William Bradford, a celebrated American painter, was also a traveller and adventurer fascinated with the Arctic landscape. The Arctic Region series of works is the result of seven expeditions to the area undertaken for the purposes of art, the most ambitious of which was made in 1869. This voyage was underwritten by Boston collector and banker LeGrand Lockwood. A sealing ship called the Panther was commissioned for the trip; the vessel covered 5,000 nautical miles but was forced to turn back after being trapped for two days in pack ice. A source of great interest throughout the nineteenth century, the Arctic captured the public imagination, manifesting itself through a widespread desire for images, stories, and interpretations of this remote and desolate landscape.
For a more in-depth biography of Bradford see part 1, and for earlier work see parts 1 - 3 also.
This is part 4 of a 4-part series on the works of William Bradford.
Continued from part 3: Photography 1869 (captions as given by Bradford) All albumen silver prints:

One of eight immense icebergs, which were discharged from the front of the glacier within 5 minutes  
Oomiak, or woman's boat  
Peter Motzfeldt and family at Kraksimiut 
 Peter Motzfeldt and wife 
Sandstone rock at the entrance of Karsut Fiord  
Scene from Baffin Island with icebergs in the distance 
Scene on our way to Upernavik 
Section of an immense berg, which was nearly half a mile in length 
Section of the iceberg, which was broken off from the side, and washed in ridges 
Section of the side of the glacier at Germitsialik 
Side view of the front of the glacier 
Side view of the glacier, where the middle is forced out more rapidly than the sides 
Sophy and her sister Marea  
Steaming up the coast 
Surrounded by the wildest scene possible to conceive 
The "Gorilla Iceberg" 
The "Panther"  
The "Panther" made fast to the floe in Melville Bay 
The "Panther" moored to the heavy hummock ice 
The "Panther" steaming up the Sermitalik Fiord to visit the Glacier 
The Castle iceberg as seen in Melville Bay in July  
The farthest point reached  
The front of the glacier, as seen on the land, being forced over the rocks 
The glacier as seen flowing or being forced down between the hills 
The glacier as seen forcing itself down over land and into the waters of the fiord  
The glacier as seen when sailing up the fiord 
The midnight sun in Melville Bay in August 
The midnight sun in Melville Bay in August 
The Panther boring through the pack and among the icebergs 
The steamer among the icebergs heading to the northward 
The steamer Panther forcing her way through the hummocky ice 
The steamer taking soundings in front of glacier 
The ugliest-looking Esquimaux woman we found 
UA section of an iceberg which was nearly three quarters of a mile long and grounded in nearly 700 ft of water  
View in the fiord of what may be termed a jam of icebergs  
View looking down the fiord from the top of the glacier 
View of the Sermitsialik Glacier  
View on the top of the glacier  
View showing the beautiful forms in varied shapes which the berg has assumed 
Wilcox Mountain with a storm cloud 
Steamer fast between floe ice and field ice, Melville Bay %20oil%20on%20canvas%2045.7%20x%2076.2%20cm%20Philadelphia%20Museum%20of%20Art,%20Philadelphia,%20PA.jpg)
1870s View in Sandwich Bay (Coast of Labrador)  
oil on canvas 45.7 x 76.2 cm 
Philadelphia Museum of Art, Philadelphia, PA
 
 
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