Friday, 16 June 2023

Sandro Botticelli - part 4

At the height of his fame, the Florentine painter and draughtsman Sandro Botticelli (born c1445 - died 1510) was one of the most esteemed artists in Italy. His graceful pictures of the Madonna and Child, his altarpieces and his life-size mythological paintings, such as "Venus and Mars" were immensely popular in his lifetime.

The period from 1478-90 saw Botticelli at his most creative. This was the period during which he produced his famous mythological works, such as 'The Birth of Venus' (in the Uffizi, Florence) and "Venus and Mars". In these he successfully combined a decorative use of line (possibly owing much to his early training as a goldsmith) with elements of the classical tradition, seen in the harmony of his composition and the supple contours of his figures.

During the last 15 years of his life, Botticelli's work appeared to undergo a crisis of style and expression.


The 1490s was a turbulent decade - the Medici had been expelled from Florence and Italy's peace disrupted by invasion and plagues. Botticelli rejected the ornamental charm of his earlier works in favour of a more simplistic approach that seemed crude and heavy-handed by contrast. These later paintings, with their deep moral and religious overtones, also suffered a comparison with the sophisticated aesthetic of artists such as Michelangelo and Raphael. After his death, his name all but disappeared until the late 19th century, when a developing appreciation for Florentine arts and culture brought about a renewed interest in his work.


For a more in-depth biography see part 1, and for earlier works, see parts I - 3 also.


This is part 4 of a 6-part series on the works of Sandro Botticelli:


c1488 The Virgin and Child with Four Angels and Six Saints
tempera on panel 268 x 280 cm
Uffizi Gallery, Florence

c1488 The Virgin and Child with Four Angels and Six Saints detail
tempera on panel 268 x 280 cm
Uffizi Gallery, Florence

c1488 The Virgin and Child with Four Angels and Six Saints detail
tempera on panel 268 x 280 cm
Uffizi Gallery, Florence

1489 St Augustine
fresco 152 x 112 cm
Ognissanti, Florence

1489-90 The Annunciation of Cestello
tempera on panel 150 x 156 cm 
Uffizi Gallery, Florence

1490-92 Coronation of the Virgin (San Marco Altarpiece)
tempera on panel 378 x 258 cm
Uffizi Gallery, Florence

1490-92 Coronation of the Virgin (San Marco Altarpiece) detail
tempera on panel 378 x 258 cm
Uffizi Gallery, Florence

1490-94 St Augustine in his Cell 
tempera on panel 41 x 27 cm 
Uffizi Gallery, Florence

1490-95 Madonna and Child and the Young St John the Baptist
tempera on canvas 134 x 92 cm
Galleria Palatina (Palazzo Pitti), Florence

1490-95 Portrait of Lorenzo di Ser Piero Lorenzi
tempera on panel 50 x 36.5 cm
Museum of Art, Philadelphia, PA

1490-95 The Annunciation
tempera on panel 49.5 x 61.9 cm
Kelvingrove Art Gallery and Museum, Glasgow

1490-95 The Annunciation detail
tempera on panel 49.5 x 61.9 cm
Kelvingrove Art Gallery and Museum, Glasgow

1490-95 The Annunciation detail
tempera on panel 49.5 x 61.9 cm
Kelvingrove Art Gallery and Museum, Glasgow

1490-1500 Virgin and Child and Saint John the Baptist Child
tempera on wood panel 75.5 cm diameter
Art Museum of Sao Paulo, Brazil

c1490-1500 Madonna and Child with the Infant St. John
tempera and oil on poplar panel 93.6 x 76.2 cm
Städel Museum, Frankfurt

c1490-1500 The Adoration of the Christ Child
tempera on panel 125.7 cm diameter
North Carolina Museum of Art, Raleigh, NC

c1490-1500 The Virgin and Child with Saint John and Two Angels
(Workshop of Botticelli)
tempera and oil on wood 114 x 113 cm
The National Gallery, London

c1490 Angel
chalk, traced with pen, washed and heightened with white 26.6 x 16.5 cm
Uffizi Gallery, Florence

1490s Madonna and Child by Workshop of Sandro Botticelli
tempera on panel 84.5 diameter
El Paso Museum of Art, Texas

early1490s Pietà, The Lamentation over the dead Christ
oil on poplar wood panel 140 x 209.2 cm
Alte Pinakothek, Munich

c1490 Pallas
pen and bistre over black chalk on a pink ground 22 x 14 cm
Uffizi Gallery, Florence

c1490 Portrait of a Man
tempera on canvas transferred from wood 49 x 35 cm
Private Collection

c1490 The Madonna of the Pavilion
tempera on panel 65 cm diameter
Veneranda Biblioteca Ambrosiana, Milan

c1490 The Virgin and Child with Saint John and an Angel
(Workshop of Botticelli)
tempera on wood panel 84.5 diameter
The National Gallery, London

c1490 Virgin and Child with Two Angels
tempera on poplar panel 115 cm diameter
Akademie der bildenden Künste, Vienna

c1490 Virgin and Child with Two Angels detail
tempera on poplar panel 115 cm diameter
Akademie der bildenden Künste, Vienna

1490s Portrait of a Youth
medium? on wood panel 57 x 39 cm
Louvre, Paris

1490s St Dominic
tempera and oil on canvas transferred from panel, 45 x 26 cm
The Hermitage, St. Petersburg

1490s The Last Communion of Saint Jerome
tempera and gold on wood 34.3 x 25.4 cm
Metropolitan Museum of Art, New York

1490s Virgin and Child
oil on panel 80 x 51 cm
Private Collection

1491-93 Holy Trinity
tempera on panel 215 x 192 cm
Courtauld Gallery, London
 

1491-94 Trinity with Saint Mary Magdalen and Saint John the Baptist, Archangel Raphael and Tobias
 tempera (and oil?) on panel 214 x 192.4 cm
Courtauld Gallery, London

c1492 Annunciation
tempera on panel 17.7 x 27 cm
The Hyde Collection. Glen Falls, New York

c1493 The Virgin and Child with Three Angels
tempera on panel 65 cm diameter
Pinacoteca Ambrosiana, Milan

1494-95 Calumny of Apelles
tempera on panel 62 x 91 cm
Uffizi Gallery, Florence

1494-95 Calumny of Apelles detail
tempera on panel 62 x 91 cm
Uffizi Gallery, Florence

1494-95 Calumny of Apelles detail
tempera on panel 62 x 91 cm
Uffizi Gallery, Florence

1494-95 Calumny of Apelles detail
tempera on panel 62 x 91 cm
Uffizi Gallery, Florence

1495 Portrait of Dante
tempera on canvas 54.7 x 47.5 cm
Private Collection

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