sano di Pietro
(details not found)
Private Collection

Late 1440s Madonna and Child with Six Saints by Pesellino (Francesco di Stefano)
tempera on wood, gold ground 22.5 x 20.3 cm
Metropolitan Museum of Art, New York

c1440s Madonna and Child by Jacopo Bellini
 tempera on wood, gold ground 77.5 x 55.2 cm
 (painted surface)
Metropolitan Museum of Art, New York

1440s Saint Lawrence Enthroned with Saints and Donors by Fra Filippo Lipp alterpiece
Metropolitan Museum of Art, New York


1440s Saint Lawrence Enthroned with Saints and Donors by Fra Filippo Lippi
tempera on wood, gold ground

1440s Saint Lawrence Enthroned with Saints and Donors by Fra Filippo Lippi
tempera on wood, gold ground

c1443 Annunciation by Filippo Lippi
oil on poplar wood 203 x 162 cm
Alte Pinakothek, Munich

1445 Paradise by Giovanni di Paolo (Giovanni di Paolo di Grazia)
tempera and gold on canvas, transferred from wood
44.5 x 38.4 cm (painted surface)
Metropolitan Museum of Art, New York

c1445-47 Altarpiece of St Lucia de' Magnoli by Domenico Veneziano
fresco transferred to canvas 209 x 216 cm
Uffizi Gallery, Florence

1445-50 Saint Benedict Orders Saint Maurus to the Rescue of Saint Placidus
tempera on wood panel 40 x 69.5 cm
National Gallery of Art, Washington, DC

c1445 The Nativity by Fra Filippo Lippi and Workshop
oil and tempera? on wood panel 23.2 x 55.3 cm
National Gallery of Art, Washington, DC

c1445 Madonna and Child with Two Angels and a Donor by Giovanni di Paolo (Giovanni di Paolo di Grazia)
tempera on wood, gold ground 137.8 x 81.3 cm
 (painted surface)
Metropolitan Museum of Art, New York

c1445 Flight into Egypt by Sano di Pietro
tempera? on panel (size not given)
Pinacoteca Vaticana, Rome

c1445-50 The Betrayal of Christ by Bartolomeo di Tommaso
tempera on wood 19.7 x 41 cm (painted surface)
Metropolitan Museum of Art, New York

c1445-50 Madonna and Child with Angels by Sassetta (Stefano di Giovanni)
tempera on wood, gold ground 63.8 x 34.3 cm (painted surface)
Metropolitan Museum of Art, New York