ART & ARTISTS

Thursday, 14 June 2012

Edward Bawden - part 2

This is part 2 of a 4-part post on the works of British Artist Edward Bawden, one of a group of artists associated with a community of artists that existed around Great Bardfield in Essex, England during the middle years of the 20th century.
For biographical notes and earlier works, see part 1.

1938 The Law and How You Break It drawing

1938-39 Grid and Cross - Blue, White, Yellow
wallpaper for Cole and Son

1938-39 Rose and Lace wallpaper for Cole and Son

1939 Pamphlet for Fortnum and Mason

1939 The Bell Inn
watercolour 45.7 x 54.6 cm
© Tate, London

1940 Gallabat, Guns Firing on Metemma
watercolour 39.4 x 51.4 cm
© Tate, London

1941 Burnt Tukl at Gubba
watercolour and drawing 39.4 x 52.1 cm
© Tate, London

1941 The Catholic Church, Addis Ababa
pen and ink, watercolour and crayon 45.7 x 57.8 cm
© Tate, London

1941 View from the Enemy H.Q. at Gubba
watercolour and drawing 39.4 x 51.4 cm
© Tate, London

c1941 Cairo, the Citadel, Mohammed Ali Mosque
pencil and watercolour 47 x 59.7 cm
© Tate, London

1941c Cairo, the Citadel, On the Roof of the Officers' Mess
watercolour 46.4 x 59.1 cm
© Tate, London

1945 Ahmed Yusef, An Iraqi Messenger Boy
watercolour and ink 38.7 x 56.9 cm

1946 East Wind endpapers for Contact magazine

1946 Letter from Calcutta for Contact magazine

1946 Letter from Cape Town for Contact magazine

1946 Letter from Geneva for Contact magazine

1946 Letter from Melbourne for Contact magazine

1946 Russian Travel Letter for Contact magazine

1947 Bracken, Gorse and Gower Peninsula
watercolour

1947 Campions and Columbines
linocut for Curwen Press

1947 Central Park for Contact magazine

1947 Cheltenham sketch

c1947 The Dolls at Home
collage

1948 Christchurch and Greyfriars
24.2 x 29.7 cm drawing

1948 The Artist's Garden in Winter
watercolour and gouache

1950 Autumn
cardboard cut 38 x 50 cm

1950 The Canmore Mountain Range
gouache and drawing on paper 56.5 x 71.8 cm
© Tate, London

Tuesday, 12 June 2012

Edward Bawden - part 1

This is part 1 of a 4-part post on the works of British Artist Edward Bawden, one of a group of artists associated with a community of artists that existed around Great Bardfield during the middle years of the 20th century.

Great Bardfield is a village in north west Essex, England. The principal artists who lived there between 1930 and 1970 were John Aldridge RA, Edward Bawden CBE RA, George Chapman, Stanley Clifford-Smith, Audrey Cruddas, Walter Hoyle (principally a printmaker, who ran the printing workshops at Cambridge Art School when I was there, and taught me to do linocuts in the style of Bawden and himself), Eric Ravilious, Sheila Robinson, Michael Rothenstein, Kenneth Rowntree and Marianne Straub. Other artists associated with the group include Duffy Ayers, John Bolam (who taught me painting at Cambridge Art School, and later became the Principal of the school), Bernard Cheese, Tirzah Garwood, Joan Glass, David Low and Laurence Scarfe. Great Bardfield Artists were diverse in style but shared a love for figurative art, making the group distinct from the better known St Ives art community in Cornwall, who, after the war, were chiefly dominated by abstractionists.

Edward Bawden (1903 – 1989) can be seen as a key artist in the Bardfield group. His long career spanned most of the twentieth century, and comfortably straddled boundaries and borders between the fine and applied arts, boundaries which are seen as so immovable today. Even before his appointment as an Official War Artist in 1940, Bawden had established a reputation as a designer, illustrator and painter. As well as these areas his output over the years include murals, posters, designs for wallpaper, ceramics, lithographic prints and watercolours.

Edward Bawden was born in Braintree, Essex in 1903, and was perhaps more firmly rooted in Essex than any other artist represented in the North West Essex Collection. Bawden attended the Friends' School in Saffron Walden. At the age of eleven he strained his heart and was excused participation in sports. This may have allowed him to devote more time to drawing, and his portraits and caricatures attracted the attention of his tutors who arranged for him to spend a day a week at the Cambridge School of Art. The school, now part of Anglia Ruskin University, had been founded to comply with the Ruskinian philosophies of improving design for industry, and encouraging amateur aspirations. Bawden fitted perfectly.

Before long, he had gained entry to the Royal College of Art. Here he was taught by Paul Nash (a lasting influence on Bawden and his contemporaries), and the popular E. W. Tristram. It was at the RCA that Bawden first met his 'kindred spirit', Eric Ravilious, the two quickly becoming firm friends, though entirely different in temperament. Shortly after leaving the college, the pair gained a prestigious commission to paint a mural for the refreshment room of Morley College in London. He first rented half of Brick House, the imposing Georgian house in Great Bardfield in the mid-1920s with Ravilious, and after his father purchased the whole house for him on his marriage to Charlotte Epton in 1932, he continued to live there until moving to Saffron Walden in 1970 after Charlotte's death.

Brick House, Great Bardfield in 1960 by Ronald Maddox
watercolour

Brick House is on the left, on the right is the Old Police House.

I am showing Bawden's work chronologically by date, so there will be a mixture of paintings, commercial work and textiles:

n.d. Night and Day
textile 57 x 112 cm

Cat
linocut

n.d Beirut
watercolour

1926 Fruit and Napkin
wallpaper for Curwen Press

1927 Bullford Mill near Black Notley Essex
watercolour

1927 London Back Garden
engraving 19 x 10.5 cm

1927 Redcliffe Road
engraving 15 x 9 cm

1927 Southcliffe Beach
engraving

1928 Wallpaper design for Curwen Press

1928 Mermaid and Whale wallpaper for Curwen Press

1929 Knole Park wallpaper for Curwen Press

1929 Lagoon wallpaper for Curwen Press

1931 The Three Graces drawing

c1932 Walton Castle, Clevedon, Somerset
poster for Shell Oil
lithograph 74.6 x 113 cm

1933 Advertisement for Shell Oil

1932-33 Façade wallpaper for Curwen Press

Façade was one of the four 'Plaistow Wallpapers' designs commissioned by Curwen Press in 1932, and so called because the press was located in Plaistow, East London. They were produced in lithograph, after the original linocuts. This design was the most popular of all Bawden's wallpapers, selling a total of 3,899 rolls. While 'Façade' might be thought just a neutral title, is it possible that it could have been in the artist's mind because of the popularity around that time of William Walton's musical suites of that name, based on Edith Sitwell's poems. Frederick Ashton's ballet of Façade was premiered in 1931.