Tuesday, 31 August 2021

Thomas Rowlandson - part 18

Thomas Rowlandson (1757 London – 1827 London) was an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation. A prolific artist and printmaker, Rowlandson produced both individual social and political satires, as well as large number of illustrations for novels, humorous books, and topographical works. Like other caricaturists of his age such as James Gillray, his caricatures are often robust or bawdy. Rowlandson also produced highly explicit erotica for a private clientele; this was never published publicly at the time and is now only found in a small number of collections. His caricatures included those of people in power such as the Duchess of Devonshire, William Pitt the Younger and Napoleon Bonaparte.

For more information about Thomas Rowlandson see part 1. For earlier works see parts 1 - 17 also.

This is part 18 of a 19-part series on the works of Thomas Rowlandson:


1821 (published) Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution:

Title Page

Plate 1. Frontispiece: Before the Tribunal at Avignon.
 hand-coloured etching and aquatint 14.1 x 22.9 cm (sheet)
Metropolitan Museum of Art, New York

Plate 2. Table d'Hote.
 hand-coloured etching and aquatint 14.5 x 22.8 cm (sheet)
Metropolitan Museum of Art, New York

Plate 3. Searched by the Douaniers on the French Frontiers.
 hand-coloured etching and aquatint 14.3 x 23 cm (sheet)
Metropolitan Museum of Art, New York

Plate 4. Consulting the Prophet.
 hand-coloured etching and aquatint 14.3 x 22.9 cm (sheet)
Metropolitan Museum of Art, New York

Plate 5. The Prophet discovering himself and exposing the deception.
 hand-coloured etching and aquatint 14.4 x 22.5 cm (sheet)
Metropolitan Museum of Art, New York

Plate 6. The Arrival in Paris.
 hand-coloured etching and aquatint 14.3 x 22.9 cm (sheet)
Metropolitan Museum of Art, New York

Plate 7. Liberality to infirm beggars on leaving Yvri.
 hand-coloured etching and aquatint 14.1 x 22.8 cm (sheet)
Metropolitan Museum of Art, New York

(Plate 7?) Quae Genus Assisting a Traveller.
 hand-coloured etching and aquatint 14.1 x 22.3 cm (sheet)
Metropolitan Museum of Art, New York

Plate 8. Rural Happiness at Caverac.
 hand-coloured etching and aquatint 14.1 x 22.9 cm (sheet)
Metropolitan Museum of Art, New York

Plate 9. Pleasures of a Poste Aux Ânes.
 hand-coloured etching and aquatint 14.3 x 23 cm (sheet)
Metropolitan Museum of Art, New York

Plate 9 study. Pleasures of a Poste Aux Ânes.
 pen and ink and watercolour 11.1 x 19.7 cm
Metropolitan Museum of Art, New York

Plate 10. The Embrace.
 hand-coloured etching and aquatint 14.3 x 22.9 cm (sheet)
Metropolitan Museum of Art, New York

Plate 11. At Avignon, First Sight of Clara.
 hand-coloured etching and aquatint 14.2 x 23 cm (sheet)
Metropolitan Museum of Art, New York

Plate 12. At the Tomb of Laura.
 hand-coloured etching and aquatint 14 x 22.8 cm (sheet)
Metropolitan Museum of Art, New York


Plate 13. Auction of Relics at Avignon.
 hand-coloured etching and aquatint 14.1 x 22.8 cm (sheet)
Metropolitan Museum of Art, New York

Plate 14. A Prisoner at Avignon.
 hand-coloured etching and aquatint 14.1 x 22.6 cm (sheet)
Metropolitan Museum of Art, New York

Plate 15. Mistakes at Cavaillon.
 hand-coloured etching and aquatint 14.2 x 22.7 cm (sheet)
Metropolitan Museum of Art, New York

Plate 16. Tragic Story at Avignon.
 hand-coloured etching and aquatint 14.2 x 22.8 cm (sheet)
Metropolitan Museum of Art, New York

Plate 17. The Sacred Page Displayed.
 hand-coloured etching and aquatint 14.3 x 22.5 cm (sheet)
Metropolitan Museum of Art, New York

Plate 18. The Inn at Marseilles.
 hand-coloured etching and aquatint 14.2 x 21.9 cm (sheet)
Metropolitan Museum of Art, New York

1821-22 The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax: A Poem:

Title Page

Plate 1. Frontispiece: Quae Genus on His Journey to London.
 hand-coloured etching and aquatint 22.1 x 13 cm (sheet)
Metropolitan Museum of Art, New York

Plate 2. Quae Genus in Search of Service.
 hand-coloured etching and aquatint 13.9 x 22.1 cm (sheet)
Metropolitan Museum of Art, New York

Plate 3. Quae Genus Reading to Sir Jeffery Gourmand.
 hand-coloured etching and aquatint 14 x 22.3 cm (sheet)
Metropolitan Museum of Art, New York

Plate 4. Quae Genus at Oxford.
 hand-coloured etching and aquatint 13.3 x 22.3 cm (sheet)
Metropolitan Museum of Art, New York

Plate 5. Conflict Between Quae Genus and Lawyer Gripe-all.
 hand-coloured etching and aquatint 14 x 22.1 cm (sheet)
Metropolitan Museum of Art, New York
Plate 6. Quae Genus at a Sheep-shearing.
 hand-coloured etching and aquatint 13.7 x 22.3 cm (sheet)
Metropolitan Museum of Art, New York

Plate 8. Quae Genus, in the Sports of the Kitchen.
 hand-coloured etching and aquatint 14 x 22.3 cm (sheet)
Metropolitan Museum of Art, New York

Plate 9. Quae Genus, in the Service of Sr. Jeffery Gourmand.
 hand-coloured etching and aquatint 13.8 x 22.2 cm (sheet)
Metropolitan Museum of Art, New York

Plate 10. Quae Genus with a Quack Doctor.
 hand-coloured etching and aquatint 14 x 22.4 cm (sheet)
Metropolitan Museum of Art, New York

Plate 11. Quae Genus with a Spendthrift.
 hand-coloured etching and aquatint 13.9 x 22.5 cm (sheet)
Metropolitan Museum of Art, New York

Plate 13. Quae Genus in the Service of a Miser.
 hand-coloured etching and aquatint 13.8 x 22.3 cm (sheet)
Metropolitan Museum of Art, New York

Plate 14. Quae Genus & The Money Lenders.
 hand-coloured etching and aquatint 14 x 22.5 cm (sheet)
Metropolitan Museum of Art, New York

Plate 15. Quae Genus Officiating at a Gaming House.
 hand-coloured etching and aquatint 14 x 22.3 cm (sheet)
Metropolitan Museum of Art, New York

Plate 16. Quae Genus with a Portrait Painter.
 hand-coloured etching and aquatint 14 x 22.6 cm (sheet)
Metropolitan Museum of Art, New York

Plate 17.Quae Genus Gives a Grand Party.
 hand-coloured etching and aquatint 13.8 x 22.5 cm (sheet)
Metropolitan Museum of Art, New York

Plate 18. Quae Genus, Interrupts a Tête à Tête.
 hand-coloured etching and aquatint 13.8 x 22.2 cm (sheet)
Metropolitan Museum of Art, New York

Plate 19. Quae Genus Committed, with a Riotous Dancing Party, to the Watch-House.
 hand-coloured etching and aquatint 13.7 x 21.9 cm (sheet)
Metropolitan Museum of Art, New York

Plate 20. Quae Genus Engaged with Jovial Friends; Or–Who Sings Best?
hand-coloured etching and aquatint 13.9 x 22.1 cm (sheet)
Metropolitan Museum of Art, New York

Plate 21. The Party Breaking Up, and Quae Genus Breaking Down.
 hand-coloured etching and aquatint 13.7 x 22.2 cm (sheet)
Metropolitan Museum of Art, New York

Plate 22. Quae Genus Turned out of a House Which He Mistakes for His Own.
 hand-coloured etching and aquatint 13.5 x 22.3 cm (sheet)
Metropolitan Museum of Art, New York

Plate 23. Quae Genus & Creditors.
 hand-coloured etching and aquatint 13.9 x 22.4 cm (sheet)
Metropolitan Museum of Art, New York

Plate 24. Quae Genus Discovers His Father.
 hand-coloured etching and aquatint 14.1 x 22.1 cm (sheet)
Metropolitan Museum of Art, New York


1822 Rowlandson's Sketches from Nature:

Title Page

Plate 1? White Lion Inn. Ponder's End, Middlesex.
hand-coloured etching and aquatint 19 x 23.8 cm (image)
Metropolitan Museum of Art, New York

Plate 2. A View near Richmond.
hand-coloured etching and aquatint 18.8 x 23.8 cm (image)
Metropolitan Museum of Art, New York

Plate 3. View near Newport, Isle of Wight.
hand-coloured etching and aquatint 19 x 23.6 cm (image)
Metropolitan Museum of Art, New York

Plate 4. Temple at Strawberry Hill.
hand-coloured etching and aquatint 18.8 x 24 cm (image)
Metropolitan Museum of Art, New York

Plate 5. Stamford Lincolnshire.
hand-coloured etching and aquatint 18.8 x 23.6 cm (image)
Metropolitan Museum of Art, New York

Plate 6. Taunton Vale, Somersetshire.
hand-coloured etching and aquatint 18.8 x 23.6 cm (image)
Metropolitan Museum of Art, New York

Plate 7. View near Bridport, Dorsetshire.
hand-coloured etching 17.5 x 24.5 cm (image)
Metropolitan Museum of Art, New York

Plate 8. A View in Devonshire.
hand-coloured etching and aquatint 19 x 23.7 cm (image)
Metropolitan Museum of Art, New York

Plate 9. Village of St. Udy, Cornwall.
hand-coloured etching and aquatint 18.7 x 23.6 cm (image)
Metropolitan Museum of Art, New York

Plate 10. West Loo, Cornwall.
hand--coloured etching 19 x 23.8 cm (image)
Metropolitan Museum of Art, New York

Plate 12. Fowey, Cornwall.
hand-coloured etching and aquatint 18.8 x 23.6 cm (image)
Metropolitan Museum of Art, New York

Plate 13. View on the River Camel, Cornwall.
hand-coloured etching 18.5 x 23.6 cm (image)
Metropolitan Museum of Art, New York

Plate 14. View of Camelford, Cornwall.
hand-coloured etching and aquatint 18.8 x 23.8 cm (image)
Metropolitan Museum of Art, New York

Plate 15. A Cottage in the Dutchy of Cornwall.
hand-coloured etching and aquatint 19 x 23.8 cm (image)
Metropolitan Museum of Art, New York

Plate 16. View at Blisland, near Bodmin, Cornwall.
hand-coloured etching 19.1 x 23.7 cm (image)
Metropolitan Museum of Art, New York

Plate 17. Clearing a Wreck on the North Coast of Cornwall.
hand-coloured etching 18.4 x 24.5 cm (sheet)
Metropolitan Museum of Art, New York

Plate 18. Rouler Moor, Cornwall.
hand-coloured etching 17.4 x 24.8 cm (image)
Metropolitan Museum of Art, New York

Plate No.? The Seat of M. Mitchell Esq. Henger.
hand-coloured etching and aquatint 19 x 23.8 cm (image)
Metropolitan Museum of Art, New York

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