Giotto di Bondone c1265-1337 was the first of the great Italian painters, active in Florence. He decorated chapels and churches in Assisi, Rome, Padua, Florence, and Naples with frescoes and panel paintings. Because little of his life and few of his works are documented, attributions and a stylistic chronology of his paintings remain problematic and often highly speculative. His works in Rome include the heavily restored mosaic of Christ Walking on the Water over the entrance to St. Peter’s Basilica, and an altarpiece from St. Peter’s, now in the Vatican Museum. In Padua, his fresco of the Last Judgment decorates the western wall of the Arena Chapel, and the rest of the chapel is covered with his narrative frescoes featuring scenes from the lives of the Virgin Mary and Christ. Later in his career he executed frescoes in four chapels in the church of Santa Croce in Florence, two of which survive. In 1334 he was appointed surveyor of Florence Cathedral; his design for the campanile was altered after his death. The most important extant panel painting attributed to him is The Madonna in Glory (c. 1305–10). He achieved great fame in his lifetime, and he is considered the father of European painting for breaking with the impersonal stylisations of Byzantine art and introducing new ideals of naturalism and humanity, three-dimensional space, and three-dimensional form. The course of Italian painting was dominated by his students and followers. His work points to the innovations of the Renaissance style that developed a century later.
For more earlier works and for more biographical information, see part 1 also.
This is part 2 of a 6-part series on the works of Giotto:
1300-05 Scenes from the Life of Joachim, Arena Chapel, Padua :
Rejection of Joachim's Sacrifice fresco 200 x 185 cm |
Rejection of Joachim's Sacrifice detail |
Joachim among the Shepherds fresco 200 x 185 cm |
Joachim among the Shepherds detail |
Annunciation to St. Anne fresco 200 x 185 cm |
Annunciation to St Anne detail |
Joachim's Sacrificial Offering fresco 200 x 185 cm |
Joachim's Sacrificial Offering detail |
Joachim's Dream fresco 200 x 185 cm |
Joachim's Dream detail |
Joachim's Dream detail |
Joachim's Dream detail |
Meeting at the Golden Gate fresco 200 x 185 cm |
Meeting at the Golden Gate detail |
Meeting at the Golden Gate detail |
1300-1400 The Crucifixion:
1300-1400 The Crucifixion by School of Giotto di Bondone tempera on poplar wood panel 136 x 118 cm Musée du Louvre, Paris |
1300-1400 The Crucifixion detail |
1300-1400 The Crucifixion detail |
1300-1400 The Crucifixion detail |
c1305 (completed) Arena Chapel aka Scrovegni Chapel in Padua:
The Scrovegni Chapel, Padua |
Nave of the Scrovegni Chapel towards the entrance |
Section of the wall, showing the setting of the narrative panels |
The centre of the vault, with Madonna and Child as one of the two Suns, and Prophets as Planets |
The Last Judgment |
The Last Judgment |
c1310-15 Peruzzi Altarpiece. North Carolina Museum Art, Raleigh, North Carolina by Giotto & assistants:
Peruzzi Altarpiece polyptych 105.7 x 250 cm |
Christ Blessing tempera and gold leaf on panel 105.7 x 250.2 cm |
St. Francis tempera and gold leaf on panel 62.3 x 42 cm |
St. John the Baptist tempera and gold leaf on panel 62.3 x 42 cm |
St. John the Evangelist tempera and gold leaf on panel 62.3 x 42 cm |
The Virgin tempera and gold leaf on panel 105.7 x 250.2 cm |
1306-10 The Ognissanti Madonna tempera on panel 325 x 204 cm Uffizi Gallery, Florence |
1306-10 The Ognissanti Madonna detail |
1306-10 The Ognissanti Madonna detail |
c1310-15 Madonna and Child tempera on poplar wood panel 85.4 x 61.8 cm Samuel H. Kress Foundation National Gallery of Art, Washington, DC |
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