Sunday, 24 June 2012

Artists at Étretat, France - part 2

Étretat is a commune in the Seine-Maritime department in the Haute-Normandie region in northern France. It’s best known for its cliffs which have famous natural arches formed into them. These cliffs and the associated resort beach attracted artists including Eugène Delacroix (1798 – 1863), Gustave Courbet (1819 – 1877), Eugène Boudin (1824 – 1898) and Claude Monet (1840 – 1926), and were featured prominently in the 1909 Arsène Lupin novel The Hollow Needle by Maurice Leblanc.

Part 1 of this post features the Étretat works of Delacroix, Corbet, and Boudin. Part 2 features the Étretat works of Monet.


Claude Monet

Claude Monet (1840 – 1926) was the original founder and practitioner of the French Impressionist movement in painting. Some of his best-known works include Impression, Sunrise (for which the movement was named), the Water Lilies series, and the Haystacks series.

During the 1880s, Monet rediscovered the Normandy coast and made repeated visits there to draw by the sea. Étretat had already been painted by both Delacroix and Courbet; Monet in fact owned a Delacroix watercolour of the area. The Courbet retrospective at the Ecole des Beaux-Arts in 1882 featured a group of Étretat seascapes. Monet visited Étretat in 1883 with plans to create his own Normandy seascapes: “I reckon on doing a big canvas on the cliff of Étretat, although it’s terribly audacious of me to do that after Courbet who did it so well, but I’ll try to do it differently.” The region had become a fashionable holiday destination for Parisians, which may have encouraged Monet to create paintings for a growing market.

In the 1890s, Monet began producing his series paintings: multiple images of the same subject done at different times of day and captured in different kinds of light. In the 1880s, Monet painted and drew the coast north of Le Havre at Étretat repeatedly, and the body of work he produced shows that he was already thinking in terms of repeated representations of the same subject. Some of the pieces shown here are in pastel, a medium that enabled Monet to note down ideas for composition and colour with speed.


1873 The Porte d'Amont, Étretat 
oil on canvas

1883 Étretat, Rough Sea 
oil on canvas

1883 Étretat, Sunset 
oil on canvas

1883 The Cliff at Étretat
oil on canvas

1883 The Manneport, Étretat 
oil on canvas

1883 The Manneport, Seen from Below 
oil on canvas 72 x 91 cm

1883 The Needle of Étretat, Low Tide 
oil on canvas 60 x 81 cm

1885 Étretat, the Aval Cliff, the Effect of the Sun 
oil on canvas 60 x 73 cm

1885 Étretat, the Porte d'Aval 
oil on canvas 60 x 81 cm

1885 The Manneport at High Tide 
oil on canvas 165.1 x 205.7 cm

1885 The Manneport Seen from the East 
oil on canvas 166.4 x 206.5 cm

1885 The Rock Needle and the Porte d'Aval 
oil on canvas 165.1 x 81 cm

1885 The Rock Needle Seen through the Porte d'Aumont 
oil on canvas 185.4 x 152.4 cm

1885-86 Étretat in the Rain 
oil on canvas 142.2 x 209.6 cm

1885-86 The Rock Needle Seen through the Porte d'Aval 
oil on canvas 73 x 92 cm

c1885 Étretat, the Port d'Aval, Fishing Boats leaving the Harbour
 oil on wood

1885c Étretat, The Arch, and the Aval Cliff 
pastel 21 x 37 cm cm

c1885 Étretat, the Manneporte at Low Tide 
pastel 23 x 33 cm

c1885 Étretat, the Needle Rock and Porte d'Aval 
pastel 40 x 23.5 cm

Étretat, Beach and Falaise d'Aval
oil on canvas

Étretat, The End of the Day
oil on canvas

Étretat, the Manneporte Reflected on Water
oil on canvas

Friday, 22 June 2012

Artists at Étretat, France - part 1

I have visited Étretat more than once, and find it a magical place. You are instantly drawn to the beach and it's extraordinary topography. Étretat is a commune in the Seine-Maritime department in the Haute-Normandie region in northern France. It’s best known for its cliffs which have famous natural arches formed into them. These cliffs and the associated resort beach attracted artists including Eugène Delacroix (1798 – 1863), Gustave Courbet (1819 – 1877), Eugène Boudin (1824 – 1898) and Claude Monet (1840 – 1926), and were featured prominently in the 1909 Arsène Lupin novel The Hollow Needle by Maurice Leblanc.

Part 1 of this post will feature the Étretat works of Delacroix, Corbet, and Boudin. Part 2 will feature the Étretat works of Monet.

Two of the three famous arches seen from the town are the Porte d'Aval, and the Porte d'Amont. The Manneporte is the third which cannot be seen from the town.




Ferdinand Victor Eugène Delacroix (1798 – 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school. Delacroix's use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement. Some see him as the link between the classic style of the old masters and the modern movements that arose in the 19th century.


1838 The Pied du Cheval, Étretat

c1859 Cliff at Étretat

Falaises d'Étretat

The Porte d'Amont, Étretat 
pastel 15.7 x 20.6 cm

Étretat




Jean Désiré Gustave Courbet (1819 – 1877) was a French painter who led the Realist movement in 19th-century French painting. The Realist movement bridged the Romantic movement (characterised by the paintings of Théodore Géricault and Eugène Delacroix) with the Barbizon School and the Impressionists. Courbet occupies an important place in 19th century French painting as an innovator and as an artist willing to make bold social commentary in his work.


1866 The Cliffs at Étretat

1869 Boats on a Beach, Étretat

1869 The Cliff at Étretat, the Porte d'Aval 
oil on canvas

1869 The Sea-Arch at Étretat 
oil on canvas 79 x 128 cm

1869-70 The Cliff at Étretat after the Storm 
oil on canvas

c1869 Bay with Cliffs 
oil on canvas

1870 Cliffs at Étretat 
oil on canvas 66 x 82 cm

Cliff at Étretat




Eugène Boudin (1824 – 1898) was one of the first French landscape painters to paint outdoors. Boudin was a marine painter, and expert in the rendering of all that goes upon the sea and along its shores. His pastels, summary and economic, garnered the splendid eulogy of Baudelaire, and Corot who, gazing at his pictures, said to him, "You are the master of the sky."


1890 Étretat, La Falaise d'Aval 
oil on canvas

1890 Étretat, Le Falaise d'Aval 
oil on panel

1890 Étretat, The Amont Cliff in November 
oil on canvas 50 x 60 cm

1890 Étretat, The Falaise d'Aval at Sunset 
oil on canvas

1890 The Laundresses of Étretat 
oil on canvas

1890-94 Étretat, Boats Stranded on the Beach 
oil on panel

1890-94 Étretat, the Cliff of Aval 
oil on canvas

1890-94 Étretat, Beached Boats and Falaise d'Amont 
oil on canvas 46.4 x 65.4 cm

c1890-94 Étretat, Beached Boats and the Falaise d'Aval (study) 
oil on panel 37.7 x 55 cm

c1890-94 Étretat, Laundresses on the Beach, Low Tide 
oil on panel

Wednesday, 20 June 2012

Giuseppe Arcimboldo

Photograph by Ian Nicholson ©
I thought I’d do a post to coincide with an exhibition opening today in London. Dulwich Picture Gallery in South London is showing a monumental installation in its grounds to coincide with Andy Warhol: The Portfolios, The Bank of America Collection. The Four Seasons, a set of four fifteen-foot fibreglass sculptures by American artist and film-maker Philip Haas, will be the first ever public display of all four works.

In a spectacular transformation that is typical of his work, Philip Haas has created a group of large-scale sculptures, inspired by Giuseppe Arcimboldo's renaissance paintings of the four seasons, comprising Spring, Summer, Autumn and Winter. The exhibition runs between 20 June – 16 September 2012.




Giuseppe Arcimboldo (1527 – 1593) was born in Milan in the year 1527. He was part of a rich and important family, including some important archbishops. His career started in the glass workshops of the Milan Cathedral.

From 1562 on, Giuseppe Arcimboldo started working at the Hapsburg imperial court of Ferdinand I. It was here that he created the paintings that he is so well known for. Almost immediately his original fantasy was unleashed. He invented a portrait type consisting of painted animals, flowers, fruit, and objects composed to form a human resemblance. Some are satirical portraits of court personages, others are allegorical personifications.

Arcimboldo's style has been so often imitated over the centuries that it is sometimes difficult to make exact attributions. Some see him as the forerunner of Surrealism in the 20th century, but he should be seen in his own context at the end of the Renaissance. In this time people (collectors and scientists alike) were beginning to pay more attention to nature. Arcimboldo really created the fantastic image of the court in Prague, creating costumes, set designs, and decorations. Emperor Rudolf II gave him countless commissions for paintings and set him the task of researching and buying works of art and natural curiosities as well. In 1587 Arcimboldo returned to Milan but stayed in contact with the Emperor.

Arcimboldo died in 1593 in Milan. Although he was extremely famous during his lifetime, he was soon forgotten after his death. We do not know why people lost interest in his art. Perhaps he was misunderstood by the generations that followed. The interest to his abstruse and fantastic pictures, of which only a few survive today, did revive at the end of the 19th century.


1566 Air 
oil on canvas 75 x 56 cm

1566 Fire 
oil on panel 76 x 51 cm

1566 The Lawyer 
oil on canvas 64 x 51 cm

1566 Water 
oil on panel 67 x 52 cm


1570 Earth 
oil on panel 70 x 49 cm

1573 Spring 
oil on canvas 76 x 64 cm

1573 Summer 
oil on canvas 76 x 64 cm

1573 Autumn 
oil on canvas 93 x 72 cm

1573 Winter 
oil on canvas 76 x 64 cm

1573 Seated Figure of Summer 
oil on canvas 64 x 76 cm

1578 Portrait of Adam 
oil on canvas

1578 Portrait of Eve 
oil on canvas

1588 Flora 
oil on panel 73 x 56 cm
 
The Cook 
oil on canvas 52 x 41 cm

The Cook has a double illusion - the head (above) sits on a metal dish and wears another metal dish as a hat. When the painting is viewed upside-down the situation is reversed, and a different face appears:





The Gardener oil on panel 35 x 24 cm

The Librarian 
oil on canvas 97 x 71 cm

The Seasons 
oil on canvas 94 x 73 cm

1590-91 Vertumnus
A portrait depicting Rudolph II, Holy Roman Emporer as Vertumnus, the Roman God of the seasons