Thursday, 25 August 2011

Rose Wylie - part 1

This is part 1 of a 2-part post on the works of English artist Rose Wylie. At the age of 76 Rose Wylie is the ‘next big thing’, even though she’s been doing ‘her thing’ for many years now. I really like Wylie's enormous scale paintings - reminiscent of Guston and Basquiat at times, but very much her own style. The canvases, often in two parts, are just glued to the frames so that the rough edges show.

There is a lot of publicity surrounding Wylie at the moment to coincide with an upcoming exhibition at The Approach, London E2: ‘Rose Wylie and Evan Holloway’ opens 2 September until 2 October 2011.

Wylie was born in Kent, England in 1934. She attended The Royal College of Art, London from 1979-81 and Folkestone and Dover School of Art from 1952-56. She makes large-scale paintings and drawings that teem with strangely familiar characters and situations. Her inspiration comes from a dizzying array of sources, something that has led to a rather apt 'image magpie' tag in reviews. Her images are mentally rather than physically gathered before being reproduced in paint with a disarming air of naivety to produce vibrant works.

Basic primitivism gets to the nub of Wylie's subject matter, distilling it to it’s essence and celebrating it, with luxurious dabbed and stroked paint. Because of their simplified, exaggerated forms and repeated motifs her paintings and drawings often take on the appearance of animations or what she has called 'repeats'.

Wylie's subject matter is often drawn from contemporary culture: “I like working from memory, often using pin-ups, film stars, footballers etc, as they are shared contemporary gods, outside of art or religion” says Wylie. Alongside the iconic Yasser Arafat, Penelope Cruz and premier league footballers there are the personal day-to-day images such as a girl eating a chocolate biscuit. They are all there because they are part of the tapestry of visual imagery that Wylie encounters everyday – the real sharing the same space as characters in print and on film.

Her exhibitions include ‘Wear What You Like’ (solo), Transition Gallery 2008; ‘Swans Reflecting Elephants’, Kate MacGarry, London 2008; UNION, London 2006; EAST International, Norwich Gallery 2006 and ‘John Moores 16’ 1991. She was recently shortlisted for ‘Women to Watch’ 2010 at the National Museum of Women in the Arts, Washington DC. Her work is included in many public art collections, for example the Contemporary Art Society, Arts Council England, York City Art Gallery, Arario (Seoul, Korea) and Deal (Dallas, USA).


1993 Beggar, Cloak, Saint and Horse 
oil on canvas

1997 Loves and Marriage 
charcoal and chalk collage

1997 Princess with Earring 
oil on canvas

1998 Plastic Bride 
oil on canvas

1999 City Road 
oil on canvas

1999 Lawn Tennis 
oil on canvas

2002 Mexican Floosie 
oil on canvas

2002 Wearing a Check Skirt 
oil on canvas

2003 Cats 
oil on canvas

2003 Green Twink and Ivy 
oil on canvas

2003 H after C 
oil on canvas

2003 Italian Hats 
oil on canvas

2003 White Faces 
oil on canvas

2004 Columbine 
oil on canvas

2004 DOT and Detail 
oil on canvas

2004 Flying Witches and JM 
oil on canvas

2004 Lily and Palm Trees 
oil on canvas

2004 Manor 
oil on canvas

2004 Volcano Witch 
oil on canvas

2004-5 Chance 
oil on canvas

2004-5 Hotel Volcano 
oil on canvas

2005 Blue Helmet 
oil on canvas

2005 Pin Up and Porn Queen Jigsaw 
oil on canvas

2006 Celebrity 
oil on canvas

2006 Choco Leibnitz 
oil on canvas

2006 Egypt Air 
oil on canvas

Tuesday, 23 August 2011

Peter Doig - part 2

This is part two of a two-part post on the works of Scottish-born painter Peter Doig. For biographical notes and and earlier works, see part 1 also.


1993 Ski Jacket 
oil on canvas

1994 Ski Jacket

1995 Orange Sunshine

1995-96 White Creep

1997 Canoe-Lake

1998-99 Country Rock

2001 100 Years Ago

2001 Girl in Tree

2002 Driftwood (Yara)

2002-05 Stag

2004 Black Curtain (Towards Monkey Island)

2004 By a River

2004 Gasthof

2004 House of Pictures

2004 Lapeyrouse Wall

2004 Metropolitan (House of Pictures)

2004 Paragon

2004 Pelican

2004 Red Boat (Imaginary Boys)

2004 Untitled (Paramin)

2010 Beach/bath towel

Sunday, 21 August 2011

Peter Doig - part 1


This part 1 of a 2-part post looking at the works of Scottish-born artist Peter Doig. Doig was born in Edinburgh in 1959, and moved with his family to Trinidad in 1962, where his father worked with a shipping and trading company, and then to Canada in 1966. He went to London in 1979 to study art at the Wimbledon School of Art, St Martin's School of Art - where he became friends with Billy Childish - and later the Chelsea School of Art where he received an MA.

In 1991 he won an important award from the Whitechapel Art Gallery, and in 1993 he won the first prize at the Liverpool John Moores University exhibition with his painting Blotter. This brought public recognition of his work, cemented in 1994, when he was nominated for the Turner Prize. From 1995 to 2000 he served as a trustee of the Tate Gallery.


1993 Blotter

In 2002, Doig moved back to Trinidad and Tobago with his family, where he set up a studio at the Caribbean Contemporary Arts centre near Port of Spain. Many of Doig's pictures are landscapes, with a number harking back to the snowy scenes of his childhood in Canada. His works are frequently based on found photographs, but are not painted in a photo-realist style, Doig instead using the photographs simply as a reference. 

Peter Doig’s work captures moments of tranquility, which contrasts with uneasy elements similar to that found in a dream. He uses unusual colour combinations and depicts scenes from unexpected angles. This gives his work a magic realist feel. In The Architect’s Home in the Ravine the thick undergrowth partly obscures the house. It is the play of twig like shapes and range of colours overlapping the building which one notices. He is also a photographer, using both his own and others' as reference for his paintings.




In 2003, Doig, together with Trinidadian artist Che Lovelace, started a weekly film club called StudioFilmClub in his studio.

In 2005 he was one of the artists exhibited in part 1 of The Triumph of Painting at the Saatchi Gallery in London.

In 2007, a painting of Doig's, entitled White Canoe, sold at Sotheby's for $11.3 million, then an auction record for a living European artist. Paul Schimmel, chief curator at the Museum of Contemporary Art, Los Angeles said in an interview that the sale made Doig go from being “a hero to other painters to a poster child of the excesses of the market."


1990-91 White Canoe

In 2008 retrospectives of his work were held at Tate Britain, the Paris Museum of Modern Art, and in 2009 at the Schirn Kunsthalle in Frankfurt.


1989-90 Hitchhiker

1989-90 Milky Way

1990 Art School

1990 Grasshopper

1990 Okahumkee (Some other Peoples Blues)

1991 Bomb Island

1991 The Architects Home in The Ravine

1991 Young Bean Farmer

1991-92 Concrete Cabin

1992 Concrete Cabin II

1993 Night Fishing

1993 Pond Life

1993 Window Pane

1993-94 Cabin Essence

1994 Boiler House

1994 Cobourg 3+1 more

1994 Concrete Cabin

1994 Jetty