Monday 7 December 2020

Edward Burne-Jones - part 4

1874 Sir Edward Burne-Jones by Benjamin Scott & Son
albumen print 14.3 x 10.5 cm
© National Portrait Gallery, London

Edward Burne-Jones became a founding member of William Morris’s decorative art firm in 1861, where he produced countless designs and illustrations for books, tapestries, ceramic tiles, mosaics and stained glass. In 1862, he travelled to Italy where he was introduced to Botticelli, whose formal patterning profoundly influenced his subsequent development as a painter. His typical subject matter derived from medieval and classical legends charged with symbolism. In fact, he was pre-eminent in the Aesthetic movement in England and the Symbolist movement in Europe. A defining characteristic of Burne-Jones as an artist was his wilful blurring of the boundaries between his painting and his decorative work.

For more information on Burne-Jones see part 1, and for earlier works see parts 1 - 3 also.

This is part 4 of a 14-part series on the works of Edward Burne-Jones:

1864-68c The Story of Cupid and Psyche:

Cerberus
graphite with an ink border on tracing paper 10.2 x 15.7 cm 
The Ashmolean Museum, Oxford, UK

Charon's Fee
graphite on tracing paper 10.3 x 15.6 cm 
The Ashmolean Museum, Oxford, UK

Charon's Fee
wood engraving

Cupid going away 
pen and ink over graphite on tracing paper 10.6 x 15.8 cm 
The Ashmolean Museum, Oxford, UK

Cupid going Away
wood engraving 10.9 x 16 cm

Cupid reviving Psyche 
wood engraving 10.4 x 15.2 cm (block)
Art Gallery of New South Wales, Australia

Cupid reviving Psyche
graphite with an ink border on tracing paper 10.2 x 15.4 cm 
The Ashmolean Museum, Oxford, UK

Cupid's first Sight of Psyche
graphite on tracing paper 11 x 8.5 cm 
The Ashmolean Museum, Oxford, UK

Cupid's first Sight of Psyche
wood engraving

First visit of the Sisters
pen and ink over graphite on tracing paper 10.2 x 7.8 cm 
The Ashmolean Museum, Oxford, UK

First visit of the Sisters
wood engraving

Going into Hell
graphite with an ink border on tracing paper 10.5 x 7.9 cm 
The Ashmolean Museum, Oxford, UK

Procession to the Hill: The Trumpeters
graphite, with an ink wash, on tracing paper 10.2 x 15.7 cm
The Ashmolean Museum, Oxford, UK

Procession to the Hill: The Trumpeters
wood engraving 10.5 x 15.6 cm
© William Morris Gallery, London

Proserpine giving Psyche the Casket
graphite with an ink border on tracing paper 10.6 x 15.6 cm 
The Ashmolean Museum, Oxford, UK

Psyche and Ceres
graphite with an ink border on tracing paper 10.7 x 7.8 cm 
The Ashmolean Museum, Oxford, UK

Psyche and Juno
graphite with an ink border on tracing paper 10.8 x 7.9 cm 
The Ashmolean Museum, Oxford, UK

Psyche and Pan
pen and ink over graphite with ink border on tracing paper 10.2 x 7.9 cm 
The Ashmolean Museum, Oxford, UK

Psyche and the opened Casket
graphite with an ink border on tracing paper 10.4 x 15.6 cm 
The Ashmolean Museum, Oxford, UK

Psyche and the Reeds
graphite with an ink border on tracing paper 10.5 x 7.7 cm 
The Ashmolean Museum, Oxford, UK

Psyche and the Reeds
wood engraving

Psyche at Bath 
wood engraving 10.2 x 5.1 cm (block)

Psyche at the Bath
pen and ink over graphite on tracing paper 10.2 x 5.5 cm 
The Ashmolean Museum, Oxford, UK

Psyche at the Bath
wood engraving 10.8 x 8.2 cm (block)

Psyche at the Table and the Musicians
wood engraving 10.7 x 16.6 cm (print)
© William Morris Gallery, London

Psyche before Venus
graphite on tracing paper 10.9 x 15.7 cm 
The Ashmolean Museum, Oxford, UK

Psyche by the Bed
pen and ink over graphite on tracing paper 10.2 x 5.1 cm 
The Ashmolean Museum, Oxford, UK

Psyche by the Bed
wood engraving 10.2 x 5.1 cm (block)

Psyche by the Table
pen and ink over graphite on tracing paper 10.3 x 5.4 cm 
The Ashmolean Museum, Oxford, UK

Psyche by the Table
wood engraving
Birmingham Museum and Art Gallery, UK

Psyche comes to the first Sister
graphite with ink border on tracing paper 10.3 x 7.8 cm 
The Ashmolean Museum, Oxford

Psyche comes to the first Sister
wood engraving 10.8 x 8.2 cm (block)

Psyche comes to the second Sister
graphite on tracing paper 10.3 x 8 cm 
The Ashmolean Museum, Oxford, UK

Psyche comes to the second Sister
wood engraving 10.8 x 8.2 cm (block)

Psyche coming out into Hell
graphite with an ink border on tracing paper 10.5 x 7.9 cm 
The Ashmolean Museum, Oxford, UK

Psyche coming out into Hell
wood engraving 10.8 x 8.2 cm (block)

Psyche entering the Bath
graphite on tracing paper 11.7 x 7.7 cm 
The Ashmolean Museum, Oxford, UK

Psyche entering the Bath
wood engraving

Psyche entering the Court of the Palace
graphite on tracing paper 10.6 x 16.1 cm 
The Ashmolean Museum, Oxford, UK

Psyche entering the Court of the Palace
pen and ink over graphite on tracing paper 10.3 x 5.1 cm 
The Ashmolean Museum, Oxford, UK

Psyche entering the Court of the Palace
wood engraving 10.2 x 5.1 cm (block)

Psyche in the Garden
pen and ink over graphite on tracing paper 10.3 x 5.6 cm 
The Ashmolean Museum, Oxford, UK

Psyche in the Garden
wood engraving

Psyche looking into a Cupboard
pen and ink over graphite on tracing paper 10.3 x 5.1 cm 
The Ashmolean Museum, Oxford, UK

Psyche looking into a Cupboard
wood engraving 10.2 x 5.1 cm (block)

Psyche rushing out of the Palace
graphite with an ink border on tracing paper 10.2 x 7.8 cm 
The Ashmolean Museum, Oxford, UK

Psyche rushing out of the Palace
wood engraving in brown ink on buff paper 10.3 x 7.7 cm (block)
National Gallery of Victoria, Melbourne, Australia

Psyche Spying
pen and ink over graphite on tracing paper 10.4 x 15.8 cm 
The Ashmolean Museum, Oxford, UK

Psyche Spying
wood engraving

Psyche throwing herself into the River
graphite with ink border on tracing paper 10.3 x 7.8 cm 
The Ashmolean Museum, Oxford, UK

Psyche throwing herself into the River
wood engraving 10.8 x 8.2 cm

Psyche, disregarding their call for help
wood engraving
Birmingham Museum and Art Gallery, UK

Psyche, disregarding their call for help
graphite with an ink border on tracing paper 10.3 x 15.6 cm 
The Ashmolean Museum, Oxford, UK

Second visit of the Sisters
graphite with ink border on tracing paper 10.2 x 7.9 cm 
The Ashmolean Museum, Oxford, UK

Second visit of the Sisters
wood engraving 10 x 8 cm

The Black Water
graphite with an ink border on tracing paper 10.4 x 15.4 cm 
The Ashmolean Museum, Oxford, UK

The Black Water
wood engraving 10.4 x 15.8 cm
William Morris Gallery, London

The Court of Venus
graphite on tracing paper 10.8 x 16 cm 
The Ashmolean Museum, Oxford, UK

The Death of the Sister
pen and ink over graphite on tracing paper 10.3 x 8.1 cm 
The Ashmolean Museum, Oxford, UK

The Death of the Sister
wood engraving 10.8 x 8.2 cm (block)


Note: The Story of Cupid and Psyche continues in Part 5.






















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