Wednesday, 19 March 2025

Gustave Caillebotte - part 4

 

Self-portrait c1892
oil on canvas 40.5 x 32.5 cm
Musée d'Orsay, Paris

Gustave Caillebotte was an influential French painter best known for his involvement in the Impressionist movement, though he also notably subscribed to a Realist aesthetic. The more naturalistic hues, neutral tones, and attention to perspectival space in his works set him apart from other Impressionist painters. As an artist familiar with Japanese prints, Caillebotte often mimicked the style of ukiyo-e artists by utilizing a tilted perspective to depict the stretching boulevards and river scenes of Paris, such as in Paris Street, Rainy Day (1877). Born on August 19, 1848 in Paris, France to a wealthy family, the artist went on to study painting first with Léon Joseph Florentine Bonnat and then at the École des Beaux-Arts. After Caillebotte inherited money from his parents, he was able to not only fund his own career but support Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissaro and other artists by purchasing their work. Caillebotte’s work is in the collections of the Art Institute of Chicago, The Metropolitan Museum of Art in New York, the Musée d’Orsay in Paris, the Museum of Fine Arts in Boston, and the Van Gogh Museum in Amsterdam, among others. He died on February 21, 1894 in Gennevilliers, France.

For earlier works, and for more biographical information, see parts 1 - 3 also. 

This is part 4 of a 5-part series on the works of Gustave Caillebotte:


1883 Bouquet of roses in a crystal vase
 oil on canvas 61 x 50.5 cm

1882 Yellow roses in a vase
oil on canvas 53 x 46 cm
Dallas Museum of Art, Dallas, TX

1882 Woman sitting on a red-flowered sofa
oil on canvas 78.7 c 88.9 cm
Seattle Art Museum, WA

1882 View of the Sea from Villerville
oil on canvas 59.7 x 73.7 cm
Private Collection

1882 Undergrowth alley, Normandy
oil on canvas 81 x 62 cm

1882-84 Wild garden at Petit Gennevilliers
oil on canvas 63.7 x 74.2 cm

c1882 The Basin at Argenteuil
oil on canvas 65.5 x 81 cm

c1882 Plate with peaches
oil on canvas 38 x 46.4 cm
Van Gogh Museum, Amsterdam

c1882 Chickens, Game Birds, and Hares:

Known largely for his figure and landscape paintings, Gustave Caillebotte also painted a series of stunning still lifes depicting fruit, shellfish, meat, chickens, and dead game. His exacting eye for realistic detail is evident in this view of chickens, game birds, and rabbits neatly arranged in a butcher shop. Fur, skin, and feathers are rendered with small, broken strokes of kaleidoscopic colour—shimmering blues, deep reds, radiant yellows, and glowing greens. This superb display of Impressionist technique applied to a traditional subject forms a fascinating counterpoint to Caillebotte’s Portrait of a Man in the museum’s collection.

The Cleveland Museum of Art, Ohio.

c1882 Chickens, game birds and hares
oil on canvas 75.9 x 105.1 cm
The Cleveland Museum of Art, Ohio

c1882 Calf’s Head and Ox Tongue
oil on canvas 73 x 54 cm
 Art Institute of Chicago, IL

c1882 Calf in a butcher shop
oil on canvas (size not given)
Private Collection

1883 Houses in Argenteuil
oil on canvas 65.8 x 53.6 cm

1883 Game birds and lemons
oil on canvas 51 x 81 cm
Private Collection

1883 Boats at anchor, on the Seine, in Argenteuil
oil on canvas 65.5 x 54.5 cm

1883 Avenue of the Villa des Fleurs in Trouville
oil on canvas 60 x 73 cm
Museum Barberini, Potsdam

1883 The Seine at Argenteuil, boats at anchor
oil on canvas 60.2 x 73 cm
Private Collection

1883 The Promenade at Argenteuil
oil on canvas 65 x 82 cm
Private Collection

1883 Portrait of Henri Cordier
oil on canvas 65 x 81.5 cm
Musee d'Orsay, Paris

1883 Lilacs and peonies in two vases
oil on canvas 92 x 73 cm
Museum Barberini, Potsdam

c1883 The Argenteuil bridge and the Seine
oil on canvas 65 x 82 cm
Museum Barberini, Potsdam

c1883 Bouquet of Chrysanthemums
 oil on canvas 65 x 54.3 cm

1884 Man in a Smock or Father Magliore on the road between Saint-clair and Etretat
oil on canvas 65 x 54 cm
Private Collection

1884 Man drying his leg
oil on canvas 100 x 125 cm

1884 Man at his bath
oil on canvas 144.8 x 114.3 cm
Museum of Fine Arts, Boston, MA

1884 By the sea at Trouville
oil on canvas (details not found)

1884 Villas at Trouville:

Gustave Caillebotte painted this view of villas at Trouville, a small town on the Normandy coast, using the distinctive plunging perspectives he had developed in his Parisian street scenes. Varying degrees of paint thickness are skilfully employed to evoke a feeling of immense space and distance. The thicker strokes in the foreground contrast with the delicate, wispy strokes in the sea and the pools of sunlight reflected on the distant water.

The Cleveland Museum of Art, OH.

1884 Villas at Trouville
oil on canvas 66 x 81.3 cm
The Cleveland Museum of Art, Ohio

1884 The yellow fields at Gennevilliers
oil on canvas 54 x 64.7 cm
Wallraf-Richartz Museum,, Cologne, Germany

1884 Seaside, Normandy
oil on vanvas 92.4 x 73 cm

1884 Richard Gallo and his dog Dick, in Petit-Gennevilliers
 oil on canvas 89 x 116 cm

c1884 Wild Garden at Le Petit Gennevilliers
oil on canvas 63.7 x 74.2 cm
Museum Barberini, Potsdam

c1885-86 Sunflowers along the Seine
oil on canvas 90.2 x 71.1 cm
Fine Arts Museums of San Francisco, CA

1885-87 The Seine and the Railroad Bridge at Argenteuil
oil on canvas 115.6 x 154.9 cm
Brooklyn Museum, New York

c1885 Sunflowers, garden of Petit Gennevilliers: 

Due to its size, this view of Caillebotte's garden is one of the most ambitious painted by the artist. It contributes to the redefinition of the landscape genre carried out by the Impressionists.

The garden is one of Caillebotte's favourite themes, who first took as his subject the park of the family estate in Yerres, then, as here, his garden at Petit Gennevilliers, located about ten kilometres from Paris. The artist became a true "painter-gardener" like his friend Monet in Giverny and both were enthusiastic about the "suns", large sunflowers cultivated only as an ornamental plant at that time.

Musée d'Orsay, Paris.

c1885 Sunflowers, garden of Petit Gennevilliers
oil on canvas 130.5 x 105.8 cm
Musée d'Orsay, Paris

c1885 Portrait of Jean Daurelle
oil on canvas 65.4 x 54.4 cm
Musée d'Orsay, Paris

c1885 Apple Tree in Bloom
oil on canvas 83.3 x 60 cm
Brooklyn Museum, New York

1886 The pontoon at Argenteuil
oil on canvas (dimensions not found)
Private Collection

1886 Roses in the garden at Petit Gennevilliers
oil on canvas 89 x 116 cm
Private Collection

1886 Portrait of Émile-Jean Fontaine, bookseller
oil on canvas 65.1 x 81.6 cm

1887-88 Yellow and red roses in a crystal vase
oil on canvas 45.8 x 37.9 cm

1887 Vase of Gladiolas
oil on canvas 81 x 65 cm
Private Collection

1887 Portrait of Jean Daurelle
oil on canvas 75.7 x 46.7 cm
Musée d'Orsay, Paris



Monday, 17 March 2025

Gustave Caillebotte - part 3

c1879-80 Self Portrait with an Easel
oil on canvas 90 x 115 cm
Private Collection

Gustave Caillebotte was an influential French painter best known for his involvement in the Impressionist movement, though he also notably subscribed to a Realist aesthetic. The more naturalistic hues, neutral tones, and attention to perspectival space in his works set him apart from other Impressionist painters. As an artist familiar with Japanese prints, Caillebotte often mimicked the style of ukiyo-e artists by utilizing a tilted perspective to depict the stretching boulevards and river scenes of Paris, such as in Paris Street, Rainy Day (1877). Born on August 19, 1848 in Paris, France to a wealthy family, the artist went on to study painting first with Léon Joseph Florentine Bonnat and then at the École des Beaux-Arts. After Caillebotte inherited money from his parents, he was able to not only fund his own career but support Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissaro and other artists by purchasing their work. Caillebotte’s work is in the collections of the Art Institute of Chicago, The Metropolitan Museum of Art in New York, the Musée d’Orsay in Paris, the Museum of Fine Arts in Boston, and the Van Gogh Museum in Amsterdam, among others. He died on February 21, 1894 in Gennevilliers, France.

For earlier works, and for more biographical information, see parts 1 & 2 also. 

This is part 3 of a 5-part series on the works of Gustave Caillebotte: 

1880 Game of Bezique:

Eponymously depicts a bezique or bésigue contest; bezique being a 19th-century French melding and trick-taking card game for two players. It was displayed at the seventh Impressionist exhibition in 1882 and ran first in the catalogue. Caillebotte set this depiction of his friends in the luxurious apartment on Boulevard Haussmann on that he shared with his brother, the composer Martial Caillbotte, who is depicted in the picture smoking a pipe.

1880 Game of Bezique
oil on canvas 121 x 161 cm
Louvre Abu Dhabi, UAE

1880 Cliffs in Normandy
oil on canvas 73 x 60 cm
Private Collection

1880 Boulevard Haussmann, effect of snow
oil on canvas 81 x 66 cm cm
Musée du château de Flers, Orne

1880 Boulevard from above
oil on canvas 65 x 54 cm
Private Collection

1880 Nude on a Couch
oil on canvas 129.5 x 194.6 cm
Minneapolis Institute of Arts, MN

1880 Marine, Regatta at Villers
oil on canvas 73.4 x 100 cm

1880 Interior, woman reading
oil on canvas 65 x 81 cm
Private Collection

1880 Interior
oil on canvas 116 x 89 cm

1880 Villas at Villers-sur-Mer
oil on canvas 64.8 x 81.3 cm

1880 View through a balcony
oil on canvas 65.6 x 54.9 cm
Van Gogh Museum, Amsterdam

1880 Man on a balcony, Boulevard Haussmann
oil on canvas 116.5 x 89.5 cm
Private Collection

1880 Portrait of a Man:

Among Gustave Caillebotte’s most celebrated works are his views of modern Paris seen from balconies and terraces, a theme that first appeared in his paintings of the mid-1870s. This painting depicts a middle-aged man sitting in room and looking toward a window with laced curtains. His fashionable suit and bow tie are markers of his social status as a flâneur of the urban bourgeoisie. Rather than wearing an expression of joy or delight, the sunlight raking across his face accentuates his heavily lidded eyes and sagging facial muscles, giving him a deeply contemplative expression as he gazes at the world from the comfort of his sumptuous apartment.

The Cleveland Museum of Art, OH

1880 Portrait of a Man
oil on canvas 81.3 x 65.6 cm
The Cleveland Museum of Art, OH

1880 View of the sea, Villerville
oil on canvas 54 x 65 cm

c1880-81 Cliff in Normandy
oil on canvas 73 x 60 cm
Private Collection

c1880 Boulevard Haussmann, snow
oil on canvas 65 x 82 cm
Private Collection

c1880 Boulevard des Italiens
oil on canvas 54 x 65 cm
Private Collection


c1880 Cliffs in Normandy
oil on canvas 73 x 60 cm

c1880 Cliff at Villers­ sur­ Mer
oil on canvas (dimensions not found)
Private Collection

c1880 Traffic island on Boulevard Haussmann
oil on canvas 81 x 101 cm
Private Collection

c1880 Three partridges on a table
oil on canvas (dimensions not found) 
Leigh Yawkey Woodson Art Museum, Wausau, WI

c1880 Man on a balcony
oil on canvas 116 x 97 cm
Private Collection

1880-81 A Balcony in Paris: This painting is one of several by Caillebotte in which an urban street, viewed from a balcony, is seen through the spaces of an ornate iron grill in the foreground, differentiating the space of the street from the interior of his bourgeois home, 31 Boulevard Haussmann in Paris. The motif may have been inspired by similar juxtapositions seen in many Japanese ukiyo-e prints.

1880-81 A Balcony in Paris
oil on canvas 55.2 x 39 cm
Private Collection

c1880-82 Still life with crayfish
oil on canvas 58 x 72 cm
Private Collection

1880-82 Melon and bowl of figs
oil on canvas (dimensions not found)
Private Collection

1881 Still life: Oysters
oil on canvas 38 x 55 cm
Private Collection

1881 Rising Road
oil on canvas 100 x 125 cm
Private Collection

1881 Portrait of a Man
oil on canvas 45.7 x 38.1 cm

1881 Pastry  Cakes
oil on canvas 54 x 73 cm

1881 Young Peasant Having Her Coffee: 

In the 1880s, at a time when many of the original Impressionist painters had begun to pursue independent styles, Camille Pissarro actively worked to keep the group together. He persuaded Gustave Caillebotte and Claude Monet to take part in the seventh Impressionist exhibition, in 1882, and also displayed a number of his own paintings of peasant girls. Here the small brushstrokes, applied one next to the other and sometimes overlaid with dabs of thicker paint, result in an irregularly built-up surface, serving to integrate figure and setting and evoke the textures of the young woman’s wool clothing.

Art Institute of Chicago, IL


1881 Young peasant having her coffee
oil on canvas 65.3 x 54.8 cm charcoal, on tan paper
30.2 x 46.5 cm
Art Institute of Chicago, IL

1881 The piano lesson
oil on canvas 81 x 65 cm
Musée Marmottan Monet, Paris

c1881 A soldier
oil on canvas 196 x 75 cm
Private Collection

c1881-82 Hors d'Oeuvre
oil on canvas 25 x 55 cm
Private Collection

1881-82 Fruit Displayed on a Stand
oil on canvas 76.5 x 100.6 cm
Museum of Fine Arts, Boston, MA

1882 Red mullet
oil on canvas 38 x 55.2 cm

1882 Hare
oil on canvas 89 x 35 cm
Petit Palais, Geneva


1882 Two Hanging Pheasants
oil on canvas 73 x 54 cm
Private Collection

1882 Tree in Flower
oil on canvas 82 x 66 cm
Musée d'Orsay, Paris

1882 The Seine at Argenteuil
oil on canvas (details not found)

1882 The Beach at Trouville, View from the Corniceoil
oil on canvas 60.3 x 73 cm

1882 The Bank and the Argenteuil Bridge
oil on canvas 60 x 73 cm