Ronald Searle - part 23

The son of a railwayman, Ronald Searle was born in Cambridge on 3 March 1920, and educated in the town at the Boys' Central School. He started work as a solicitor's clerk, and then joined the hire purchase department of the co-operative Society, studying in the evenings and later full-time at the Cambridge Daily News from the age of fifteen.

Enlisting in the Royal Engineers at the outbreak of the Second World War, he spent time in Kirkcudbright, where he encountered evacuees from St. Trinian's, a progressive girls' school situated in Edinburgh.

This resulted in his first cartoon for Lilliput, published in October 1941, and later developed into one of his most famous creations, through a series of books and their cinematic spin-offs. Remarkably, he survived the horrific experiences of the Changi Camp, Singapore as a Japanese prisoner-of-war and managed to produce a visual record of life in a prison camp.

On his return to England in 1945, he exhibited the surviving pictures at the Cambridge School of Art, and published Forty Drawings. The exhibition and volume together established his reputation as one of Britain's most powerful draughtsmen, and led to several opportunities to record the atmosphere of post-war Europe. He contributed to Punch and these drawings crystallised in, The Female Approach (1949). Throughout the fifties, he produced a large variety of illustrations, which together seemed present a guide to life in Britain in the 1950's.

Such was his success that his rejection of family and country in a move to Paris in 1961 came as a great surprise. However, it offered a fresh start, resulting in several solo shows, including a major exhibitions at the Bibliotheque Nationale, Paris, the Berlin-Dahlem Museum and the Wilhelm-Busch-Museum, Hanover. He also reached a new audience with his contributions to film and television, most notably The Magnificent Men in their Flying Machines (1965).

Note: Searle did too many works to post in one series, so I am posting them in two separate series: 1940-1960, and 1961-2007.

For a more detailed biography see part 1, and for earlier works, see parts 1 - 13 (series 1) & parts 14-22 (series 2) 

This is part 23 of a 26-part series on the works of Ronald Searle:

1983-1995 Ronald Searle in Le Monde :

Angel of Munchausen syndrome

Bien coller

Clintonstein's monster

Diplomacy

Etnic cleansing

Homo sapiens

Ireland: The 30 year war of bigotry

L'ange du graffiti (The angel of graffiti)

L'enlèvement de l'Europe (The abduction of Europe)

Le Semeur (The Sower)

Untitled

 

1986 Les Très Riches Heures de Mrs Mole (The very rich hours of Mrs Mole):

On New Year’s Eve 1969, Monica Searle was diagnosed with a rare and virulent form of breast cancer. Each time she underwent treatment, Ronald produced a Mrs Mole drawing ‘to cheer every dreaded chemotherapy session and evoke the blissful future ahead’. Filled with light and illuminated in glowing colours, the drawings speak of love, optimism and hope. Like the mediaeval illuminated manuscripts such as the 15th-century Les Tres Riches Heures du Duc de Berry, to which the title of this book refers, the 47 drawings are on an intimate scale and were never intended for publication. The story of Monica’s survival against the odds and the part played by the encouragement of her husband will move many people who have either experienced cancer for themselves or been affected through a close family member or friend.

1987 Ah Yes, I Remember it Well; Paris 1961-1975 - published by Pavilion Books, London: