Monday, 16 January 2012

Soren Emil Carlsen

Carrying on with the short theme of artists associated with John Henry Twachtman (for Twachtman see recent blog posts of 6 and 8 January) I’m taking a look at Soren Emil Carlsen.

Carlsen (1853 – 1932) was an American Impressionist painter who emigrated to the United States from Denmark. While he became known for his still lifes and has been described as "The American Chardin," he branched out later in his career and also became known for landscape and marine subjects.

Carlsen was born in Copenhagen, Denmark in 1853. After studying architecture in his native Denmark at Copenhagen's Kongelige Danske Kunstakademi, he emmigrated to the United States just before his twentieth birthday in 1872 to become a painter. He moved to Chicago to study under fellow Dane, painter Lauritz Holtz, in 1874, and continued his study in Paris for six months of 1875, enrolling at the Academie Julien before financial trouble forced him to leave.

Preferring to enter the educational system instead of seeking to become an independent artist after this time, Carlsen accepted a teaching position at the Chicago Academy of Design (soon to become the Art Institute of Chicago) upon his return to America. With his great interest in the work of French artist Jean-Simeon Chardin (1699-1779), Carlsen returned to Paris in 1884 to study that master for two years.

On his next return to America, Carlsen moved to San Francisco to become the next director of the California School of Design, continuing to paint his signature still life images after Chardin. While in California, he kept in contact with several fellow artists he had come to know during an earlier stay in New York City; he taught his students about Augustus Saint-Gaudens, J. Alden Weir, and John LaFarge, and also allowed these artists to influence his own personal style. Around 1891, Carlsen returned to New York because sales opportunities for his work were better there, and he had tired of the long hours his teaching position required.

He settled permanently in New York after this point, but his still-life images were so popular and successful that he exhibited throughout the country, returning several times to San Francisco. Elected to the National Academy of Design in 1906, where he had been exhibiting with regularity since 1885, Carlsen also showed at the San Francisco Art Association between 1890 and 1897. 1904's Louisiana Purchase Exposition in St. Louis, Missouri and the Panama-Pacific International Exposition of 1915 in San Francisco also featured Carlsen's work. Carlsen passed away in 1932 in New York nine years after being the subject of a major retrospective at Washington DC's Corcoran Gallery of Art. He died in New York in 1932.


1884 Still Life with Roses and Mandolin 
oil on canvas 62 x 112 cm

1886 Haddock 
oil on canvas 31 x 76 cm

1891 Thanksgiving Still Life 
oil on canvas 117 x 106 cm

1895 Ruby Reflection 
oil on canvas 41 x 37 cm

c1895 Roses and Oriental Porcelain 
oil on canvas 62 x 37 cm

1904 October Summer

1904 Still Life with a Brass Kettle 
oil on canvas 41 x 51 cm

1906 Study in Grey 
oil on canvas 86 x 97 cm

1909 Moonlit Seascape 
40 x 45 cm

c1909 The South Strand 
oil on canvas 102 x 114 cm

c1909 Venice 
oil on canvas-board 22 x 25 cm

c1910-15 Bald Head Cliff, York, Maine 
oil on canvas 41 x 36 cm

c1910 Brass Kettle with Porcelain Coffee Pot 
oil on canvas 51 x 62 cm

c1910 Wood Interior 
oil on canvas 114 x 99 cm

before 1912 Open Sea 
oil on canvas 121 x 147 cm

1913 The Sky and the Ocean 
50 x 70 cm

1920 The Picture from Thibet

c1920 Connecticut Hillside 
oil on canvas 74 x 70 cm

Cape Cod 
oil on board 15 x 23 cm

Peonies 
oil on canvas

Still Life with Self Portrait 
oil on canvas 
(portrait reflected in the bottle)

The French Fan 
oil on canvas

Vases and Flowers 
oil on canvas

Weir’s Place at Windham 
oil on board 62 x 75 cm

Saturday, 14 January 2012

Julian Alden Weir - part 3 - prints

This is part 3 of a 3 part post on the works of American artist Julian Alden Weir (1852-1919). For biographical notes on Weir and more works see parts 1 - 2.


1887 The Barn Lot 
etching and drypoint 19 x 26 cm

c1887-93 Portrait of Miss Ross 
drypoint 19 x 13 cm

c1887-93 Dutch Schnapps 
drypoint 13 x 10 cm

c1887-93 Kitchen Well 
drypoint 19 x 13 cm

c1887-93 On the Piazza 
drypoint 10 x 13 cm

c1887-93 Portrait of a Woman 
drypoint 24 x 16 cm

c1887-93 Portrait of Miss Hoe 
drypoint 26 x 16 cm

c1887-93 Profile Portrait of a Woman Sewing 
lithograph and chine-colle 31 x 23 cm

c1887-93 The Blacksmith's Shop 
etching and drypoint 28 x 20 cm

c1887-93 The Farm 
etching 6 x 10cm

c1887-93 The Stone Bridge 
etching 10 x 15 cm

c1887-93 The Wooden Bridge 
etching 13 x 18 cm

1888 Mother and Infant 
etching 17 x 26 cm

1889 Boats at Erin - Isle of Man 
etching 10 x 15 cm

1889 Manx Cats - Isle of Man 
etching 10 x 14 cm

1889 On the Porch 
drypoint 12 x 10 cm

1889 Port Erin - Isle of Man 
etching 9 x 14 cm

1890 My Back Yard No.1 
etching and drypoint 20 x 15 cm

1890 My Back Yard No.2 
etching 20 x 15 cm

1890 Portrait of John F Weir 
drypoint 20 x 15 cm

1891 Portrait of Dr. Robert F Weir 
drypoint 30 x 20 cm

1891 The Carpenter's Shop 
etching 20 x 15 cm

Thursday, 12 January 2012

Julian Alden Weir - part 2

This is part 2 of a 3 part post on the works of American artist Julian Alden Weir (1852-1919). For biographical notes on Weir and more works see part 1. Part 3 will take a look at Weir's rather good prints.

1900 The Veranda 
oil on canvas 64 x 76 cm

after 1900 Landscape
oil on wood 61 x 40 cm

1903 The Birches 
oil on canvas 86 x 69 cm

c1903 After the Ride 
oil on canvas 62 x 86 cm

1904 New England Barnyard 
oil on canvas 51 x 61 cm

c1905-15 Ravine near Branchville 
oil on canvas 64 x 77 cm

c1905 Upland Pasture 
oil on canvas 101 x 128 cm

1906 A Gentlewoman 
oil on canvas 76 x 64 cm

c1907-8 The Peacock Feather 
oil on canvas 76 x 64 cm

c1907 Pan and the Wolf 
oil on canvas 86 x 62 cm

1908 The Building of the Dam 
oil on canvas 76 x 102 cm

c1908-9 Afternoon by the Pond 
oil on canvas 64 x 76 cm canvas

c1909 On the Shore 
oil on canvas 64 x 76 cm

1910 The Bridge, Nocturne 
oil on canvas 74 x 100 cm 

c1910-1919 The Lute Player 
oil on canvas 85 x 59 cm

c1910-1919 Woodland Rocks 
oil on canvas 71 x 91 cm

1911 The Plaza, Nocturne 
oil on canvas 74 x 100 cm

c1913-14 Windham Village 
oil on panel 64 x 76 cm

c1913 Fall Pasture 
oil on canvas 76 x 64 cm

1918 Knitting for Soldiers 
oil on canvas 76 x 64 cm

1919 The Letter

Hunter and Dogs 
oil on canvas 92 x 82 cm

Landscape 
oil on canvas 95 x 83 cm