Maurice Pillard Verneuil (1869 - 1942) was born in Saint Quentin, France. He learned his trade from the Swiss designer Eugène Grasset (a series on Eugène Grasset can be found in the index of this blog). Verneuil then went on to become a well-known artist and designer. He was inspired by Japanese art and nature, particularly the sea. He is known for his contribution to the Art Deco movement and, in particular, his use of bold, floral designs in ceramic tiles, wallpapers, and other furnishing textiles.
This is part 6 of a 6-part series on the works of Maurice Verneuil.
1903 Etude de la Plante (Study of Plants) continued from part 5:
Anemone pulsatilla Maize Maize embroidery Maize Saffron lily, applied fabric border Saffron Lily Eucalyptus, woven fabric Door frame. Wisteria Carpet marquetry, bookbinding and mosaic White Water Lily Pomegranate leaves and fruit Sunflower Sunflower Sunflower Sunflower Tiger Lily Cypriedium Binding Maple, leather and gold belt Iron and bronze Wrought iron andirons Wrought iron gate. Bramble Wrought iron hinge. Ivy Fig tree Autumn Crocus Hat Pins Mimosa coffee pot and cup
1925 Étoffes et tapis étrangers (Foreign fabrics and carpets) by various artists, under the direction of Maurice Verneuil:
Front Cover Title Page Cretonne imprimée
by Philipp HaasÉtoffes tissées
by Else Pohl-May
Cretonne imprimée
by Will FoxtonDoie imprimée
by Thomas BoydÉtoffes imprimées
by Will FoxtonKilim
by J. CzajkowskiBatik
by Ateliers de CracovieTapisseries
by Gestrikslands Hemslöjdförening GefleTapis point noué
by Maja AnderssonTapis
by Malöhus Läns HemslöjdfôreningEtoffe imprimée
by Association des Fabricants Suisses de bonneterie en soie artificielleCretonne imprimée
by Trust de l'Industrie do coton de Moscou
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