Wednesday, 21 August 2024

Frank Schoonover - part 5

Frank Earle Schoonover (1877-1972) was enamoured with Howard Pyle’s magazine work from the time he was a young boy in Trenton, New Jersey. After youthful endeavours copying Pyle’s illustrations, Schoonover joined his class at Drexel Institute in 1896. The young artist’s promising talent was duly noted by his teacher and he was offered scholarships to Pyle’s summer school in Chadds Ford, Pennsylvania. Schoonover was well known for his illustrations of outdoor adventure stories, especially of the Canadian and American West. He maintained a studio in Wilmington throughout his career and, with Stanley Arthurs, was a founder in 1912 of the Wilmington Society of the Fine Arts, the predecessor of the Delaware Art Museum. The Frank E. Schoonover Manuscript Collection contains photographs, correspondence, clippings, organisational records, diaries, and day books that document the work he executed. Delaware Art Museum

For a more in-depth biography see part 1, and for earlier works by Schoonover, see parts 1 - 4 also. 

This is part 5 of 7-part series on the works of Frank Schoonover.

1920 Strike a Light
American Boy Magazine
oil 91.4 x 60.9 cm

1920 The Man from the North
oil on canvas 71.1 x 91.4 cm

1920 The whirling blizzard
American Boy Magazine, November 1920
oil 81.2 x 71.1 cm

1920 Under the Silk
oil on canvas 63.5 x 76.2 cm

1921 Connie Morgan in the Fur Country, published by Putnam's Sons:

"For there, standing close beside the fire, his head and huge shoulders thrust into the doorway, his eyes gleaming like live coals, stood the great grey leader of the wolf pack."

"The third day dawned cold and clear, and daylight found the outfit on the move"

"It was a terrible thing to look upon to those two who knew its significance—that flag glowing like a splotch of blood there in the brazen sky."

"The snare was set only a foot or two from the stuffed rabbit skin and sticks and brush so arranged that in order to reach the rabbit the lynx must leap straight into the snare."

"Mexican Joe climbed the tree and a few minutes later Connie heard the blows of his belt ax as he hacked at the limb that held
the clog."

"As darkness settled over the North Country, a little fire twinkled in the bush, and the odour of sizzling bacon and frying liver permeated the cozy camp."

"As he stepped through the doorway he was seized violently
from behind."


1921 Lafayette by Lucy Foster Madison:

Front Cover

Lafayette and General Washington
oil on canvas 91.4 x 76.2 cm

The skipper met Lafayette’s glance with determination

1921 Toilers of the Trails by George Marsh, 
The Penn Publishing Co., Philadelphia:

Front Cover

Frontispiece
"On came the strange pair"

Again at his signal the crew thrust the boat forward

Gordon drank in the beauty of the picture

The freezing man was dragged to safety

The rifle flew to his shoulder

"Up dere," he said, pointing with a shaking finger

"I am François Hertel"

1921 Treasure Island, published by Harper & Brothers:

Front Cover

Long John Silver
oil on canvas 91.4 x 63.5 cm

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1921 "A Marriage in Kairwan" by Wilbur Daniel Steele
Harper's Magazine, December 1921

1921 "Rescue Dog Team and U.S. Mail"
Western Story Magazine cover January 15 1921
oil on canvas

1921 Gulliver’s Travels
oil on canvas 91.4 x 71.1 cm

1921 The American Boy January issue
"The Rose-colored cat"

1921 Western Story Magazine
January 15 1921

1922 Blackbeard Buccaneer by Ralph D. Paine 
© The Penn Publishing Company, Philadelphia:

Front Cover

1922 Blackbeard Buccaneer "Over the Rail"
oil on canvas 91.4 x 76.2

Frontispiece
"This lean straight rover looked the part of a competent soldier"

The brawn of these lads made the pike a match for a pirate's cutlass

The First Mate leapt up with a horrible yell

The First Mate Leapt up with a horrible yell
oil on canvas 71.1 x 83.8 cm

Jack almost bumped into the dugout canoe

They capered and hugged each other

He loomed like the belial whom he was also fond of claiming as his mentor

He loomed like the belial whom he was also fond of claiming as his mentor
original artwork

Blackbeard and his crew approach in their longboats 

Blackbeard and his crew approach in their longboats
detail
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1922 "Realities" by Fleta Campbell Springer
Harper's Magazine January 1922

1922 "Savagery" by Charles Nordhoff
Harper's Magazine April 1922

1922 Nagushwa
oil on canvas 86 x 70.8 cm

1922 The sheepman eyed him with a hostile glare. ‘Why didn’t you ride right through ’em?’ he asked.
The American Boy magazine, September 1922
oil on canvas 96.5 x 55.8 cm

1923 "'Seek Signs!' Commanded the Wolf"
oil on canvas 63.8 x 111.8 cm

1923 "The Wolf Halted"
The Country Gentleman magazine
oil on canvas 68.5 x 119.3 cm

1923 "The Wolf Halted"
detail

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